Act One, Scene One Flashcards

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1
Q

“Over-emphasis on the fatal flaw”-
jealousy reflected in Iago diverts blame from Othello later in the play.
Who said this?

A

Linda Woodbridge

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2
Q

What insinuates Iago breeds racist ideology into Othello- racist ideals come to life in the mind of the White man.

A

Jealousy reflected in Iago from the opening scene.
(mocking Cassio)

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3
Q

Shakespeare establishes the theme of ______ immediately in the opening scene, proliferated by Iago.

A

jealousy

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4
Q

Response to critic identification of jealousy as most prominent theme.

A

Although jealousy - Othello’s apparent hamartia - is prevalent in the play
The main theme appears to be deceit as a key trait of the antagonist, Iago.

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5
Q

Iago’s manipulative deception is established in Act 1, Scene 1 as a primary feature.
With the Biblical allusion __________ foreshadowing the malign depth of his deception revealed later in the play.

A

“I am not what I am” (inverse of “I am that I am” from Exodus)

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6
Q

Iago’s jealousy is projected onto Othello…

A

…stereotypes of Black people only become true with White people’s involvement & imagination.

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7
Q

Iago mocks Cassio, calling him _______ and confirms that he hates Othello.

A

“mere prattle without practice”

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8
Q

By reflecting Othello’s jealousy in Iago’s character from the opening scene, we can assess Othello’s _________ with the increased involvement of Iago and his deceit across the play.

A

culpability for his own downfall

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9
Q

Bringing Iago’s deceit so immediately to the forefront of the play’s opening immediately establishes a subversively critical perspective on…

A

…racial prejudice, as a trait so solidly chained to Black people is initially observed in a White character.

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10
Q

Before Othello enters, Iago has sculpted a negative perception of him, framing him as…

A

…an inept leader and sexually depraved.

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11
Q

‘Southern men are more hot, lascivious and jealous’
Who said this?

A

Robert Burton

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12
Q

Perhaps Shakespeare uses ______ to present Iago as innately evil and sadistic by using symbolism easily recognisable to the religious audience

A

Biblical allusion with “I am not what I am”

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13
Q

Brabantio shows hostility towards Roderigo when he says…

A

‘the worser welcome!’

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14
Q

Desdemona remains unnamed in Act 1, Scene 1, allowing her to take on the role of a symbol for all women (_____) and their desirable, coveted innocence

A

(“maidens”)

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15
Q

Terms linking Desdemona with the ideal of a virtuous woman

A

“Soul”
“White”
“Fair”
“Youth”
“Maidenhood”

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16
Q

Desdemona’s objectification is amplified through the men’s use of possessive language such as…

A

‘your’ and ‘my daughter’

17
Q

Despite her idealisation, Desdemona’s nature is flawed - not due to malice or contempt, but…

A

naivety/immaturity

18
Q

The infantilising language used to describe Desdemona, such as ______ reflects her immaturity

A

‘ewe’, ‘girl’, ‘youth’, ‘Maidenhood’

19
Q

The repeated notion that Desdemona had been seduced or coerced into a relationship with Othello, described as _______, also reflects her immaturity.

A

‘clasps’, ‘abused’, ‘robbing’

20
Q

The initial discussion of Desdemona’s ______ as well as description of her children (nephews, niece) may also describe her fertility and purpose as a mother, considering the way Othello is seen to corrupt it as described with _______

A

‘maidenhood’
‘a black ram’ and ‘you’ll have your nephews neigh…’
(Blackness is seen to corrupt femininity, muddying purity and exploiting fertility)

21
Q

The use of women in Shakespearean tragedy is discussed in _________’s critical analysis as she focuses on tragedy’s _______ personified by the gratuitous denigration of all prominent female characters at the culmination of Shakespearean Tragedy

A

Woodbridge’s
‘anti-fertility agenda’

22
Q

By describing Desdemona’s _________ in the opening of the play, Shakespeare foregrounds the tragic events and remains present in the minds of the audience as the play progresses, emphasising the…

A

fertility and vital womanhood
impact of her eventual demise