Act One, Scene One Flashcards
“Over-emphasis on the fatal flaw”-
jealousy reflected in Iago diverts blame from Othello later in the play.
Who said this?
Linda Woodbridge
What insinuates Iago breeds racist ideology into Othello- racist ideals come to life in the mind of the White man.
Jealousy reflected in Iago from the opening scene.
(mocking Cassio)
Shakespeare establishes the theme of ______ immediately in the opening scene, proliferated by Iago.
jealousy
Response to critic identification of jealousy as most prominent theme.
Although jealousy - Othello’s apparent hamartia - is prevalent in the play
The main theme appears to be deceit as a key trait of the antagonist, Iago.
Iago’s manipulative deception is established in Act 1, Scene 1 as a primary feature.
With the Biblical allusion __________ foreshadowing the malign depth of his deception revealed later in the play.
“I am not what I am” (inverse of “I am that I am” from Exodus)
Iago’s jealousy is projected onto Othello…
…stereotypes of Black people only become true with White people’s involvement & imagination.
Iago mocks Cassio, calling him _______ and confirms that he hates Othello.
“mere prattle without practice”
By reflecting Othello’s jealousy in Iago’s character from the opening scene, we can assess Othello’s _________ with the increased involvement of Iago and his deceit across the play.
culpability for his own downfall
Bringing Iago’s deceit so immediately to the forefront of the play’s opening immediately establishes a subversively critical perspective on…
…racial prejudice, as a trait so solidly chained to Black people is initially observed in a White character.
Before Othello enters, Iago has sculpted a negative perception of him, framing him as…
…an inept leader and sexually depraved.
‘Southern men are more hot, lascivious and jealous’
Who said this?
Robert Burton
Perhaps Shakespeare uses ______ to present Iago as innately evil and sadistic by using symbolism easily recognisable to the religious audience
Biblical allusion with “I am not what I am”
Brabantio shows hostility towards Roderigo when he says…
‘the worser welcome!’
Desdemona remains unnamed in Act 1, Scene 1, allowing her to take on the role of a symbol for all women (_____) and their desirable, coveted innocence
(“maidens”)
Terms linking Desdemona with the ideal of a virtuous woman
“Soul”
“White”
“Fair”
“Youth”
“Maidenhood”