Act 2 Scene 2 Flashcards

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1
Q

“Nor hand, nor foot, nor arm, nor face, nor any other part / Belonging to a man - Juliet

A

Repetition of ‘nor’ emphasises the fact that a name isn’t essential to being a part of a person’s being,

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2
Q

‘Romeo, doff thy name,’ - Juliet

A

Irony is used through their profound desire to change their names, through their adamance and confidence, they are still ultimately defined and doomed by their family and identities

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3
Q

“I’ll be new baptized; / Henceforth I never will be Romeo,” (Love) - Romeo

A

Hyperbole is used to express the extent of his love and readiness to renounce his identity (for Juliet’s sake)

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4
Q

“I’ll be new baptized; / Henceforth I never will be Romeo,” (Religious) - Romeo

A

Semantic field of religion, which perhaps he views their love as holy and pure, or perhaps it is foreshadowing to their marriage, because they need a religious figure to legally marry them be married

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5
Q

‘Neither fair saint, if either thee dislike’ - Romeo (religion)

A

Repetition of semantic field of religion; worshipful tone - Romeo’s view of Juliet’s superiority is emphasised by her position on stage - forced to look up at her

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6
Q

'’My ears have not yet drunk a hundred words, Off that tongue’s utterance, yet I know the sound’’ - juliet (love)

A

She automatically recognises Romeo by the sound of his voice, after such a short time - reflection of her deep interest and fascination for him, really delving deeper into that ‘true love’ idea

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7
Q

‘I’ll be new baptized’

A

religious connotations declares his willingness to abandon identity for love of Juliet - extreme and dramatic

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8
Q

’ The orchard walls are high and hard to climb’

A

establishes an idea of boundaries and borders, which symbolises impediments, for he has climbed (both figuratively and literally) over to her

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9
Q

What’s in a name?
that which we call a rose
By any other name would smell as sweet - Juliet

A

Metaphor used to argue the essential qualities of something (or someone) aren’t changed by what they are called - her defiance

Also a contrast between the flower itself and the substance with its name - the substance wouldn’t change if we changed its name

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10
Q

With love’s light wings did I o’er-perch these walls; For stony limits cannot hold love out (love)

A

Metaphor seems to allude cupid, and personifies love, providing it with light wings, yet strong enough to break down the metaphorical walls of hate and negative feelings

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11
Q

‘Neither fair saint, if either thee dislike

A

Proleptic irony; foreshadows Juliet’s death and helps out the feud, as saints will only become saints when dead

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12
Q

‘Had I written it, I would tear the word’

A

Violent verb - the image suggests Romeo’s offer to destroy his connection with the Montagues for love, through any type of form

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13
Q

‘I’ll be new baptised’ (love)

A

Romeo feels that Juliet’s love will alter him and bless him

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14
Q

Art thou not Romeo and a Montague?

A

Another oxymoron is used through the phrase ‘Romeo and a Montague’, representing both her beloved and her enemy,

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15
Q

Thou art thyself, though not a Montague

A

caesura (punctuation) emphasises Juliet’s contrast to Romeo, (her as a Capulet, him a Montague, using another oxymoron)

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16
Q

‘bescreen’d in night (blinded)

A

Being blinded by love, which suggests that she isn’t realising the danger she is putting herself in because their love is so powerful, that it overshines common sense.