Act 2 Scene 1 Flashcards

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1
Q

Sebastian: ‘He receives…’

A

‘…comfort like cold porridge’

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2
Q

Sebastian: ‘Look, he’s…’

A

‘…winding up the watch of his wit. By and by it will strike’

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3
Q

Antonio: Use of listing and pacy minor sentences

A

‘A cockerel.’
‘A laughter.’
‘Ha, ha, ha!’

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4
Q

Adrian and Sebastian: The air

A

Adrian: ‘The air breathes upon us here most sweetly.’
Sebastian: ‘As if it had lungs, and rotten ones.’

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5
Q

Gonzalo: Lines about the nature of the Island

A
  • ‘Here is everything advantageous to life’

- ‘How lush and lusty the grass looks! How green!’

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6
Q

Sebastian: Gonzalo and truth

A

‘No, he doth but mistake the truth totally.’

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7
Q

Gonzalo: Garments

A
  • ‘…their freshness and gloss, being rather new-dyed than stained with salt water’
  • ‘Methinks our garments are now as fresh as when we put them on first…’
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8
Q

Sebastian: About Claribel’s marriage

A

'’Twas a sweet marriage’

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9
Q

Antonio: Widow Dido

A

‘Widow? A pox o’ that. How came that widow in? Widow Dido!’

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10
Q

Antonio: Gonzalo’s pockets

A

‘If but one of his pockets could speak, would it not say he lies?’

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11
Q

Antonio: Gonzalo’s word

A

‘His word is more than the miraculous harp’

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12
Q

Sebastian and Antonio: Widow Dido

A

Sebastian: ‘Bate, I beseech you, widow Dido.’
Antonio: O, widow Dido? Ay, widow Dido.’

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13
Q

Alonso: First lines, violent imagery, longing for Ferdinand

A

‘You cram these words into mine ears against / The stomach of my sense…what strange fish/ Hath made his meal on thee?’

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14
Q

Sebastian: Vicious and blaming Alonso

A

Alonso: ‘No, no, he’s gone’
Sebastian: ‘Sir, you may thank yourself for this great loss…We have lost your son, / I fear, for ever…/ The fault’s your own’

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15
Q

Gonzalo: Sycophantic response to Sebastian’s bitterness

A

‘My lord Sebastian / The truth you speak doth lack some gentleness … you rub the sore / When you should bring the plaster.’

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16
Q

Gonzalo, Antonio, Sebastian: ‘Foul’ and ‘Fool’ pun

A

Gonzalo: ‘It is a foul weather in us all’
Sebastian: ‘Foul weather?’
Antonio: ‘Very foul’

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17
Q

Gonzalo: Speech based on Montaigne’s ‘Of Cannibals’

A

‘I’th’ commonwealth I would by contraries / Execute all things, for no kind of traffic / Would I admit; no name of magistrate…(no) riches, poverty, and use of service…’

18
Q

Sebastian and Antonio: Mocking Gonzalo

A

Sebastian: ‘Yet he would be king on’t’
Antonio: ‘The latter end of his commonwealth forgets the beginning’

19
Q

Alonso: His mind

A

‘I wish mine eyes / Would, with themselves, shut up my thoughts’

20
Q

Alonso: The charm that sends them to sleep

A

‘Wondrous heavy’

21
Q

Sebastian: Questioning why him and Antonio haven’t been affected by the spell

A

‘Why / Doth it not then our eyelids sink?’

22
Q

Antonio: Describing the spell they are under

A

‘They fell together all, as by consent; / They dropp’d as by a thunder-stroke. What might, worthy Sebastian, O what might-? No more.’

23
Q

Antonio: Key line - crown

A

‘I see it in thy face, what thou shouldst be…/ My strong imagination sees a crown/ Dropping upon thy head’

24
Q

Sebastian: Line following the crown line

A

‘What? Art thou waking?’

25
Q

Sebastian: Speech with a semantic field of sleep

A

‘It is a sleepy language…What is it thou didst stay? This is a strange repose, to be asleep / With eyes wide open - standing, speaking, moving, / And yet so fast asleep?

26
Q

Antonio: Manipulative language

A
  • ‘You must be so too, if heed me; which to do / Trebles thee o’er’
  • ‘Most often do so near the bottom run / By their own fear or sloth.’
27
Q

Sebastian and Antonio: Water references

A

Sebastian: ‘Well, I am standing water?’
Antonio: ‘I’ll teach you how to flow.’

28
Q

Antonio: Sleep

A

‘Thou let’st thy fortune sleep - die, rather; wink’st / Whiles thou art waking.’

29
Q

Antonio: Describing Gonzalo

A

‘This lord of weak remembrance’

‘He’s a spirit of persuasion’

30
Q

Antonio: Hope

A

‘O, out of that no hope / What great hope have you! No hope that way is / Another way so high a hope even / Ambition cannot pierce a wink beyond’

31
Q

Antonio: Controlling fate

A
  • ‘And by that destiny, to perform an act / Whereof what’s past is prologue, what to come / In yours and my discharge.’
  • ‘And how does your content / Tender your own good fortune?’
32
Q

Antonio: Talking about Prospero

A

‘True; / And look how well my garments sit upon me, / Much feater than before. My brother’s servants / Were then my fellows, now they are my men.’

33
Q

Sebastian and Antonio: Conscience

A

Sebastian: ‘But for your conscience?’
Antonio: ‘Ay, sir, where lies that?…Twenty consciences that stand twixt me and Milan, candied be they, and melt ere they molest!’

34
Q

Antonio: Sword

A

‘…with this obedient steel, three inches of it’

35
Q

Antonio: Superiority complex

A

‘For all the rest, / They’ll take suggestion as a cat laps milk; They’ll tell the clock to any business that / We say befits the hour.’

36
Q

Ariel: Conspiracy

A

‘One-eyed conspiracy’

37
Q

Sebastian: Lying

A

‘…we heard a hollow burst of bellowing, / Like bulls, or rather lions - did’t not wake you? It struck mine ear most terribly.’

38
Q

Antonio: Hyperbole

A

‘O, ‘twas a din to fright a monster’s ear, / To make an earthquake. Sure, it was the roar / Of a whole herd of lions.’

39
Q

Gonzalo: Beasts

A

‘Heavens keep him from these beasts! For he is sure i’ th’ island’

40
Q

Ariel: Last lines, rhyming couplet

A

‘Prospero my lord shall know what I have done. / So, king, go safely on to seek thy son.’