Act 2 Flashcards

1
Q

scene 1

A

searching for Romeo. late Sunday night. private scene. Romeo sneaks into the garden to find Juliet. His friends try to find him

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2
Q

[He climbs the wall and leaps down within] scene 1

A

beginning of isolation of the protagonists. metaphorical leap - separation from family and friends

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3
Q

“thou a pop’rin pear!” scene 1

A

Mercutio. contrast between Mercutio and tension as Romeo and Juliet next meeting talk of sex - sensitive

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4
Q

scene 2

A

the balcony scene. sunday night to monday dawn. private scene. the quality of their love is highlighted by structural and linguistic contrast with Mercutio’s bawdy scene beforehand

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5
Q

“what light through yonder window breaks it is the east and Juliet is the sun” scene 2

A

excessive use of light imagery from Romeo - to show beauty and Juliet is metaphorically his whole world

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6
Q

“O that I were a glove upon that hand, that I might touch that cheek!” scene 2

A

extraordinary beauty in love. worshipful imagery. innocent, beautiful love. Romeo’s desire for physical closeness not bawdy

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7
Q

“O Romeo, Romeo! wherefore art thou Romeo?” scene 2

A

Juliet is aware that him being a Montague would be a barrier to their love. divides that exist in their love

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8
Q

“Romeo, doff thy name; and for thy name… take all myself” scene 2

A

Juliet’s soliloquy - inadvertently tells Romeo she would risk all. sexual desire - girl to woman. gives herself completely to him - body and soul

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9
Q

“I’ll be new baptiz’d” scene 2

A

romeo. spiritual element - rebirth - baptised in his love for her - pure love/spiritual love

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10
Q

“love’s light wings” scene 2

A

Romeo personifies love as the one who guided him - real love

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11
Q

“if they do see thee, they will murder thee” “my life was better ended by their hate than death prorogued wanting of thy love” scene 2

A

reminded of conflict their love is borne of. fate and violence

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12
Q

“dost thou love me?… O Romeo… I am too fond” scene 2

A

dutiful girl of act 1 vanished. naivete about her. breaking convention - she asks him to declare his love for her. speaking plainly - pragmatic quality to Juliet. vivid and sympathetic picture of a young girl in love

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13
Q

“it is too rash, too unadvis’d, too sudden” scene 2

A

Juliet. tragic form. warnings of their fate and Juliet’s rising panic. Juliet worried by suddenness of their love or already a shadow of what is to come

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14
Q

“wilt thou leave me so unsatisfied?” scene 2

A

Romeo. sexual love - pure love will be consummated

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15
Q

“if that thy bent to love be honourable, thy purpose marriage, send me word to-morrow” scene 2

A

Juliet. introduces idea of marriage. shows maturity - practical and sentimental. bold goes against tradition - femininity

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16
Q

“love goes toward love as school-boys from their books” scene 2

A

analogy from Romeo suggests he is still a boy and not yet a man. Juliet is the adult

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17
Q

“parting is such sweet sorrow” scene 2

A

Juliet. parting is emphasised by sibilance.

18
Q

scene 3

A

the Friar becomes part of the secret. early monday morning. private scene

19
Q

Friar Lawrence’s soliloquy scene 3

A

to establish character - good natured and skilled in potions. life is fragile and easily lost - juxtaposition is foreshadowing. cyclical nature of life and death. full of rhyming couplets to show time is moving on

20
Q

“poison hath residence, and medicine power” scene 3

A

Friar Lawrence. poison and medicine metaphor for the situation in which Romeo and Juliet discover themselves

21
Q

“the canker death eats up that plant” scene 3

A

Friar Lawrence. learn about his world view - love and hate very closely linked and if hate predominates love will be destroyed

22
Q

Friar Lawrence

A

thinks about wider society of Verona not Romeo specifically

23
Q

“one hath wounded me that’s by me wounded” scene 3

A

Romeo. traditional idea of being hit with cupid’s arrow but it foreshadows violence. goes on to say “holy physic” - healer of bodies and souls through juxtaposition of the two words

24
Q

“old tear that is not wash’d off yet” scene 3

A

Friar. metaphor for wider idea of how quickly Romeo changes as a lover and his hasty decisions

25
Q

“doth grace for grace and love for love allow” scene 3

A

Romeo to Friar. reciprocal love

26
Q

“turn your households rancour to pure love” scene 3

A

Friars motives about Verona - peace - remould state through church

27
Q

“they stumble that run fast” scene 3

A

Friar to Romeo. fate. foreboding and foreshadowing - Romeo’s impatience contributes to their doom

28
Q

scene 4

A

jokes and a wedding. 12 noon on monday. private scene but in arena.

29
Q

Mercutio in scene 4

A

establishing himself as the comic of the play - adds to tragedy when he dies. mocking romeo then they enjoy light hearted banter as Romeo picks up on puns and shows how giddy he has become since he is in love - wit for wit how well matched they are

30
Q

“now art thou sociable, now art thou Romeo” scene 4

A

anaphora from Mercutio shows how courtly love made Romeo unrecognisable

31
Q

“my young lady bid me enquire you out; what she bid me say I will keep to myself” scene 4

A

gone to see Romeo. familial love. Nurse. repetition demonstrates Nurse’s protective nature which contrasts with the coldness of Juliet’s mother

32
Q

Nurse in scene 4

A

Earthly common sense wisdom - Shakespeare might make us question her wisdom later on as she gives Juliet advice to be a bigamist

33
Q

scene 5

A

Juliet waits for news. Early Monday afternoon. private scene.

34
Q

Juliet’s soliloquy in scene 5

A

compare this soliloquy to act 2 scene 2 there she was worried about haste - now she is desperate for Romeo. “sun beams” “hath the wind-swift Cupid wings” - imagery of light - wants her lover. “but old folks - many feign as they were dead” -establishes contrast of generation - old people more considered and have wisdom to take time. Shakespeare makes us feel how Juliet is feeling - impatient

35
Q

“hie you hence to Friar Lawrence’ cell; there stays a husband to make you a wife” scene 5

A

Nurse. encouraging Juliet. wants Juliet to be happy - alliterate - image of the sanctity of marriage -image of religion that binds them together - sexual desire and spiritual desire both connected. antithesis of Friar - Nurse lives moment by moment but both characters are flawed

36
Q

“hie to high fortune!” scene 5

A

Juliet. classic tragic trope - point where fortune is the greatest so the tragedy unfolds

37
Q

scene 6

A

A secret marriage. later monday afternoon. private scene. The scene of marriage is full of images of fate and death - not on stage shows sudden love and swift death - love is more important than their marriage.

38
Q

“love-devouring death” scene 6

A

Romeo. foreshadows his own words after Juliet has died - uses same personification of death

39
Q

“violent delights have violent ends” scene 6

A

Friar. big can burn out quickly. passion burning out. tragic irony. danger of love

40
Q

“blazon it” scene 6

A

Romeo asks Juliet to ‘blazon’ her love -still sense of courtly lover - about himself

41
Q

“my true love is grown to such excess I cannot sum up sum of half my wealth” scene 6

A

Juliet. metaphor for exchange of vows

42
Q

“holy church incorporate two in one”marriage scene 6

A

Friar. marriage sonnet shared between Romeo and Juliet and final 3 lines to Friar. form of unrhymed sonnet - metaphor for the spiritual way Friar Lawrence is bringing them together - idyllic, quiet, secret world. Huge contrast with next scene - world torn apart