Act 1 scene 1 Flashcards

1
Q

Scene 1 plot

A

Iago discusses Cassio’s promotion and hatred for Othello.
Iago and Roderigo tell Brabantio about Desdemona and Othello’s marriage

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2
Q

Scene 1 Roderigo quote

A

‘What thou strings thine purse’

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3
Q

‘What thou strings thine purse’ Theme

A

Naivety

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4
Q

‘What thou strings thine purse’ Meaning

A

Signifies just how incompetent Roderigo is as he has allowed Iago complete control of his life.

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5
Q

What does Iago say about Cassio?

A

‘Mere prattle without practise’

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6
Q

‘Mere prattle without practise’ Theme

A

Reputation and honour

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7
Q

‘Mere prattle without practise’ Technique

A

Plosives

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8
Q

‘Mere prattle without practise’ Meaning

A

Iago undermines Cassio’s knowledge and suitability

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9
Q

What does Iago say about himself?

A

‘I am not what I am’

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10
Q

‘I am not what I am’ Theme

A

Appearence vs reality

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11
Q

‘I am not what I am’ Technique

A

Paradox

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12
Q

‘I am not what I am’ Meaning

A

Juxtaposes with God’s I am what I am. Devil imagery.

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13
Q

‘Look to your house, your bags, your daughter’ Theme

A

Possesion

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14
Q

‘Look to your house, your bags, your daughter’ Technique

A

Listing

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15
Q

‘Look to your house, your bags, your daughter’ Meaning

A

Desdemona listed amongst items of possesion.

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16
Q

‘An old black ram is tupping your white ewe’ Theme

A

Race

17
Q

‘An old black ram is tupping your white ewe’ Technique

A

Metaphor

18
Q

‘An old black ram is tupping your white ewe’ Meaning

A

Racially charged language used to portray Othello’s sexual relationship with Desdemona as unnatural

19
Q

Context Who was in charge? ‘All masters can’t truly be followed’

A

King James

20
Q

Context explanation ‘All masters can’t truly be followed’

A

Audience complicit with Iago’s political ideas of doubt in leadership.Thus, able to engage with his character more.

21
Q

Context explanation ‘Trust not your daughter’s mind’

A

Women shouldn’t be deceptive. Confinement too strict gender stereotype of the period.

22
Q

Love of Iago

A

Othello calls him ‘honest Iago’