Accidental Death Acting Flashcards

1
Q

Why are facial expressions crucial for acting?

A

The ability to use the face to show mood, emotion, and feeling.
crucial for performers to convey emotions and connect with the audience.

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2
Q

What does ‘eye contact’ refer to in the context of performance?

A

Establishing eye contact with another actor or the audience

Eye contact helps create a connection and engage the audience.

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3
Q

Why talk about balance in an acting question?

A

Analyze the distribution of weight in the body
Balance is essential for stability and movement in performance, someone might put weight on certain parts of the body.

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4
Q

What are ‘dynamics’ in physical movement?

A

The range of energy in physical movement, can change the intensity and emotion of a performance.

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5
Q

What does ‘stamina’ refer to in the context of performance?

A

Sustaining prolonged physical and mental effort

Stamina is critical for maintaining performance quality over time.

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6
Q

What does ‘timing’ indicate in performance?

A

Fast/slow tempo of movement

Timing affects how actions are perceived and can enhance comedic or dramatic effects.

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7
Q

Fill in the blank: The ability to use body movement to express an idea, feeling, or mood is known as _______.

A

Gesture

Gestures complement verbal communication in performance.

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8
Q

What does ‘direction’ refer to in a performance context?

A

Where you are going: forwards, backwards, diagonal, sideways

Directional movement contributes to the storytelling aspect of a performance.

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9
Q

Define ‘energy’ in the context of physical performance.

A

The amount of force and mood expressed through the body, significantly impact the audience’s engagement.

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10
Q

What is ‘posture’ and what can it communicate ?

A

A particular stance or position of the body, affects how a performer is perceived and can convey character.

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11
Q

What does ‘awareness’ mean in the context of performance?

A

The ability to use and select the body on stage

Awareness helps performers to respond to their environment and fellow actors.

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12
Q

Define the pitch of a voice

A

The highness or lowness of a sound, crucial for conveying different meanings and emotions in speech.

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13
Q

What does ‘PACE’ refer to in performance?

A

The rate and pace at which words are spoken

Pacing affects the flow and clarity of communication.

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14
Q

What is a ‘PAUSE’ in vocal performance? What can they show?

A

Where dialogue stops, can enhance understanding and emphasize points in speech, also gives actors time to communicate with only their face or bodies for a moment.

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15
Q

What is vocal ‘PROJECTION’ ?

A

The ability to enhance your voice so an audience can hear it clearly
Effective projection ensures that the voice reaches all listeners.

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16
Q

What does ‘VOLUME’ indicate in vocal skills?

A

How loudly/softly words are spoken

Volume control is essential for maintaining audience engagement.

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17
Q

Define ‘ARTICULATION’ in the context of voice.

A

The clarity of voice, annunciation/ pronunciation. Can indicate accents, energy levels and character.
Clear articulation helps the audience understand spoken words.

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18
Q

What does ‘TONE’ refer to in vocal performance?

A

The feelings and emotions in the voice
Tone can significantly affect the interpretation of the message.

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19
Q

What is ‘EMPHASIS’ in speech?

A

Choosing to stress particular meaning In certain words of phrases,
Emphasis can alter the perception of key points in communication.

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20
Q

What does ‘INFLECTION’ mean?

A

The rise and fall of the voice
Inflection adds variety and emotion to speech.

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21
Q

Define ‘ACCENT’ in the context of voice.

A

Particular speech pattern/ sound personal to a country/society/culture
Accents can indicate regional origins, class, and influence communication.

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22
Q

What is the role of ‘BREATHING’ in vocal performance?

A

To allow controlled use of voice
Proper breathing techniques are essential for sustained vocal delivery.
Can indicate stress levels and state of mind.

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23
Q

How would you act as the maniac?

A

Physicality: drawing on Arlecchino- cartwheels, jumping jacks or acrobatics during hyperactive movements/ his political rambles to confuse the other characters on stage, I would also have moments where I’d slip/ stumble/ knock into walls to appear clumsy, to enhance the facade that he is a imbecile, as a means to gain the trust of those on stage, whilst allowing the audience to see through this and be in on the act, also to pay homage to Commedia Dellarte influence. Id change my gait multiple times in accordance to the different disguises he inhibits, such as a light limp, a heavy one for the wooden leg, changing the placement of weight balance in my body.
Voice acting- would also change this accordingly, specific accents for the different disguises. Comedic cockney accent for

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24
Q

What is the purpose of rehearsal questions?

A

To explore the text and make discoveries about characters, relationships, themes, and context.

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25
What does Stanislavski's system provide for actors?
A route map for exploring the conscious road to the gates of the unconscious.
26
How has modern theatre changed since Stanislavski's time?
Theatre of illusion has lost ground; open stages replace proscenium arches, and playwriting has become more documentary and non-naturalistic.
27
Define emotional memory in acting.
Finding a real past experience where the actor felt a similar emotion to that demanded by the role.
28
What are given circumstances?
Information about the character and the play that serves as a starting point for building a character.
29
What is the difference between text and subtext?
Text is the script, while subtext is the actual meaning and motivation behind the spoken lines and actions.
30
What is the 'magic if' in Stanislavski's system?
The technique where the actor asks, 'What would I do if I was in this situation?'
31
What is an objective in acting?
The reason for an actor's actions, expressed in terms of a verb (e.g., 'I wish to...').
32
What is a super-objective?
An overarching goal linked to the overall outcome of the play.
33
What are the three circles of attention according to Stanislavski?
* First circle: focus on oneself * Second circle: awareness of the character being addressed * Third circle: awareness of the rest of the production
34
What is the significance of tempo and rhythm in performance?
Inner and outer tempo and rhythm are vital for truthful enactment of movements and expression of emotions.
35
What is the relationship between physical action and internal action?
Physical action must have inner justification and should match internal actions like 'I persuade' or 'I desire'.
36
How does improvisation contribute to the rehearsal process?
It allows actors to delve deep into their emotions while creating their roles.
37
What does 'bigger and bigger' refer to in rehearsal?
Having actors perform a scene with more energy and exaggerated movements.
38
What are Jacques Lecoq's seven states of tension?
* 0: Complete relaxation * 1: Just enough tension to lift limbs * 2: Tension to stand and walk * 3: Neutral tension * 4: Tension throughout the body, expressing nervousness * 5: Heightened tension with constant movement * 6: Energetic or frantic movement * 7: Total bodily tension
39
What is the purpose of removing dialogue from a scene during rehearsal?
To focus on physicality, body language, and facial expressions to communicate events.
40
How can chorus movement be utilized in performance?
Through synchronized movement, echoed movement, or call and response to create effects.
41
What is the effect of using slow motion in a scene?
It emphasizes the physicality of movement and can create dramatic tension.
42
What is sounds caping?
Creating rhythms and tones with the voice to add atmosphere or background to a scene.
43
What are status games used for in rehearsal?
To help define characters' statuses in their relationships.
44
What does the technique of constriction/liberation involve?
Experiments with limited space and movements transitioning between constriction and freedom.
45
What is the objective of movement to the rhythm of a drum?
To have actors follow changes in pace and dynamics, affecting their movements.
46
What is a repeated mannerism?
A stylized movement or gesture repeated by an actor to define a character.
47
What is a distant fight exercise?
Actors simulate hitting someone far apart while responding as if receiving blows.
48
What are tableaux in performance?
Freeze-frames or still images that suggest movement and relationships.
49
What is mie in Kabuki theatre?
A full-body frozen pose that describes a character, often emotionally expressive.
50
What are Laban effort actions?
* Punch * Press * Dab * Flick * Float * Glide * Slash
51
What is gestus in Brecht's theatre?
A combined attitude and gesture that conveys specific meaning, often related to social standing.
52
What is the term used by Bertolt Brecht to describe a combined attitude and gesture?
Gestus ## Footnote Gestus refers to a physical stance or gesture that has clear and specific meaning, often used to define a character's social standing.
53
How can gestus be utilized in a performance?
To make a scene larger than life, visually dynamic, and strongly expressive ## Footnote The meaning of gestus should remain clear, even when viewed through a pane of frosted glass.
54
What is the purpose of the One Handed Conversation exercise?
To help focus on gesture and control unconscious movement ## Footnote In this exercise, the actor restricts movement to only one arm while keeping the rest of the body rigid.
55
What does the mime exercise encourage actors to explore?
Movement without words ## Footnote Different forms of mime include clown-style and cinematic style, which can blend or be used separately.
56
What is the Animalisation technique meant to develop?
Interesting physicality for a character ## Footnote This technique involves creating a scale between human and animal physicality, experimenting with various stages.
57
What does the Centres of Leading exercise focus on?
How a specific body part can lead movement ## Footnote This exercise is based on the comical characterizations from Commedia Dell’arte.
58
What is the goal of the Actor as Puppet exercise?
To explore control over another actor's movement ## Footnote This can be achieved through points of contact, visual cues, or detailed verbal instructions.
59
What is the Family Portraits exercise designed to develop?
Quick thinking and physical characterisation ## Footnote Actors form a family of a designated type instantly, focusing on filling character gaps.
60
What are the three types of masks mentioned?
* Neutral masks * Expressive masks * Character masks ## Footnote Each type has different features and physicality associated with it, impacting actor performance.
61
What is the Valley of the Giants activity designed to explore?
Interaction with space as if the actor has grown to enormous size ## Footnote Actors then shrink down to interact with their environment as if they are small, enhancing movement detail.
62
What does the Break technique involve?
Dropping character at a dramatic climax to allow the audience to catch up ## Footnote This technique is powerful in performances that frequently address the audience.
63
What is the purpose of the Spotting technique?
To heighten audience involvement by addressing specific audience members ## Footnote This technique can make the performance feel more personal and engaging.
64
Fill in the blank: Gestus is often used as _______ to define a character’s social standing.
Social Gestus ## Footnote Social Gestus refers to body language and gesture that clearly communicates social status.