About Rambert Flashcards

1
Q

What year was modern dance brought to Britain?

A

1960

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2
Q

What did Norman Morrice encourage Marie Rambert to do and in what year?

A

Change the company size, preservation and creation of works.
In 1966

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3
Q

What did Rambert include in 1966?

A

Included

  • Graham technique
  • Guest choreographers
  • Development of touring
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4
Q

When year did Morrice leave?

A

1974

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5
Q

When Morrice left, who took over as Artistic Director at Rambert?

A

Chesworth

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6
Q

When Morrice left what did Chesworth carry on?

A

New works from company members and expanding the repertoire

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7
Q

From 1975- 1985 who did Rambert have a link with?

A

London contemporary dance theatre

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8
Q

In what year was Rambert dance company and London contemporary dance theatre linked?

A

1975-1985

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9
Q

How were Rambert dance company and London contemporary dance theatre linked?

A

Through choreographers Robert North and Richard Alston

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10
Q

In 1980’s Rambert focused on certain choreographers works, who were they?

A

Bruce, Alston and North

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11
Q

What years were North artistic director at Rambert?

A

1981-1986

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12
Q

When North was artistic director what did he want to develop?

A

Physicality, musicality and dramatic quality

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13
Q

What years did Alston become artistic director at Rambert?

A

1986

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14
Q

What did Alston bring into Rambert?

A

The influence of Cunningham technique

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15
Q

What years did Siobhan Davies become associate choreographer at Rambert?

A

1988-1992

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16
Q

In 1988 to 1992 what did Davies become at Rambert?

A

Associate choreographer

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17
Q

Who was Davies influenced by?

A

Cunningham

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18
Q

In what year did Bruce become Artistic Director at Rambert and until when?

A

1994-2002

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19
Q

What did Bruce continue to develop at Rambert?

A

Develop a

  • Range of techniques
  • New works
  • Guest choreographer
  • Repertoire is modern works
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20
Q

In what year did Rambert change the company’s name and what to?

A

1987 to Rambert dance company

21
Q

In 1987 what did Rambert do?

A

Change the company’s name

22
Q

What year was Pierrot Lunaire made and who choreographed it?

A

1967, Glen Tetley

23
Q

What year was Cruel garden made and who choreographed it?

A

1977, Christopher Bruce

24
Q

What year was Celebration made and who choreographed it?

A

1979, Siobhan Davies

25
Q

What year was The tempest made and who choreographed it?

A

1979, Glen Tetley

26
Q

What year was Ghost Dances made and who choreographed it?

A

1981, Christopher Bruce

27
Q

What year was Lonely Town, Lonely street made and who choreographed it?

A

1981, Robert North

28
Q

What year was Rushes made and who choreographed it?

A

1987, Siobhan Davies

29
Q

What year was Strong language made and who choreographed it?

A

1987, Richard Alston

30
Q

What year was Plainsong made and who choreographed it?

A

1991, Siobhan Davies

31
Q

What year was Winnsboro cotton mill blues made and who choreographed it?

A

1992, Siobhan Davies

32
Q

What year was Rooster made and who choreographed it?

A

1994, Christopher Bruce

33
Q

What year was Swansong made and who choreographed it?

A

1987

34
Q

Post war what was Rambert performing and give an example?

A

classical ballets eg Giselle

35
Q

Where had Morrice been previously to Rambert and learning what?

A

America where he was taught graham technique

36
Q

When Tetley remounted Pierrot Lunsford what did he include?

A

Graham technique including

  • contractions
  • exaggerated facial expressions
37
Q

What was Chesworth interested in when he was Artistic Director?

A

Educational work

38
Q

What year was there no artistic director and why?

A

1993, no money or touring

39
Q

What happened in 1993?

A

No artistic director

40
Q

What was Morrice first piece on Rambert?

A

Two brothers

41
Q

After making two brother on Rambert what did Marie Rambert let Morrice do?

A

Choreograph a dance piece every year

42
Q

In what year do Morrice go to America?

A

1962

43
Q

When Morrice went to America what did he study?

A

Graham technique

44
Q

Before Morrice went to America his pieces were?

A

Theatrical pieces

45
Q

After Morrice had been to America his prieces became more?

A

Contemporary

46
Q

When Morrice was artistic director who did he invite to work with Rambert?

A

American choreographers including Glen Tetley

47
Q

When Morrice was artistic director what did he downsize?

A

The dancers as they went down to 17 leaner dancers and smaller theatres

48
Q

What did Chesworth have a good reputation for?

A

Coach of performers and nurturer of young choreographers

49
Q

After Chesworth enrolled at Rambert, after 18 months he was asked to what and for how many years?

A

Work for Rambert and did so for 28 years