A Streetcar Named Desire Key Quotes Flashcards

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1
Q

A Streetcar Named Desire

A

Metaphorical – Blanche’s desires are what brought her to both New Orleans and her lowly state. The streetcar shows that this is inescapable and inevitable, she cannot get rid of her desire/fate

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2
Q

“a street in New Orleans which is named Elysian Fields”

A

Ironic: New Orleans is a working class area, but the location is named after a Greek mythological idea of the land of the dead, in which heroes are sent. Symbolic resting place that foreshadows Blanche’s looming fate

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3
Q

“White frame” “faded white” “white building” “peculiarly tender blue” “turquoise” “lyricism” “warm breath” Vs. “weathered grey” “dim white” “atmosphere of decay”

A

Contrast between beauty and disfigurement show how the beauty of the Old South is fading, replaced by the birth of the New South. Oxymoronic phrase “dim white” shows how purity is fading.

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4
Q

“Her appearance is incongruous to this setting”, “she is daintily dressed”, “delicate beauty” and draped in “white”, “moth”, “her delicate beauty must avoid a strong light”

A

Classism – she’s clearly from upper class society and is disgusted by the diversity of New Orleans. Williams evokes images of purity and fragility within her character, but this juxtaposes the ‘weathered’ and warm depiction of New Orleans emphasising the significance of Blanche’s entrance as she represents the traditional ‘pure’ values of the Old South. Fragile, vulnerable and attracted to danger just like a moth to fire. Moreover, the fragility in Blanche’s pure appearance is tainted by Williams metaphor of her ‘moth-like’ character Here the motif of light starts reflecting the truth and reality of the new south and Blanche’s refusal to accept it. This links to the idea of expressionism vs realism presented in the play, as B. is an expressionist character in a realist play which theatrically puts her out of place and reflects the idea that she does not belong in this new setting of the south.

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5
Q

“They told me to take a streetcar named Desire, and then transfer to one called Cemeteries and ride six blocks and get off at – Elysian Fields!”

A

This quote foreshadows the events of the play. The streetcar represents Blanche’s original choice to follow her desires and then ultimately her lack of control of the predestined ‘streetcar’ destination, Elysian Fields which is the resting ground for heroes in Greek mythology (signifies her as a tragic hero, inevitability, tragedy, Aristotle)

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6
Q

“She’s got the downstairs here and I got the up.”

A

Represents how Stella has decreased her social status within the class system to “downstairs”

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7
Q

“And turn that over-light off! Turn that off!”

A

Light metaphorically exposes Blanche’s wrongdoings, so she must avoid it

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8
Q

“I was on the verge of – lunacy”

A

Structurally, the hyphen reflects Blanche’s awareness of her mental state, but chooses to ignore it

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9
Q

“They’re something like Irish, aren’t they?”

A

3rd person pronoun highlights the racial divide and her racist generalisations. Reflects her snobbish façade and her desperate desire to cling onto those outdated perception of the world and social hierarchy

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10
Q

“Stanley throws the screen door of the kitchen open and comes in.”

A

Dominant and aggressive. In fact, throughout the play most stage directions associated with Stanley are somewhat violent. Important here is the way in which Stanley does not simply open the door but throws it open. All of his movements seem to exude aggression and power.

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11
Q

“Blanche is bathing”

A

Her frequent baths symbolise her yearning from emotional cleansing and her Southern Belle characteristics

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12
Q

“I have a lawyer acquaintance who will study these out.”

A

To an extent, Stanley here is less powerful as he needs to ask for help to understand the documents, showing his lack of intelligence. This reveals his façade of wisdom and knowledge which appears to be false, shown through the way in which he speaks (colloquial and comfortable manner) in comparison to Blanche’s refined language

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13
Q

“the blue piano sounds louder”

A

Plastic theatre symbolises Blanche’s heightened emotional damage

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14
Q

“Stanley gives a loud whack of his hand on her thigh”

A

Sexual, physical aggression present in their relationship, showing possessive behaviour

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15
Q

“Lunacy, absolute lunacy” vs “There’s nothing to be scared of. They’re crazy about each other”

A

Blanche is not used to Stanley’s violence and is shocked, however, no one else around her seems as terrified as she does. Mitch’s dismissal of the events reflects the idea that violence is an everyday part of the society in Elysian fields. This also provides more evidence to support the idea that their relationship is so turbulent that violence is inevitable.

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16
Q

“He smashed all the light – bulbs with the heel of my slipper! [she laughs]”, “I was – sort of – thrilled by it.”

A

Stella is deluded and justifies/idealises their toxic relationship. Again, this shows Stanley’s aggressive behaviour, which seems to be normalised.

17
Q

“He acts like an animal, has animal habits! Eats like one, moves like one, talks like one!”
“ape-like”
“Stanley Kowalski – survivor of the Stone Age!”
“jungle […] grunt […] gnawing […] hulking […] apes […] growls”
“Don’t – don’t hang back with the brutes!”

A

Semantic field of animalistic behaviour reinforces Stanley’s primitive violence. All sentences end with exclamation marks reveals desperation and scripted non-fluency reveals emotion and mental instability.

18
Q

“You hit me! I’m gonna call the police!” and then Stella states “Eunice seems to be having some trouble with Steve”

A

The domestic incident between Steve and Eunice is evidence for the general relationships between men and women in Elysian fields. Stella’s nonchalance supports the idea that this is not unusual.

19
Q

“Have got to be seductive”
“temporary magic just in order to pay for – one night’s shelter!”
“I’ve run for protection… from under one leaky roof to another leaky roof”
“because it was storm – all storm, and I was – caught in the centre…”
“shimmer and glow”

A

Scripted non-fluency shows Blanche’s struggle to express the truth. She weaponises her sexuality and knows it won’t last – image of magic juxtaposes the practical image of shelter. Use of euphemism shows how she is still concealing the truth; theatrical and exaggerated. Blanche uses vivid imagery to disguise her transgressions. The metaphor for the men she slept with – vulnerable, unstable – admits something taboo and transgressive.

20
Q

“Voulez – vous couches avec moi ce soir?”

A

French fantasy, mocking/showing off, pretentious class gulf

21
Q

“He’d struck the revolver into his mouth and fired.”
“I know! I know! You disgust me…”
“the searchlight which had been turned on the world was turned off again”

A

Trauma and death. Reflects William’s struggle of homosexuality within a country/time in which it was illegal. Motif of light/shade shows traumatising effects of his death. The metaphor of ‘searchlight’ suggest imagery of rescue and salvation. After Allan’s death there is no real hope for Blanche (inevitability/tragedy)

22
Q

“What – contemptible – lies!”

A

Stella’s refusal to believe the truth foreshadows her inability to believe the rape occurred. Like Blanche, Stella’s view of reality is tainted by fantasy

23
Q

“She’s not staying here after Tuesday. You know that don’t you? Just to make sure I bought her a ticket myself. A bus – ticket!”

A

Stanley intends to taunt Blanche with a one way ticket back to Laurel (escalating misogyny). The communal, lower class transport shows how Stanley takes pleasure in Blanche’s pain

24
Q

“Remember what Huey Long said – ‘Every Man is a King’”

A

Huey Long was a Louisiana populist politician of the 20s/30s who championed the working class. This, again, shows Stanley’s male dominance and the class clash between the Old and New South

25
Q

“I pulled you down off them columns”
“he hurls a cup and saucer to the floor”

A

Aggressive and dominant (misogynist). We see how Stanley uses physical violence to invoke fear in the women and also to assert himself over them. Throughout the play, this motif is often used in order to convey the continuing conflict between men and women, with the men often employing their physical prowess to overpower or strike fear into the women. Here, Stanley is responding to Stella’s attempt to order him to clear the table with an act of violence which results in her crying weakly.

26
Q

“What do you want?”
“[fumbling to embrace her] What I been missing all summer.”
“You’re not clean enough to bring in the house with my mother.”

Belle Reve
Laurel
Elysian fields
Hotel Flamingo Places mirror characters’ beautiful but sinister past. Blanche as an external Southern Belle vs. internal breakdown
Mirror of new south and new social order or the ‘American dream’

A

Mitch’s intention to rape her reinforces ideas of male violence/dominance. Blanche’s impurity makes her dirty, but Mitch’s doesn’t because he is a man

27
Q

“We’ve had this date with each other from the beginning! [He picks up her inert figure and carries her to the bed]”

A

Stanley’s successful rape of Blanche is the climactic point of this play. Such a violent and deplorable crime is the epitome of violence in the play and serves to reflect the objectification of women in the society, whilst simultaneously asserting the men’s power over them.

28
Q

“This game is seven- card stud.”

A

Last line of the play. A very changing game reflects how the Kowalski household is ever changing as well. The traditional ‘five card stud’ is an old game and this is a new one. Blanche represents the old game (now lost) and Stanley is triumphant as life in the New South resumes.

29
Q

Belle Reve
Laurel
Elysian fields
Hotel Flamingo

A

Places mirror characters’ beautiful but sinister past. Blanche as an external Southern Belle vs. internal breakdown
Mirror of new south and new social order or the ‘American dream’