a streetcar named desire critics Flashcards
Tony Coult: s k i a s o t m w a m w a w o m a h i b
‘Stanley Kowalski is a symbol of this modern world, a masculine world, a world of machines and harsh individualistic brutality’
Samuel Tapp: s i a v o a m I t r a h d b h a a s d h
‘It can be argued that Stanley is a victim of a masculine ideology that rewards and heroises direct brutal honesty and as such dehumanises him’
Dusenbury: r i u f b s s s i i
‘reality is unbearable for blanche, so she slips into insanity’
Phillip Allan: b t t l n f s
‘blanche tells the lies necessary for survival
Elia Kazan: s i a r g w h f a k o s o r b a a t p
‘Stella is a refined girl who has found a kind of salvation or realization but at a terrific price’
Michael Hopper: i i p t s s a t c b o w b a s f p o w e f v
‘it is possible to see Stella as the crucial battleground over with Blanche and Stanley fight, possession of which ensures final victory’
Philip Kolin: m i u t r h l t j t t m m s
‘Mitch is unable to rape her, leaving the job to the more manly Stanley’
Philip Kolin: m i b b v a o
‘Mitch is both Blanche’s victims and oppressor’