A Raisen In The Sun Flashcards

1
Q

undistinguished

A
  1. undistinguished (adj) common; nothing special (23)
    “The YOUNGER living room would be a comfortable and
    well-ordered room if it were not for a number of
    indestructible contradictions to this state of being. Its
    furnishings are typical and undistinguished and their
    primary feature now is that they have clearly had to
    accommodate the living of too many people for too many
    years—and they are tired.” (23)
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2
Q

pretense

A

pretense (n) pretending or feigning; make-believe; a false show of something (24)

“uniformity, elsewhere on its surface. Weariness has, in fact, won in this room. Everything has
been polished, washed, sat on, used, scrubbed too often.
All pretenses but living itself have long since vanished
from the very atmosphere of this room. Moreover, a section of this room, for it is not really a
room unto itself, though the landlord’s lease would make it

seem so, slopes backward to provide a small kitchen
area, where the family prepares the meals that are eaten
in the living room proper, which must also serve as dining
room.” (24)

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3
Q

exasperated

A

exasperated (adj) irritated; provoked; irked (28)
“uniformity, elsewhere on its surface. Weariness has, in fact, won in this room. Everything has
been polished, washed, sat on, used, scrubbed too often.
All pretenses but living itself have long since vanished
from the very atmosphere of this room. Moreover, a section of this room, for it is not really a
room unto itself, though the landlord’s lease would make it

seem so, slopes backward to provide a small kitchen
area, where the family prepares the meals that are eaten
in the living room proper, which must also serve as dining
room.
” 28

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4
Q

Viciously

A

viciously (adv) with violence or fury (29)
“TRAVIS (Presently) Could I maybe go carry some groceries
in front of the supermarket for a little while after school
then?
RUTH Just hush, I said. (Travis jabs his spoon into his
cereal bowl viciously, and rests his head in anger upon
his fists) If you through eating, you can get over there and make up your bed.
(The boy obeys stiffly and crosses the room,
almost mechanically, to the bed and more or
less folds the bedding into a heap, then angrily
gets his books and cap)
TRAVIS (Sulking and standing apart from her unnaturally)
I’m gone.
” (29)

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5
Q

Vindicated

A

vindicated (v) cleared of accusation, blame, or doubt (30)
“ TRAVIS (With conspicuously brushed hair and jacket) I’m
gone.
RUTH Get carfare and milk money—(Waving one finger)—
and not a single penny for no caps, you hear me?
TRAVIS (With sullen politeness) Yes’m.

(He turns in outrage to leave. His mother
watches after him as in his frustration he
approaches the door almost comically. When
she speaks to him, her voice has become a very
gentle tease)
RUTH (Mocking; as she thinks he would say it) Oh, Mama makes me so mad sometimes, I don’t know what to do!
(She waits and continues to his back as he stands
stock-still in front of the door) I wouldn’t kiss that woman
good-bye for nothing in this world this morning! (The boy
finally turns around and rolls his eyes at her, knowing
the mood has changed and he is vindicated; he does
not, however, move toward her yet) Not for nothing in this
world! (She finally laughs aloud at him and holds out
her arms to him and we see that it is a way between
them, very old and practiced. He crosses to her and
allows her to embrace him warmly but keeps his face
fixed with masculine rigidity. She holds him back from
her presently and looks at him and runs her fingers
over the features of his face. With utter gentleness—)
Now—whose little old angry man are you?
”(30)

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5
Q

proposition

A

proposition (n) a suggested plan (33)
“TRAVIS (With conspicuously brushed hair and jacket) I’m
gone.
RUTH Get carfare and milk money—(Waving one finger)—
and not a single penny for no caps, you hear me?
TRAVIS (With sullen politeness) Yes’m.

(He turns in outrage to leave. His mother
watches after him as in his frustration he
approaches the door almost comically. When
she speaks to him, her voice has become a very
gentle tease)
RUTH (Mocking; as she thinks he would say it) Oh, Mama makes me so mad sometimes, I don’t know what to do!
(She waits and continues to his back as he stands
stock-still in front of the door) I wouldn’t kiss that woman
good-bye for nothing in this world this morning! (The boy
finally turns around and rolls his eyes at her, knowing
the mood has changed and he is vindicated; he does
not, however, move toward her yet) Not for nothing in this
world! (She finally laughs aloud at him and holds out
her arms to him and we see that it is a way between
them, very old and practiced. He crosses to her and
allows her to embrace him warmly but keeps his face
fixed with masculine rigidity. She holds him back from
her presently and looks at him and runs her fingers
over the features of his face. With utter gentleness—Now—whose little old angry man are you?
”(33)

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6
Q

Sullen

A

sullen (adj) showing irritation or ill humor by a gloomy silence or reserve (29)
“TRAVIS (With conspicuously brushed hair and jacket) I’m
gone.
RUTH Get carfare and milk money—(Waving one finger)—
and not a single penny for no caps, you hear me?
TRAVIS (With sullen politeness) Yes’m.

(He turns in outrage to leave. His mother
watches after him as in his frustration he
approaches the door almost comically. When
she speaks to him, her voice has become a very
gentle tease)
RUTH (Mocking; as she thinks he would say it) Oh, Mama makes me so mad sometimes, I don’t know what to do!
(She waits and continues to his back as he stands
stock-still in front of the door) I wouldn’t kiss that woman
good-bye for nothing in this world this morning! (The boy
finally turns around and rolls his eyes at her, knowing
the mood has changed and he is vindicated; he does
not, however, move toward her yet) Not for nothing in this
world! (She finally laughs aloud at him and holds out
her arms to him and we see that it is a way between
them, very old and practiced. He crosses to her and
allows her to embrace him warmly but keeps his face
fixed with masculine rigidity. She holds him back from
her presently and looks at him and runs her fingers
over the features of his face. With utter gentleness—)
Now—whose little old angry man are you?
”(29)

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7
Q

vengeance

A

vengeance (n) revenge (35)
“TRAVIS (With conspicuously brushed hair and jacket) I’m
gone.
RUTH Get carfare and milk money—(Waving one finger)—
and not a single penny for no caps, you hear me?
TRAVIS (With sullen politeness) Yes’m.

(He turns in outrage to leave. His mother
watches after him as in his frustration he
approaches the door almost comically. When
she speaks to him, her voice has become a very
gentle tease)
RUTH (Mocking; as she thinks he would say it) Oh, Mama makes me so mad sometimes, I don’t know what to do!
(She waits and continues to his back as he stands
stock-still in front of the door) I wouldn’t kiss that woman
good-bye for nothing in this world this morning! (The boy
finally turns around and rolls his eyes at her, knowing
the mood has changed and he is vindicated; he does
not, however, move toward her yet) Not for nothing in this
world! (She finally laughs aloud at him and holds out
her arms to him and we see that it is a way between
them, very old and practiced. He crosses to her and
allows her to embrace him warmly but keeps his face
fixed with masculine rigidity. She holds him back from
her presently and looks at him and runs her fingers
over the features of his face. With utter gentleness—)
Now—whose little old angry man are you?
”(35)

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8
Q

Tentativley

A
  1. tentatively (adv) uncertainly (44)
    “MAMA I ain’t rightly decided. (Thinking. She speaks now
    with emphasis) Some of it got to be put away for
    Beneatha and her schoolin’—and ain’t nothing going to
    touch that part of it. Nothing. (She waits several seconds,
    trying to make up her mind about something, and looks
    at RUTH a little tentatively before going on) Been thinking

that we maybe could meet the notes on a little old two-
story somewhere, with a yard where Travis could play in

the summertime, if we use part of the insurance for a
down payment and everybody kind of pitch in. I could maybe take on a little day work again, few days a week —
RUTH (Studying her mother-in-law furtively and
concentrating on her ironing, anxious to encourage
without seeming to) Well, Lord knows, we’ve put enough
rent into this here
”(44)

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9
Q

Furtively

A
  1. furtively (adv) stealthily; in a way that hides motive (44)
    “MAMA I ain’t rightly decided. (Thinking. She speaks now
    with emphasis) Some of it got to be put away for
    Beneatha and her schoolin’—and ain’t nothing going to
    touch that part of it. Nothing. (She waits several seconds,
    trying to make up her mind about something, and looks
    at RUTH a little tentatively before going on) Been thinking

that we maybe could meet the notes on a little old two-
story somewhere, with a yard where Travis could play in

the summertime, if we use part of the insurance for a
down payment and everybody kind of pitch in. I could maybe take on a little day work again, few days a week —
RUTH (Studying her mother-in-law furtively and
concentrating on her ironing, anxious to encourage
without seeming to) Well, Lord knows, we’ve put enough
rent into this here

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10
Q

futile

A

. futile (adj) useless (45)
“MAMA I ain’t rightly decided. (Thinking. She speaks now
with emphasis) Some of it got to be put away for
Beneatha and her schoolin’—and ain’t nothing going to
touch that part of it. Nothing. (She waits several seconds,
trying to make up her mind about something, and looks
at RUTH a little tentatively before going on) Been thinking

that we maybe could meet the notes on a little old two-
story somewhere, with a yard where Travis could play in

the summertime, if we use part of the insurance for a
down payment and everybody kind of pitch in. I could maybe take on a little day work again, few days a week —
RUTH (Studying her mother-in-law furtively and
concentrating on her ironing, anxious to encourage
without seeming to) Well, Lord knows, we’ve put enough
rent into this here

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11
Q

tyrant

A

tyrant (n) dictator; harsh ruler (52)
“MAMA I ain’t rightly decided. (Thinking. She speaks now
with emphasis) Some of it got to be put away for
Beneatha and her schoolin’—and ain’t nothing going to
touch that part of it. Nothing. (She waits several seconds,
trying to make up her mind about something, and looks
at RUTH a little tentatively before going on) Been thinking

that we maybe could meet the notes on a little old two-
story somewhere, with a yard where Travis could play in

the summertime, if we use part of the insurance for a
down payment and everybody kind of pitch in. I could maybe take on a little day work again, few days a week —
RUTH (Studying her mother-in-law furtively and
concentrating on her ironing, anxious to encourage
without seeming to) Well, Lord knows, we’ve put enough
rent into this here

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12
Q

mutilated

A
  1. mutilated (adj) maimed; damaged (61)

“BENEATHA I’m afraid they need more salvation from the
British and the French.
(RUTH comes in forlornly and pulls off her coat
with dejection. They both turn to look at her)
RUTH (Dispiritedly) Well, I guess from all the happy faces—
everybody knows.
BENEATHA You pregnant?
MAMA Lord have mercy, I sure hope it’s a little old girl.
Travis ought to have a sister.

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12
Q

forlornly

A

forlornly (adv) pitifully; desperately; hopelessly (57)
“BENEATHA I’m afraid they need more salvation from the
British and the French.
(RUTH comes in forlornly and pulls off her coat
with dejection. They both turn to look at her)
RUTH (Dispiritedly) Well, I guess from all the happy faces—
everybody knows.
BENEATHA You pregnant?
MAMA Lord have mercy, I sure hope it’s a little old girl.
Travis ought to have a sister.

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13
Q

assimilationism

A

assimilationism (n) belief that minority cultures should be absorbed into a dominant culture (63)

“ASAGAI (Still teasing and reaching out and taking her face
in his hands and turning her profile to him) Well … it is
true that this is not so much a profile of a Hollywood
queen as perhaps a queen of the Nile—(A mock
dismissal of the importance of the question) But what
does it matter? Assimilationism is so popular in your
country.
BENEATHA (Wheeling, passionately, sharply) I am not an
assimilationist!
ASAGAI (The protest hangs in the room for a moment and
ASAGAI studies her, his laughter fading) Such a serious
one. (There is a pause) So—you like the robes? You must take excellent care of them—they are from my
sister’s personal wardrobe.

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14
Q

insinuatingly

A

insinuatingly (adv) with more meaning than is spoken; implied (66)

“ASAGAI Ah-sah-guy …
MAMA Yes … Do come again.
ASAGAIGood-bye.
(He exits)
MAMA (After him) Lord, that’s a pretty thing just went out
here! (Insinuatingly, to her daughter) Yes, I guess I see
why we done commence to get so interested in Africa
’round here. Missionaries my aunt Jenny!
(She exits)
BENEATHA Oh, Mama! …

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15
Q

arrogant

A

arrogant (adj) proud; haughty (76)
“MAMA (After him) Lord, that’s a pretty thing just went out
here! (Insinuatingly, to her daughter) Yes, I guess I see
why we done commence to get so interested in Africa
’round here. Missionaries my aunt Jenny!
(She exits)
BENEATHA Oh, Mama! …
(She picks up the Nigerian dress and holds it up
to her in front of the mirror again. She sets the
headdress on haphazardly and then notices her
hair again and clutches at it and then replaces
the headdress and frowns at herself. Then she
starts to wriggle in front of the mirror as she
thinks a Nigerian woman might. TRAVIS enters
and stands regarding her)
TRAVIS What’s the matter, girl, you cracking up?
BENEATHA Shut up.

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15
Q

haphazardly

A

haphazardly (adv) carelessly (66)

“MAMA (After him) Lord, that’s a pretty thing just went out
here! (Insinuatingly, to her daughter) Yes, I guess I see
why we done commence to get so interested in Africa
’round here. Missionaries my aunt Jenny!
(She exits)
BENEATHA Oh, Mama! …
(She picks up the Nigerian dress and holds it up
to her in front of the mirror again. She sets the
headdress on haphazardly and then notices her
hair again and clutches at it and then replaces
the headdress and frowns at herself. Then she
starts to wriggle in front of the mirror as she
thinks a Nigerian woman might. TRAVIS enters
and stands regarding her)
TRAVIS What’s the matter, girl, you cracking up?
BENEATHA Shut up.

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16
Q

eccentric

A

eccentric (adj) deviating from the norm; strange (80)
“MAMA (After him) Lord, that’s a pretty thing just went out
here! (Insinuatingly, to her daughter) Yes, I guess I see
why we done commence to get so interested in Africa
’round here. Missionaries my aunt Jenny!
(She exits)
BENEATHA Oh, Mama! …
(She picks up the Nigerian dress and holds it up
to her in front of the mirror again. She sets the
headdress on haphazardly and then notices her
hair again and clutches at it and then replaces
the headdress and frowns at herself. Then she
starts to wriggle in front of the mirror as she
thinks a Nigerian woman might. TRAVIS enters
and stands regarding her)
TRAVIS What’s the matter, girl, you cracking up?
BENEATHA Shut up.

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17
Q

oppressive

A

. oppressive (adj) tyrannical (81)

“Enduring Passion,” Amiri Baraka comments aptly: “We missed the essence of the work—that Hansberry had
created a family on the cutting edge of the same class and
ideological struggles as existed in the movement itself and
among the people…. The Younger family is part of the
black majority, and the concerns I once dismissed as
‘middle class’—buying a home and moving into ‘white
folks’ neighborhoods’—are actually reflective of the
essence of black people’s striving and the will to defeat
segregation, discrimination, and national oppression.
There is no such thing as a ‘white folks’ neighborhood’
except to racists and to those submitting to racism.”3
Mama herself—about whose “acceptance” of her “place”
in the society there is not a word in the play, and who, in

quest of her family’s survival over the soul- and body-
crushing conditions of the ghetto, is prepared to defy

housing-pattern taboos, threats, bombs, and God knows
what else—became the safely “conservative” matriarch,
upholder of the social order and proof that if one only

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18
Q

cliché

A

cliché (n) trite or overused expression or idea (82)
“BENEATHA GRASS HUTS! (RUTH crosses to her and
forcibly pushes her toward the bedroom) See
there … you are standing there in your splendid
ignorance talking about people who were the first to
smelt iron on the face of the earth! (RUTH is pushing her
through the door) The Ashanti were performing surgical
operations when the English—(RUTH pulls the door to,
with BENEATHA on the other side, and smiles graciously
at GEORGE. BENEATHA opens the door and shouts the
end of the sentence defiantly at GEORGE)—were still
tattooing themselves with blue dragons! (She goes back
inside)
RUTH Have a seat, George (They both sit. RUTH folds her
hands rather primly on her lap, determined to
demonstrate the civilization of the family) Warm, ain’t it?
I mean for September. (Pause) Just like they always say
about Chicago weather: If it’s too hot or cold for you, just

wait a minute and it’ll change. (She smiles happily at
this cliché of clichés) Everybody say it’s got to do with
them bombs and things they keep setting off. (Pause)
Would you like a nice cold beer?

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19
Q

plaintively

A

plaintively (adv) sorrowfully; pathetically (86)

“WALTER (Yelling) Don’t start!
RUTH Start what?
WALTER Your nagging! Where was I? Who was I with? How much money did I spend?
RUTH (Plaintively) Walter Lee—why don’t we just try to talk
about it …
WALTER (Not listening) I been out talking with people who
understand me. People who care about the things I got
on my mind.
RUTH (Wearily) I guess that means people like Willy Harris.
WALTER Yes, people like

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20
Q

menacingly

A

menacingly (adv) threateningly (90)
“TRAVIS (To his mother) Mama, I—
RUTH “Mama I” nothing! You’re going to get it, boy! Get on in
that bedroom and get yourself ready!
TRAVIS But I—
MAMA Why don’t you all never let the child explain hisself.
RUTH Keep out of it now, Lena.
(MAMA clamps her lips together, and RUTH
advances toward her son menacingly)
RUTHA thousand times I have told you not to go off like that —
MAMA (Holding out her arms to her grandson) Well—at
least let me tell him something. I want him to be the first
one to hear … Come here, Travis. (The boy obeys,
gladly) Travis—(She takes him by the shoulder and
looks into his face)—you know that money we

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21
Q

exuberant

A

exuberant (adj) marked by unrestrained enthusiasm (93)
“MAMA Them houses they put up for colored in them areas
way out all seem to cost twice as much as other houses. I
did the best I could.
RUTH (Struck senseless with the news, in its various
degrees of goodness and trouble, she sits a moment,
her fists propping her chin in thought, and then she
starts to rise, bringing her fists down with vigor, the
radiance spreading from cheek to cheek again) Well—
well!—All I can say is—if this is my time in life—MY TIME —to say good-bye—(And she builds with momentum as
she starts to circle the room with an exuberant, almost
tearfully happy release)—to these goddamned cracking
walls!—(She pounds the walls)—and these marching
roaches!—(She wipes at an imaginary army of marching roaches)—and this cramped little closet which
ain’t now or never was no kitchen! … then I say it loud
and good, HALLELUJAH! AND GOOD-BYE
MISERY … I DONT NEVER WANT TO SEE YOUR
UGLY FACE AGAIN! (She laughs joyously, having
practically destroyed the apartment, and flings her arms
up and lets them come down happily, slowly,
reflectively, over her abdomen, aware for the first time
perhaps that the life therein pulses

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22
presumably
presumably (adv) probably; reasonably supposed (96) “Time: Friday night. A fewweeks later. At rise: Packing crates mark the intention of the family to move. BENEATHA and GEORGE come in, presumably from an evening out again. GEORGE O.K. ... O.K., whatever you say ... (They both sit on the couch. He tries to kiss her. She moves away) ”
23
rebuff
rebuff (n) blunt refusal (96) “GEORGE (Exasperated; rising) I know it and I don’t mind it sometimes ... I want you to cut it out, see—The moody stuff, I mean. I don’t like it. You’re a nice-looking girl ... all over. That’s all you need, honey, forget the atmosphere. Guys aren’t going to go for the atmosphere—they’re going to go for what they see. Be glad for that. Drop the Garbo routine. It doesn’t go with you. As for myself, Iwant a nice—(Groping)—simple (Thoughtfully)— sophisticated girl ... not a poet—O.K.? (He starts to kiss her, she rebuffs him again and he jumps up) BENEATHA Why are you angry, George? GEORGE Because this is stupid! I don’t go out with you to discuss the nature of “quiet desperation” or to hear all about your thoughts—because the world will go on about your thoughts—because the world will go on thinking what it thinks regardless— ”
24
revelation
revelation (n) new information (91, 105) “TRAVIS Yes’m— MAMA Well—what you think your grandmama gone and done with that money? TRAVIS I don’t know, Grandmama. MAMA (Putting her finger on his nose for emphasis) She went out and she bought you a house! (The explosion comes from WALTER at the end of the revelation and he jumps up and turns away from all of them in a fury. MAMA continues, to TRAVIS) You glad about the house? It’s going to be yours when you get to be a man. TRAVIS Yeah—I always wanted to live in a house. MAMA All right, gimme some sugar then—(TRAVIS puts his arms around her neck as she watches her son over the boy’s shoulder. Then, to TRAVIS, after the embrace) Now when you say your prayers tonight, you thank God and your grandfather—’cause it was him who give you the house—in his way. ”
25
revelation
revelation (n) new information (91, 105) “TRAVIS Yes’m— MAMA Well—what you think your grandmama gone and done with that money? TRAVIS I don’t know, Grandmama. MAMA (Putting her finger on his nose for emphasis) She went out and she bought you a house! (The explosion comes from WALTER at the end of the revelation and he jumps up and turns away from all of them in a fury. MAMA continues, to TRAVIS) You glad about the house? It’s going to be yours when you get to be a man. TRAVIS Yeah—I always wanted to live in a house. MAMA All right, gimme some sugar then—(TRAVIS puts his arms around her neck as she watches her son over the boy’s shoulder. Then, to TRAVIS, after the embrace) Now when you say your prayers tonight, you thank God and your grandfather—’cause it was him who give you the house—in his way. ” “WALTER (Indifferently) Was it? RUTH She said if you don’t come in tomorrow that they are getting a new man ... WALTER Ain’t that sad—ain’t that crying sad. RUTH She said Mr. Arnold has had to take a cab for three days ... Walter, you ain’t been to work for three days! (This is a revelation to her) Where you been, Walter Lee Younger? (WALTER looks at her and starts to laugh) You’re going to lose your job. WALTER That’s right ... (He turns on the radio) RUTH Oh, Walter, and with your mother working like a dog every day— (A steamy, deep blues pours into the room) WALTER That’s sad too— Everything is sad. ”
26
amiably
amiably (adv) good-naturedly (114) “MAN (Regarding WALTER, and sitting) Well—My name is Karl Lindner ... WALTER (Stretching out his hand) Walter Younger. This is my wife—(RUTH nods politely)—and my sister. LINDNER How do you do. WALTER (Amiably, as he sits himself easily on a chair, leaning forward on his knees with interest and looking expectantly into the newcomer’s face) What can we do for you, Mr. Lindner! LINDNER (Some minor shuffling of the hat and briefcase on his knees) Well—I am a representative of the Clybourne Park Improvement Association— WALTER (Pointing) Why don’t you sit your things on the floor? ”
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ludicrous
. ludicrous (adj) ridiculous (124) “MAMA (Indignantly) What’s the matter with you all! This here is a beautiful hat! (Absurdly) I always wanted me one just like it! (She pops it on her head to prove it to her grandson, and the hat is ludicrous and considerably oversized) RUTH Hot dog! Go, Mama! WALTER (Doubled over with laughter) I’m sorry, Mama—but you look like you ready to go out and chop you some cotton sure enough! (They all laugh except MAMA, out of deference to TRAVIS’ feelings) ”
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wrought
wrought (v) shaped; made (137)\ “ BENEATHA Too many things—too many things have happened today. I must sit down and think. I don’t know what I feel about anything right this minute. (She promptly sits down and props her chin on her fist) ASAGAI (Charmed) All right, I shall leave you. No—don’t get up. (Touching her, gently, sweetly ) Just sit awhile and think ... Never be afraid to sit awhile and think. (He goes to door and looks at her) How often I have looked at you and said, “Ah—so this is what the New World hath finally wrought ...(He exits. BENEATHA sits on alone. Presently WALTER enters from his room and starts to rummage through things, feverishly looking for something. She looks up and turns in her seat) BENEATHA (Hissingly) Yes—just look at what the new world hath wrought…” ”
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monologue
monologue (n) long speech by one person (138) “BENEATHA (Hissingly) Yes—just look at what the New World hath wrought! ... Just look! (She gestures with bitter disgust) There he is! Monsieur le petit bourgeois noir—himself! There he is—Symbol of a Rising Class! Entrepreneur! Titan of the system! (WALTER ignores her completely and continues frantically and destructively looking for something and hurling things to floor and tearing things out of their place in his search. BENEATHA ignores the eccentricity of his actions and goes on with the monologue of insult) Did you dream of yachts on Lake Michigan, Brother? Did you see yourself on that Great Day sitting down at the Conference Table, surrounded by all the mighty bald-headed men in America? All halted, waiting, breathless, waiting for your pronouncements on industry? Waiting for you— Chairman of the Board! (WALTER finds what he is looking for—a small piece of white paper—and pushes it in his pocket and puts on his coat and rushes out without ever having looked at her. She shouts after him) I look at you and I see the final triumph of stupidity in the world! (The door slams and she returns to just sitting again. RUTH comes quickly ”
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eccentricity
eccentricity (n) quality of being strange or unusual in behavior (138) “BENEATHA (Hissingly) Yes—just look at what the New World hath wrought! ... Just look! (She gestures with bitter disgust) There he is! Monsieur le petit bourgeois noir—himself! There he is—Symbol of a Rising Class! Entrepreneur! Titan of the system! (WALTER ignores her completely and continues frantically and destructively looking for something and hurling things to floor and tearing things out of their place in his search. BENEATHA ignores the eccentricity of his actions and goes on with the monologue of insult) Did you dream of yachts on Lake Michigan, Brother? Did you see yourself on that Great Day sitting down at the Conference Table, surrounded by all the mighty bald-headed men in America? All halted, waiting, breathless, waiting for your pronouncements on industry? Waiting for you— Chairman of the Board! (WALTER finds what he is looking ”
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amid
amid (adv) among; in the midst of (149) “RUTH (Looking around and coming to life) Well, for God’s sake—if the moving men are here—LET’S GET THE HELL OUT OF HERE! MAMA (Into action) Ain’t it the truth! Look at all this here mess. Ruth, put Travis’ good jacket on him ... Walter Lee, fix your tie and tuck your shirt in, you look like somebody’s hoodlum! Lord have mercy, where is my plant? (She flies to get it amid the general bustling of the family, who are deliberately trying to ignore the nobility of the past moment) You all start on down ... Travis child, don’t go empty-handed ... Ruth, where did I put that box with my skillets in it? I want to be in charge of it myself ... I’m going to make us the biggest dinner we ever ate tonight ... Beneatha, what’s the matter with them stockings? Pull them things up, girl ... ”
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epitaph
epitaph (n) inscription on a tombstone (145) “BENEATHA I said that that individual in that room is no brother of mine. MAMA That’s what I thought you said. You feeling like you better than he is today? (BENEATHA does not answer) Yes? What you tell him a minute ago? That he wasn’t a man? Yes? You give him up for me? You done wrote his epitaph too—like the rest of the world? Well, who give you the privilege? BENEATHA Be on my side for once! You saw what he just did, Mama! You saw him—down on his knees. Wasn’t it you who taught me to despise any man who would do that? Do what he’s going to do? ”
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ominous
ominous (adj) menacing; threatening (131) “An hour later. At curtain, there is a sullen light of gloom in the living room, gray light not unlike that which began the first scene of Act One. At left we can see WALTER within his room, alone with himself. He is stretched out on the bed, his shirt out and open, his arms under his head. He does not smoke, he does not cry out, he merely lies there, looking up at the ceiling, much as if he were alone in the world. In the living room BENEATHA sits at the table, still surrounded by the now almost ominous packing crates. She sits looking off. We feel that this is a mood struck perhaps an hour before, and it lingers now, full of the empty sound of profound disappointment. We see on a line from her brother’s bedroom the sameness of their attitudes. Presently the bell rings and BENEATHA rises without ambition or interest in answering. It is ASAGAI, smiling broadly, striding into the room with energy and happy expectation and conversation. ”
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plunder
plunder (v) to rob; to loot (134) “BENEATHA I know that’s what you think. Because you are still where I left off. You with all your talk and dreams about Africa! You still think you can patch up the world. Cure the Great Sore of Colonialism—(Loftily, mocking it) with the Penicillin of Independence—! ASAGAI Yes! BENEATHA Independence and then what? What about all the crooks and thieves and just plain idiots who will come into power and steal and plunder the same as before— only now they will be black and do it in the name of the new Independence—WHAT ABOUT THEM?! ASAGAI That will be the problem for another time. First we must get there. BENEATHA And where does it end? ASAGAI End? Who even spoke of an end? To life? To living? BENEATHA An end to misery! To stupidity! Don’t you see there isn’t any real progress, Asagai, there is only one large circle that we march in, around and around, each of us with our own little picture in front ”
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