A Linha Curva Flashcards

1
Q

Who is the choreographer of A Linha Curva?

A

Itzik Galili

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2
Q

What company performed A Linha Curva?

A

Rambert

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3
Q

When did A Linha Curva premiere?

A

2009

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4
Q

What dance styles are featured in A Linha Curva?

A

Samba, capoeira, contemporary

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5
Q

What is the choreographic approach of A Linha Curva?

A

Collaborative - dancers made their own solo

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6
Q

What are the stimuli of A Linha Curva?

A

Curved line, Brazilian culture, celebration

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7
Q

How many dancers are in A Linha Curva?

A

28

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8
Q

What is the structure of A Linha Curva?

A

Curved line, ensemble and narrative sections

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9
Q

What is the performance environment of A Linha Curva?

A

End stage

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10
Q

What is the choreographic intent of A Linha Curva?

A

Having fun (celebration of Brazilian culture), samba parades, men showing off and competing for women

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11
Q

What are some motifs in A Linha Curva?

A

Robson (swinging arms), Liris (shoulder rolls), showing off and travelling motif

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12
Q

How is the Robson motif developed in A Linha Curva?

A

Robson varies through direction, facing to and from audience, to SL, with embellishments like lunges added to torso rotations

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13
Q

What are some actions in A Linha Curva?

A

Swinging, curved & straight arms, low second position, copoeira swinging ticks, samba footwork and ripples, samba hip rotations, contemporary parallel

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14
Q

What is the space like in A Linha Curva?

A

Clear, changing formations (linear from side directions, DS to US, cross formation, diagonal lines, scattered), range of levels (floor work, jumps, and lifts), range of sizes and actions

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15
Q

What are the dynamics in A Linha Curva?

A

Energetic, bouncy, rapid; ADAGE SEPTET: slow, fluid, sustained, complements mysterious atmosphere

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16
Q

What types of relationships are shown in A Linha Curva?

A

Mirroring, accumulation, counterpoint, contact, formations, complementary; adds interest and shows ensemble working together

17
Q

How is the choreographic intent realized in A Linha Curva?

A

Fun/celebration - big bold actions with lively, energetic dynamics, linear pathways show carnival parades; men pursuing women - big actions and dynamics to impress, chants calling out to attract attention; showing off - big actions and lively dynamics with characterisation

18
Q

What is the relationship between the aural setting and the choreography in A Linha Curva?

A

Direct correlation throughout, especially in the adage septet; music visualization with ‘ting’ in percussion music echoes chin hitting forehead; complementary style with percussion instruments, samba, and capoeira dance styles

19
Q

What are some choreographic devices used in A Linha Curva?

A

Unison (opening Robson motif), canon (dancers entering from SR), motif development/variation, accumulation, simultaneous canon

20
Q

What lighting is used in A Linha Curva?

A

49 overhead lights pointing down, complements movement and accompaniment; moving lines & chequerboard patterns work with formations; vibrant colors and changing patterns add to the fun atmosphere; warm orange side lighting enhances male battle section

21
Q

What is the costume like in A Linha Curva?

A

Black, mesh sleeveless vest, brightly colored wet-look lycra shorts, metallic reflective discs in the opening section, tight-fitting shorts for freedom of movement, slight differences for individuality

22
Q

What is the staging and setting like in A Linha Curva?

A

Musicians on raised platform US; black box stage allows safe formation changes; black floor highlights lighting and colors; 6 skateboards used by male dancers during adage septet

23
Q

What is the aural setting in A Linha Curva?

A

Over 50 instruments (e.g., drums, bongos, boom whackers); loud vocals in opening; rhythms mostly samba-based; live musicians visible on raised platform; music structure complements dance, with tempo and energy changes