60,000 BCE - 500 CE Flashcards

1
Q

What was the first source of music?

A

The human voice/human body

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2
Q

What was used as some of the first instruments?

A

Natural environment - pieces of wood, stone, horn, bone, etc.

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3
Q

Finish the quote “Musical notes were first acquired for the sake of…. “ -Charles Darwin

A

“… charming the opposite sex.”

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4
Q

What are Idiophones?

A

Instruments made from solid resonate materials that vibrate to produce sound

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5
Q

What is a didgeridoo?

A

A hardwood wind instruments made from naturally occurring hollow tree trunk or branch which is then shaped and decorated

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6
Q

Did these instruments such as idiophones and the didgeridoo have any significant melodic potential.

A

Not early on, no. Even the music was rarely made up of complex harmonics

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7
Q

What is the spiritual role with music early on?

A

It was used as a means of commuting with the benign or malevolent spirits that controlled the fate of a society or individual.

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8
Q

What is a Shaman?

A

Someone who acts as an intermediary between the spirit and human worlds. A music specialist in that his “song” could only be performed by him.

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9
Q

What was the importance of musical improvisation in social attributes?

A

It was considered a necessary social skill.

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10
Q

What is the oldest existing stringed instrument?

A

A Sumerian lyre (Lyre of Ur)

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11
Q

What instruments did the Sumerians play?

A

Lyres, harps, flutes, wood flutes, reed pipes, percussion instruments of drums, tambourines, clappers, and metal shakers.

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12
Q

How were musicians helpful in the Assyrian Army during its campaigns?

A

Their drums and trumpets were used to signal simple orders and messages

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13
Q

How did Egyptian music compare to Sumerian?

A

It was more freely enjoyed. Sumerians kept the music for direct purposes such as celebrating a victory or religious purposes. Egyptians would let their peasants dance to pipes and drums, as well as their people more freely in general.

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14
Q

What is the Veena?

A

A group of plucked instruments that are still prominent to Indian classical music today. For example, the sitar and tabla.

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15
Q

What is the Sheng?

A

A form of mouth organ with bamboo pipes that have remained central to Chinese music through history

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16
Q

What distinctive aesthetic did the Chinese develop?

A

The effects of sounds fading into silence

17
Q

How did Chinese imperial rulers perceive the importance of music?

A

They were convinced that the correct performance of ritual music was essential to upholding the harmony of the state.

18
Q

From what period did a popular music scene flourish in Chinese cities and the strict music escaped official control?

A

During the Tang Dynasty.

19
Q

Who inherited a musical tradition founded in early Mesopotamia and Pharaonic Egypt?

A

The Ancient Greeks

20
Q

Was there musical notation in China as far back as the 5th century BCE?

A

Yes, there is evidence of the use of musical notation.

21
Q

How did some Ancient Greek philosophers perceive music?

A

As a close connection with astronomy. They believed that studying music was central to gaining an understanding of the nature of the universe.

22
Q

Who is Pythagoras of Samos?

A

570-493 BCE. The first Greek philosopher to have developed a theory around music and its importance in the universe. He studied the relationship between the pitch and note and the length of a string, then figured out numerical ratios between notes and how they affected the musical harmony.

23
Q

What is the oldest surviving written music?

A

Written on a clay tablet found at Sumer, Mesopotamia. Dates from around 2000 BCE. The marks only give a rough idea of the pitch

24
Q

What is the oldest completed notation to have survived

A

Seikilos Epitaph, which has words and melody of a song. It’s likely to date from the 1st century BCE.

25
Q

What did Plato believe about formal music?

A

That it was essential to the stability of the state. Any musical innovation was described as “unsettling the most fundamental political and social conventions.” He believed the purpose of music was not to give “irrational pleasure” but to introduce harmony and order to the soul.

26
Q

What did Aristotle believe about formal music?

A

Good music improves human morals and bad music would corrupt them, but he was more sympathetic to the joyous aspect of performing music than Plato.

27
Q

What did Aristoxenous (pupil of Aristotle) believe about formal music?

A

He felt that the only way to gain knowledge of music was to listen to it and memorize it basing his understanding of music on the truth of the ear.

28
Q

Who said, “Rhythm and harmony find their way into the inner places of the soul” ?

A

Plato

29
Q

What is the earliest evidence of Greek musical performance?

A

A marble statuette of a harp player from the Cyclades

30
Q

What instrument was the chosen instrument of the god of music, Apollo?

A

The Lyre

31
Q

Are there different forms of lyre?

A

Yes, it ranges from the phorminx: two-stringed lyre to The kithara: seven-stringed lyre

32
Q

What is the aulos?

A

A twin-piped wind instrument

33
Q

What was the impression the aulos instrument gave the Athens?

A

It was denounced as an Asiatic rustic instrument suitable only for use by the lower orders

34
Q

What was the impression the aulos instrument gave the Spartans?

A

The aulos was a favored instrument, for Sparta was Athens’ great rival

35
Q

We’re members of Athens’ elite education expected to play the lyre and sing?

A

Yes

36
Q

How did most musicians play or sing melodies in Ancient Greece??

A

By early, lots of improvisation even though written music existed

37
Q

How did music and drama competitions play a role in Ancient Greece?

A

They were an important part of Ancient Greek life, held annually at the sacred precinct of Dionysus at the foot of Acropolis, judged by a panel of ordinary citizens and done by wealthier Athenian citizens.

38
Q

What was the demand for musicians in Greek society?

A

High demand to provide solemn melodies for processions and religious rituals, entertainment, festivals, etc.

39
Q

How was the melody of most music structured in Ancient Greece?

A

Consisting of a single melodic line based on modes which bear no direct relation to scales.