#6 Jazz and Gennett Records Flashcards

1
Q

________ was a self-taught cornet player.

A

Bix Beiderbecke

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Beiderbecke´s orchestra was called the __________.

A

Wolverine Orchestra or The Wolverines

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Bix Beiderbecke played the ____________.

A

Cornet

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Composers wrote _____ and ______ wrote the words/lyrics.

A

the music or musical score and songwriters wrote the words or lyrics

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

“Words and music must be as inseparably wedded to each other that they are like one” was a quote of Cole Porter from his music teacher at Worchester Academy, _______

A

Dr. Abercrombie

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

George Russell wrote _____ which was a jazz theory approach which was a turning point for David Baker.

A

“The Hydian Chromatic Concept of Tonal Organization for Improvisation”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

_________ was a French composer and music theorist

A

Nadia Boulanger

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Creoles in New Orleans were a mixture of ______, ______, and _____ ancestors.

A

African, French, and sometimes Spanish

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

Embouchure means _____.

A

French: bouche-mouth using facial muscles and shaping lips to the mouthpiece of instruments

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

______ ____ was a famous ragtime composer and sheet music writer.

A

Scott Joplin

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

______ ______ was coined by composer Gunther Schuller in 1957 and means a musical style through improvisation or written composition that combines jazz and western music (or other than Afro-Am music) into a third syle

A

Third Stream

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

In the 1920’s bands made more money from personal appearances or record sales? ____

A

Personal Appearances

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

The year ___ is generally associated with the birth of Rock n’ Roll.

A

1959

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

The days of Popular Music of the 1930’s and 1940’s were replaced by _____ of the 1950’s.

A

rock n’ roll music

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

The term “hillbilly music” was an early expression for ________. “Old-Time” music usually referred to white gospel, folk songs. and mountain string music

A

country music

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Traditionally the melody of blues is divided into 3 equal phases, with ________.

A

use 2 similar and melodic/lyrical materials and the 3rd one providing contrast

17
Q

Midwest industrial giant city, _______, attracted waves of southern blacks during the industrial boom of WW1. There were many black entertainment venues in this city.

18
Q

Race Records were records recorded by ___ and often sold to ____.

A

Black Bands, Black Audiences

19
Q

Ragtime music is _________.

A

syncopated

20
Q

Around 1928, Stardust became ____ and became part of the _____ repertoire in Harlem.

A

Star-dust or Stardust

Cotton Club CA Black Nightclub

21
Q

Scat singing was _______________.

A

“ad lib” notes or nonscene phrases

22
Q

Electrobeam was probably the only record label to have ___ printed on them in 1920’s.

A

Race Record

23
Q

____ was a variation of the Chicago Black Music Scene in the 1920’s. It was a blues piano technique.

A

Boogie-Woogie

24
Q

Black jazz, blues, and gospel, were often called ____ recordings.

25
In 1950, IU at Bloomington was ________. Blacks not allowed to ___________________________________________.
Segregated live in dorms, go to any restaurants, or get haircuts downtown. the student union had separate eating facilities for blacks
26
At IU in the 1950's, music students studied and played _____.
Classical Music *no jazz playing
27
Paul Whiteman was a _____ and _____
band leader musician
28
Radio did not present severe competition for "race records" in the 1920's because ________.
most radio stations rarely ran black blues or gospel programs
29
In 1921, over _______ sold annually. After that radio sales rose and record sales declined.
100 million records
30
The 1920s record industry avoided using electronic technology for recording "high-fidelity" records because it was associated with _______.
radio
31
The foremost threat to purchases of records and phonographs was the ________.
radio | "no changing records every three minutes"
32
_______ were a major musical and entertainment item of the late 1800s.
Pianos
33
In the 1920s _______ began to replace pianos as a major entertainment item in homes.
phonograph (record player)
34
Richmond, Indiana was a good area for piano manufacturing because ______.
1. Natural Resources- wood nat. and gas for fuel 2. River/Train Access/ Highway 3. Iron Manufacturing close 4. large German immigrant workforce 5. Central US Location
35
A piano roll was a _________.
paper roll for a player piano with holes to play a tune
36
How quality "old-time" records played better on ___________ than high fidelity records.
inexpensive, spring-wound phonographs
37
In 1915, _____ were popular and musicians supplemented their income by producing piano rolls.
player pianos
38
Early recordings were acoustic, which meant ______.
they were recorded into recording horns onto a wax template with a needle making sound grooves on the original