#6 Jazz and Gennett Records Flashcards

1
Q

________ was a self-taught cornet player.

A

Bix Beiderbecke

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2
Q

Beiderbecke´s orchestra was called the __________.

A

Wolverine Orchestra or The Wolverines

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3
Q

Bix Beiderbecke played the ____________.

A

Cornet

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4
Q

Composers wrote _____ and ______ wrote the words/lyrics.

A

the music or musical score and songwriters wrote the words or lyrics

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5
Q

“Words and music must be as inseparably wedded to each other that they are like one” was a quote of Cole Porter from his music teacher at Worchester Academy, _______

A

Dr. Abercrombie

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6
Q

George Russell wrote _____ which was a jazz theory approach which was a turning point for David Baker.

A

“The Hydian Chromatic Concept of Tonal Organization for Improvisation”

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7
Q

_________ was a French composer and music theorist

A

Nadia Boulanger

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8
Q

Creoles in New Orleans were a mixture of ______, ______, and _____ ancestors.

A

African, French, and sometimes Spanish

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9
Q

Embouchure means _____.

A

French: bouche-mouth using facial muscles and shaping lips to the mouthpiece of instruments

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10
Q

______ ____ was a famous ragtime composer and sheet music writer.

A

Scott Joplin

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11
Q

______ ______ was coined by composer Gunther Schuller in 1957 and means a musical style through improvisation or written composition that combines jazz and western music (or other than Afro-Am music) into a third syle

A

Third Stream

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12
Q

In the 1920’s bands made more money from personal appearances or record sales? ____

A

Personal Appearances

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13
Q

The year ___ is generally associated with the birth of Rock n’ Roll.

A

1959

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14
Q

The days of Popular Music of the 1930’s and 1940’s were replaced by _____ of the 1950’s.

A

rock n’ roll music

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15
Q

The term “hillbilly music” was an early expression for ________. “Old-Time” music usually referred to white gospel, folk songs. and mountain string music

A

country music

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16
Q

Traditionally the melody of blues is divided into 3 equal phases, with ________.

A

use 2 similar and melodic/lyrical materials and the 3rd one providing contrast

17
Q

Midwest industrial giant city, _______, attracted waves of southern blacks during the industrial boom of WW1. There were many black entertainment venues in this city.

A

Chicago

18
Q

Race Records were records recorded by ___ and often sold to ____.

A

Black Bands, Black Audiences

19
Q

Ragtime music is _________.

A

syncopated

20
Q

Around 1928, Stardust became ____ and became part of the _____ repertoire in Harlem.

A

Star-dust or Stardust

Cotton Club CA Black Nightclub

21
Q

Scat singing was _______________.

A

“ad lib” notes or nonscene phrases

22
Q

Electrobeam was probably the only record label to have ___ printed on them in 1920’s.

A

Race Record

23
Q

____ was a variation of the Chicago Black Music Scene in the 1920’s. It was a blues piano technique.

A

Boogie-Woogie

24
Q

Black jazz, blues, and gospel, were often called ____ recordings.

A

Race

25
Q

In 1950, IU at Bloomington was ________. Blacks not allowed to ___________________________________________.

A

Segregated
live in dorms, go to any restaurants, or get haircuts downtown.
the student union had separate eating facilities for blacks

26
Q

At IU in the 1950’s, music students studied and played _____.

A

Classical Music *no jazz playing

27
Q

Paul Whiteman was a _____ and _____

A

band leader musician

28
Q

Radio did not present severe competition for “race records” in the 1920’s because ________.

A

most radio stations rarely ran black blues or gospel programs

29
Q

In 1921, over _______ sold annually. After that radio sales rose and record sales declined.

A

100 million records

30
Q

The 1920s record industry avoided using electronic technology for recording “high-fidelity” records because it was associated with _______.

A

radio

31
Q

The foremost threat to purchases of records and phonographs was the ________.

A

radio

“no changing records every three minutes”

32
Q

_______ were a major musical and entertainment item of the late 1800s.

A

Pianos

33
Q

In the 1920s _______ began to replace pianos as a major entertainment item in homes.

A

phonograph (record player)

34
Q

Richmond, Indiana was a good area for piano manufacturing because ______.

A
  1. Natural Resources- wood nat. and gas for fuel
  2. River/Train Access/ Highway
  3. Iron Manufacturing close
  4. large German immigrant workforce
  5. Central US Location
35
Q

A piano roll was a _________.

A

paper roll for a player piano with holes to play a tune

36
Q

How quality “old-time” records played better on ___________ than high fidelity records.

A

inexpensive, spring-wound phonographs

37
Q

In 1915, _____ were popular and musicians supplemented their income by producing piano rolls.

A

player pianos

38
Q

Early recordings were acoustic, which meant ______.

A

they were recorded into recording horns onto a wax template with a needle making sound grooves on the original