5. West-Europese kunstgeschiedenis. Deel 2

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Kunst en het moderne leven: kenmerken

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industriële revolutie is een maatschappelijke omwenteling
kunst richt zich meer en meer op het moderne (eigentijdse) leven
Heroïseren van de actualiteit en van het verleden stopt. Er komt een fascinatie voor het hier en nu. REALISME met een sociaal bewustzijn en IMPRESSIONISME (SYMBOLISME zit daar wat tussen)
de “gewone” man komt meer en meer in beeld
kunstenaars gaan ook de minder positieve kanten van de maatschappij in beeld brengen
kunstenaars gaan evolueren van ene stijl in andere

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Realisme: kenmerken

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Sociaal-realisme: kenmerken

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de interesse voor de dagelijkse realiteit brengt ook de problemen er van in beeld:armoede, uitbuiting, slechte werkomstandigheden, …
wordt niet echt als afzonderlijke stijl gezien, maar als een “niche” binnen het realisme

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Impressionisme: kenmerken

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Post-impressionisme: kenmerken

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Symbolisme: kenmerken

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Expressionisme: kenmerken

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Art nouveau: kenmerken

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Naar een kunst zonder realiteit (1904 – 1914)

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kunstenaars hebben eeuwenlang de realiteit in 2D of 3D vastgelegd kunst streefde naar weergave van de werkelijkheid vanaf laatste kwart 19de eeuw (fotografie) is die realiteit niet meer het doel => abstracte kunsto.a. ‘De Stijl’ in Nederland (o.a. Piet Mondriaan)doel: alle herkenbaarheid weglaten => conceptuele kunsto.a. Dadaïsme (o.a. Marcel Duchamp) Fauvisme Kubisme Expressionisme Futurisme 2 antwoorden op de zoektocht naar identiteit: abstracte kunst en conceptuele kunst

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Piet Mondriaan: kenmerken

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De Stijl: kleurenleer + vereenvoudiging Mondriaan: oefening om te vereenvoudigen ‘less is more’! = reduceren uiteindelijk reductie naar het ultieme debat van de kunst: lijn, kleur, vorm wegnemen van betekenis en herkenbaarheid toevoegen van ritme, compositie, strakke uitvoering Mondriaan doet dit geleidelijk aan en komt pas na een lange zoektocht tot abstractie Tegen nationalisme, voor socialistische utopie

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Bauhaus: bekende leden

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