4 - Light Categories Flashcards

1
Q

Lights that are not manufactured

A

Natural Lights

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2
Q

Lights present on set and possible visible to camera

A

Practical lights

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3
Q

Lights that are unjustified wich main purpose is storytelling

A

Dramatic lights or Studio Lights

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4
Q

Natural lights sources three main sources

A

Sun, Sky and Moon

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5
Q

Lava, lightning and fireflies are….

A

black bodies but also considered natural lights

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6
Q

Two infinite lights

A

Sky (Env Light HDRI) and the Sun (Directional or distant light)

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7
Q

First natural light to model your frame

A

Sun light

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8
Q

Sun during sunrise and sunset, three properties

A

More saturated, warmer and softer shadows(bigger source)

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9
Q

Two differences between Sunrise(the dawn) and Sunset(the dusk)

A

We perceive more colors at dawn than at dusk because the night’s darkness has left us with very acute night vision. The sunset’s athmosphere is full of pollution, so dawn is clearer than any other time of the day

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10
Q

Directional lights inconvinient and what you have to use to solve it

A

The main inconvinient is that they light everything equally. He never uses them without using a GOBO(Goes Before Optics) or blocker. You can use also some Clouds.

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11
Q

In exterior scenes, you should alternate areas of shadow and light to create more “ “

A

Depth

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12
Q

Planet 51 trick. Advantagea of using spotlights instead directional lights

A

It allow you to focus more un certain areas very easily because you don’t want to light everything equally, even if it’s the Sun. Other wise, what’s the point?

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13
Q

Contrast Issue. How do you direct the eye with light to make the image more readable

A

Lighting certain areas more than others

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14
Q

Who said: “ What you do not see is as important as what you do see. The light is there to direct the viewer’s attention, the darkness to stimulate his imagination.”

A

Sharon Calahan

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15
Q

Except if you are lighting a football stadium, you shoul never render “ “

A

hard crossed shadows

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16
Q

The association of a point light with a cone is a “ “

A

Spot light

17
Q

The moon does not light in blue, it’s not cold. Its temperature is “ K”

A

4000K

18
Q

What is the heart of naturalistic lighting

A

the art of making several sources appear as one

19
Q

Practical Lights definition

A

Light sources that are physically present in the scene and are part of the set: lamps, screens, candles, street lights, neon lamps…

20
Q

Translate “Twinkle”

A

centelleo, brillo

21
Q

Director and DP that likes to show the practical lights in the scene, the light sources. Justified lights.

A

Kubrick and Deakins

22
Q

Unjustified lights to enhance the shot and are 100% in service of storytelling. They don’t necessarily have any coherence with the other lights from the scene. They are purely artistic.

A

Dramatic Lights

23
Q

Who said: “Purely natural or physically correct lightings often not interesting enough to create drama and captivate the audience”.

A

Sharon Calahan

24
Q

What the camera sees

A

Camera frustum

25
Q

when the light in the scene imitates a natural source within the scene

A

motivated lighting

26
Q

Main shaping light in the scene (dramatic light roles or light functions)

A

Key light

27
Q

Avoids any black areas and reduces contrast. Soft source. (dramatic light roles or light functions)

A

Fill light

28
Q

Gives shape by outlining and generally faces the camera. (dramatic light roles or light functions)

A

Rim light

29
Q

Helps separate subject from background. (dramatic light roles or light functions)

A

Kicker light

30
Q

Comes from above the scene, to give more directionality to the sky. (dramatic light roles or light functions)

A

Top light

31
Q

Comes from a surface, generally the floor or a wall. (dramatic light roles or light functions)

A

Bounce light

32
Q

A bar of light across the face or eyes of a character. (dramatic light roles or light functions)

A

Shatner light