4. Bernard Herrmann and Saul Bass Flashcards

1
Q

Who was the master of film scoring for ‘Vertigo’?

A

Bernard Herrmann was an absolute master of the strange art of film scoring, and in a career that stretched from ‘Citizen Kane’ to ‘Taxi Driver,’ the 1958 ‘Vertigo’ was probably his peak.

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2
Q

How did Herrmann revolutionize movie scoring?

A

He abandoned the musical techniques that dominated Hollywood in the 1930s and wrote short, obsessively repeated figures and static collections of chords.

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3
Q

What did Hitchcock find in Herrmann’s music?

A

In Herrmann, Hitchcock found a composer whose music would blend into the action with uncanny directness.

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4
Q

What design did Saul Bass create for ‘Vertigo’?

A

Saul Bass created a hypnotic design of spirals rotating in space, overlaid with a few uncanny shots of Kim Novak’s eyes.

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5
Q

How does the music in ‘Vertigo’ relate to its visuals?

A

The music rotates in tandem with the visuals: endless circles of thirds, major and minor, interspersed with shuddering dissonances.

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6
Q

What was the challenge with casting Jimmy Stewart in ‘Vertigo’?

A

Jimmy Stewart was too easy-going an actor to pull off the lead role of Scottie, misjudging both his skill and Hitchcock’s conception of the ordinary collapsing into madness.

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7
Q

How does Herrmann’s music shift during the Madeleine sequence?

A

In the Madeleine sequence, Herrmann shifts fluidly but uneasily among a few simple, cryptic chords, dominated by high or low instruments.

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8
Q

What talents did Bass combine in ‘Vertigo’s opening credits?

A

Vertigo combined two of Bass’ talents together, utilizing live as well as graphic action in its opening credits.

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9
Q

What key image appears in Bass’ intro for ‘Vertigo’?

A

The key image in this sequence was a spiral, which appears almost constantly throughout the intro’s three-minute running time in different shapes and colours.

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10
Q

What does the spiral represent in ‘Vertigo’?

A

The repeated image of the swirling spiral perfectly encapsulates Scottie’s ‘dizzy whirlpool of terror.’

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11
Q

How does Bass suggest entering the mind of the individual in ‘Vertigo’?

A

In Bass’ intro, the spiral emerges from the woman’s eye to resemble an iris, suggesting we are entering the mind of the individual.

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12
Q

What significance does the close-up of a woman’s lips have in Bass’ intro?

A

The close-up of a woman’s lips demonstrates the obsession of James Stewart’s character; the lips tremble at one point, showing Judy’s fear.

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13
Q

What colors did Bass pay particular attention to in ‘Vertigo’?

A

Bass painted the spirals or the tint of the frame in three important shades: green, red, and blue.

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14
Q

What does the color green represent in ‘Vertigo’?

A

Green is commonly used throughout ‘Vertigo’ in both the costumes and the lighting.

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15
Q

What does the color blue signify in ‘Vertigo’?

A

Blue can be seen as a visual indication of Scottie’s guilt, particularly his suit color during the trial of Madeline’s death.

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16
Q

What does the color red symbolize in ‘Vertigo’?

A

Red has connotations of love, passion, and lust—traits that lead to Scottie’s obsession and ultimate downfall.

17
Q

How does Bass depict the reality of Norman Bates’ victims in ‘Psycho’?

A

Bass forces us to think about the disturbing reality that befalls Norman Bates’ victims: they are ripped apart by his knife like their names in the credits.

18
Q

What visual technique does Bass use with actor names in ‘Psycho’?

A

Some bars bring into position the names of the actors, which are then torn apart before exiting the screen, indicative of the split personality disorder.