21st Quiz 2 Flashcards

1
Q

Who wrote Gabu

A

Carlos A. Angeles

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2
Q

Who wrote the Martyr

A

NIck Joaquin

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3
Q

Story through text and illustrated images
 50% 0f the narrative is presented without words
 The reader must interpret the images to comprehend the story completely.
 Textual portions are presented in traditional form.

A

ILLUSTRATED NOVEL

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4
Q

The Invention of Hugo Cabret by Brian Selznick and The Arrival by Shaun Tan.

A

ILLUSTRATED NOVEL

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5
Q

 Triple Media Literature
 Combines three media: book, movie/video and internet website
To get the full story, students must engage in navigation, reading, viewing in all three forms.
 Patrick Carman’s Skeleton Creek and Anthony Zuiker’s Level 26 are examples.

A

DIGI-FICTION

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6
Q

 Narrative in comic book formats
 Narrative work in which the story is conveyed to the reader using a comic form.
 The term is employed broadly manner, encompassing non-fiction works and thematically linked short stories as well as fictional stories across a number of genres.
 Archie Comics by John Goldwater and illustrator, Bob Montana, is a good example.

A

GRAPHIC NOVEL

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7
Q

 Japanese word for comics
 It is used in the English-speaking world as a generic term for all comic books and graphic novels
originally published in Japan.
 Considered as an artistic and storytelling style.

A

MANGA

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8
Q

sometimes used to refer to comics created by American artists in manga style.

A

Ameri-manga

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9
Q

Boy’s Manga (Naruto, Bleach, One Piece)

A

Shonen

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10
Q

Girl’s Manga (Sailormoon)

A

Shojo

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11
Q

Men’s Manga (Akira)

A

Seinen-

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12
Q

Women’s Manga (Loveless, Paradise Kiss)

A

Josei

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13
Q

Children’s Manga (Doraemon, Hello Kitty)

A

Kodomo

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14
Q

 Literary presentation where the author incorporates doodle writing and drawings and
handwritten graphics in place of the traditional font.
 Drawing enhances the story, often adding humorous elements
 Examples include The Diary of a Wimpy Kid by Jeff Kinney and Timmy Failure by Stephan
Pastis.

A

DOODLE FICTION

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15
Q

 Blogs, email and IM format narratives
 Stories told almost entirely in dialogue simulating social network exchanges.

A

TEXT-TALK NOVELS

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16
Q

 Is a style of fictional literature of extreme brevity
 There is no widely accepted definition of the length and category. It could range from word to a thousand.

A

FLASH FICTION

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17
Q

 Ernest Hemingway: For sale: baby socks, never worn.
 Samantha Wilcox: Two men, three girls, one sigh
Mary Annie: The car screeched. And she screamed.

A

SIX-WORD FLASH FICTION

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18
Q

 Also known as literary non-fiction or narrative non-fiction
 A genre of writing that uses literary styles and techniques to create factually accurate
narratives.
 Contrasts with other non-fiction, such as technical writing or journalism, which is also rooted
in accurate fact, but is not primarily written in service to its craft.

A

CREATIVE NON-FICTION

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18
Q

 As a genre, creative non-fiction is still relatively young and is only beginning to be scrutinized
with the same critical analysis given to fiction and poetry.
 1000 Gifts by Ann Voscamp and Wind, Sand, and Stars by Antoine de Saint-Exupery are
examples.

A

CREATIVE NON-FICTION

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19
Q

 Is a genre of speculative fiction dealing with imaginative concepts such as futuristic science
and technology, space travel, time travel, faster than light travel, a parallel universe and extraterrestrial life.
 Often explores the potential consequences of scientific and other innovations and has been
called a “literature of ideas”.
 Examples include Suzanne Collins’ Mockingjay and Sarah Maas’ Kingdom of Ash.

A

SCIENCE FICTION

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20
Q

 A weblog, a website containing short articles called posts that are changed regularly.
 Some blogs are written by one person containing their own opinions, interests and experiences, while others are written by different people.

A

BLOG

21
Q

 Is genre fiction which addresses issues of modern womanhood, often humorously and lightheartedly.
 Chick Lit typically features a female protagonist whose femininity is heavily thermalizing in the
plot.

A

CHICK LIT OR CHICK LITERATURE

22
Q

 Scarlet Bailey’s The night before Christmas and Miranda Dickinson’s It started with a Kiss are examples of this.

A

CHICK LIT OR CHICK LITERATURE

23
Q

 Digital poetry that uses links using hypertext mark-up

 It can either involved set words, phrases, lines, etc. that are presented in variable order but sit on the page much as traditional poetry does, or it can contain parts of the poem that move and mutate.

A

HYPER POETRY

23
Q

 It is usually found online, through CD-ROM and diskette versions exist. The earliest examples date to no later than the mid-1980’s.

A

HYPER POETRY

24
Q

Shadows of the Past Author

A

MJR

24
Q

ORIGINATES FROM THE NOTION OF WEAVING TOGETHER. IT IS DEFINED AS THE CIRCUMSTANCES THAT FORM THE SETTING OF EVENTS, STATEMENTS, OR IDEAS AND IN THE WAY OF WHICH IT CAN BE FULLY UNDERSTOOD AND ASSESSED. READING A LITERARY PIECE MAY CONTRIBUTE TO THE PRODUCTION OF THE AUTHOR AND THE RECEPTION OF THE READER AS THEY
APPRECIATE AND EXPLORE.

A

Context

25
Q

is knowing about the writer’s life, values, assumptions, gender, race, sexual orientation, and the political and economic issues related to the author.

Before you read someone’s work, you have to learn some background information about the author’s life, including his or her educational background, professional background, or socioeconomic background, which directly or indirectly influence his or her literary work.

A

Writer’s Context

25
Q

is about the reader’s previous reading experience, values, assumptions, political and economic issues.

A

Reader’s Context

26
Q

It is about its publishing history. It is part of the larger text such as newspaper, history, events, translated in it.

A

Text’s Context

26
Q

you must focus on understanding the social, economic, political and cultural forces affecting the literary work. It combines social and cultural elements that are significant in understanding and appreciating a work of literature.

A

Sociocultural Context

27
Q

Greek term “poesis” which means

A

to create or make

27
Q

Known its majestic form of aesthetic value and how carefully language is used in the poem.

It is an art of communicating meanings, emotions, and values that leaves an impact to its readers.

A

Poetry

27
Q

Key
Aspects of Poetry

A

Structure
Language
Tone, Sound, Rhythm
Emotional Appeal

27
Q

Utilizes few words and are arranged in lines and in stanzas.
Structure may have a different feature depending in the style of the writer.

Eg:
Haiku, ballad and sonnet.

A

Structure

27
Q

The writer of poetry expresses feelings, emotions and conditions in an explicit and suggestive way.

The writer uses variety of figurative expressions to beautify and heighten the effect of a poetic words.

A

Language

27
Q

Poetry is similar to song-writing.

Various elements such as harmony and unity affects the total impact of a poetry.

A

Tone, Sound and Rhythm

28
Q

Poems are composed of few words but may bear a volume of meaning depending on the reader.

A

Emotional Appeal

29
Q

Different Poetic Forms

A

Dramatic Poetry
Lyric Poetry
Narrative Poetry

30
Q

A lyric work that exhibits dialogue and characterization which are known to be elements of Drama.

Example:– speech delivered by an individual in a dramatic performance

A

Dramatic Poetry
Monologue

31
Q

Discloses a poet’s personal feelings and emotions

Known to be melodic since it was first recited accompanied by a lyre.

A

Lyric Poetry

32
Q

Lyric Poetry

A

Simple Lyric
Odes
Sonnets
Elegy
Song
Corridos (kuridos)

33
Q

pastorals that describes scenes and objects of nature.

A

Simple Lyric

34
Q

ascribed to be more serious and complex form of extended lyric poems

A

Odes

35
Q

a lyric poem containing14 iambic lines and complicated rhyme.

A

Sonnets

36
Q

laments the death of a person.

A

Elegy

36
Q

these have measures of eight syllables (octosyllabic) and recited to a material beat.

A

Corridos (kuridos)

36
Q

These have 12 syllables (dodecasyllabic) and slowly sung to the accompaniment of a guitar or banduria.

A

Song

37
Q

Non-dramatic in which the goal is to narrate a story.

Examples:
Epics – a long narrative poem of the largest proportions.

A

Narrative Poetry

37
Q

Narrative Poetry

A

Metrical Romance
Metric Tale

38
Q

narrative poem that tells a story of adventure, love and chivalry.

A

Metrical Romance

39
Q

narrative consisting of a single series of connective events that are home tales, tale of the supernatural or tale of strong morale purpose.

A

Metric Tale