2-The Rime Of The Ancient Mariner Flashcards

1
Q

‘he holds him with his glittering eye’ (1)

A

-1st encounter w/ M, WG repeat emph the ‘hold’ of M’s ‘glit eye’ on attention. Symbol of eye, along w/ personification, _ M’s age, timeless nat + perpetuity, reinforce by phys depic incl ‘long beard.’
-Align w/ cc of sin + redemp, as ‘eye’ serve as gateway 2 wisdom gain thru exp & adversity cause by sin of murder, seek penance

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2
Q

‘crack’d and growl’d, and roar’d and howl’d’ (1)

A

-M begin didactic recollect. w/ onomatopoeic desc of how ice engulf surround, as it ‘c +g, and r+h.’ Distinct meter, narr delib emph stressed syllables of onomat. Enhance synaesthetic image of sounds + appearance of phenomena
- Highlight endless conflict b/w humanity + nat, as nat usurp control & strip men agency in direction

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3
Q

‘With my crossbow/ I shot the Albatross.’ (1)

A

-His symbol murder, commit ‘w/ his cross’ to ‘shoot,’ rep act of sin. Ongoing metaphor created thru heretical act highlight mental turmoil cause by murder.
-Act, driven by bored + desire for control, _ pernicious effect of hum on nat, foreshadow future repercussion of M suffer

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4
Q

‘Instead of the cross, the Albatross/ about my neck was hung.’ (2)

A
  • Endure series of misfort follow death, crew condemn M as ‘’ is ‘hung’ around neck
  • Rhyming couplet allude 2 sacrificial death of Christ, reinforce relig undertone of crime/ sacrilegious act sev conseq, as curse 2 wonder earth in penance
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5
Q

‘the ice was here, the ice was there, the ice was all around.’ (1)

A
  • Anaphora underscore relentless encroachment of ice, nat’s intrusion onto sailors// growing sense of helplessness further intensified by Nat usurpation of autonomy + power
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6
Q

‘At length did cross an albatross […] as if Christian soul’ (1)

A
  • Foreshadowing imminent sacrifice of Albatross, ‘’
  • Allusions 2 messiah, reflects orthodox Christ. Faith/ align bird w/ JC symbolic of optimistic omen + symbol of hope
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7
Q

‘whiles all the night, through fog-smoke white, glimmer’d the white moonshine’
(1)

A
  • Moon = continuous semantic thread link moon to supernat + mystic powers, reinforce spiritual awakening of M t/f self expression, moon’s qual lead to appreciation for emotional autonomy
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8
Q

‘The sun now rose upon the right’
(2)

A
  • Pathetic fallacy, contrast w/ moon shining when kill albatross signal change in atmosphere and tone. Sun also symbolise divine judgement/scrutiny, rep infallible
    -Evidence by simile ‘like God’s own head, The glorious sun uprist.’
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9
Q

‘fair breeze blew, the white foam flew, the furrow follow’d free.’
(2)

A
  • Fricative alliteration = mystical affect, flow = mimic voyager on ocean -> spiritual awakening
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10
Q

‘water, water everywhere […] nor any drop to drink’
(2)

A
  • Repeating… bitter irony as water abundant but X drinkable. Crew = taunted w/ life and death, as water is non-potable
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11
Q

‘the death-fires danced at night’
(2)

A
  • Metaphor, personification + dental alliteration evoke hellish imagery
  • Night = symbolic of supernatural, nighttime = liminal space of nature + supernat
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12
Q

‘the water, like a witch’s oil/ Burnt green, and blue and white.’
(2)

A
  • Juxtaposition b/w water + oil, immiscible relo t/f signifies growing hostility of waters
  • ‘burn’ = decrease hospitality, ocean becoming increasingly unwelcome
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13
Q

‘A weary time! A weary time! How glazed each weary eye!’
(3)

A
  • Repetition of ‘weary’ cons of fatigue/ represent crew & M helpless deteriorating under harsh control of nature
  • weary eye’ direct juxtaposition to ‘glittering eye’
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14
Q

‘I bit my arm, I suck’d the blood.’ (3)

A

-As physical state decays, Mariner attempt 2 quench thirst by ‘’
- Clear allusions 2 vampires highlight M’s grotesque act, signal transform into state of curse immort, foreshadow future trapped in perpetuity

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15
Q

‘With throats unslaked, with black lips baked’ (3)

A
  • Grotesque imagery, decrepit state, evoke decay + death// lifeless existence represent broad metaphor for self sacrifice as death enable M 2 reach moment of spiritual awakening + access pray
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16
Q

‘The western wave was all aflame, the day was wellnigh done!’ (3)

A
  • Alliteration emph intense feeling of entrapment/ hellfire cons strength imagery approaching hells gate, evoke idea of trap in biblical limbo, await eternal punish
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17
Q

‘As if through dungeon-grate […] with broad and burning face’ (3)

A
  • Hell image, M desc how silhouette of boat resemble ‘dungeon grate,’ symbol sinister confine
    ⁃ gaze, portray having ‘broad + burning’, reflect physi exhaustion/ plosive amplify sev of M’s sit, while sem seq of bib foreshadow M punish of perpet
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18
Q

‘I fear thee and thy glittering eye!’ (4)

A
  • Repeated mention = sem thread of glitt eye, wisdom + penetrated into soul WG
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19
Q

‘Alone, alone, all, all alone, alone […] my soul is in agony.’ (4)

A
  • Repetition foreshadows penance/ grievous consequences now endure
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20
Q

‘I looked upon the rotting sea/ And drew my eyes away/ I looked upon the rotting deck/ And there the dead man lay’ (4)

A
  • Death + visceral imagery, indic of punishment of perpetuity as everyone around him dies eventually while he is cursed
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21
Q

‘wicked whisper came, and made/ My heart as dry as dust.’ (4)

A
  • Personification + alliteration, signify inability to pray (X gain forgive)/ Simile insinuate lack of ability to regain piety and protection from God
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22
Q

‘For the sky and the sea, and the sea and the sky’ (4)

A
  • Chiasmus = creates rhythm which highlight oppress as seemingly endless + indistinguishable
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23
Q

‘seven days, seven nights, I saw that curse/ And yet I could not die.’ (4)

A
  • Anaphora = allusions to sinful imagery (7 deadly sins), begin of cruel perpetuity
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24
Q

‘where ship’s shadow kay […] A still and awful red […] beyond shadow of ship […] moved in tracks of shining light’ (4)

A
  • Volta signify turning point in tale, move from visceral imagery + allusion 2 earlier deaths thru cons of red to angelic imagery symbol beaut of nat
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25
‘the Albatross fell off, and sank/ Like lead into the sea.’ (4)
- Newfound appreciation for nat -> spell break + symbolic of end of penance/ ‘lead’ = poisonous so t/f toxicity of M gone
26
Self-expression + individualism is endorsed (sin + penance):
-              Mariner’s penance is X collective exp, rather uniquely his own, extreme case of indiv SE thru suffering -              M kill of alb = personal transgression that lead to deep self aware. Act = unbridled ambition, h/e punishment force to recog connect 2 nat + supernat, show personal transform to self-disc (SE) -              M’s compulsion 2 story tell = expressive penance, align w/ idea that deep emotion must be expressed, X only repent but also individualistic assertion -              Self-expression emerge from extreme states of being
27
Self expression + indiv is endorsed (nat + super nat)
-              M’s transgressions -> nat turns on him -> suffering plunges him into state of self-reflect -              Supernat elements like dead crew manifestations of guilt, Romantics viewed supernat as transformative + personal -              Reconnection w/ = shift in emotions, blessing = self expression -              Penance of wander Earth = act of indiv, figure of wisdom shaped by unique exp w/ nature + supernat
28
Nature/ sublimity is endorsed
-              M’s punishment = support idea that nature in its sublime power can both punish & enlighten -> self reflection -              Spontaneous and emotion transform -> spiritual awakening = true redemption come from emotional connect w/ nat -              Ultimate penance, wander Earth + tell tale, reflect Romantic idea that encounter w/ sublime lead 2 deep moral + artistic expression  
29
‘gentle sleep from Heaven’  (5)
-              Symbolic death + rebirth -              Blessed, regained divine favour -> miracles of ‘rain’
30
‘drunken in my dreams’ (5)
-              Dental alliteration = dream symbolic of escape/ transient state - Drunken = cons of intoxication
31
‘died in sleep, […] blessed ghost’ (5)  
-              Idea of death = blissful, fate of perpetuity = undesirable
32
‘My lips were wet, my throat was cold’ (5)
-              Tactile imagery, contrast w/ dry throat earlier -> reinforce miracle
33
‘twas not those souls that fled in pain […] But a troop of spirits blest.’ (5)
-              Angelic spirits animate the dead crew, echo movement of birds -              Bird symbolism alludes 2 albatross, accept nature + get penance
34
‘the Spirit slid: and it was he/ That made the ship to go […] And the ship stood still also.’ (5)
-              Sibilance = indicative of still + eerie silence of movement/ inverts expectations, South Pole spirit comes
35
‘With a short uneasy motion/ Backwards and forwards half her length/ With short and uneasy motion.’ (5)
-              Repetition of ‘uneasy’ = Polar spirit, who love bird who love man, deliberating over continued penance. Help ship b/c of angelic/ divine orders, h/e still seek vengeance
36
‘my living life return’d/ […] in my soul discern’d/ Two voices in the air.’ (5)
-              Disassociation = symbolic of second penance/ Sublimity in tranquillity yet uncertainty in nature, underscore supernat as spirits usurp M of agency and take commandeer ship
37
‘with his cruel bow he laid full low/ The harmless Albatross’ (5)
-              Internal rhyme = creates momentum, reminder of sins, foreshadow continuation of penance.
38
‘His great bright eye most silently/ Up to the moon is cast.’ (6)
-              Continuation of eye imagery = power of supernatural nature, strengthened by symbolism of ‘moon’
39
‘When the Mariner’s trance is abated’ (6)
-              Renewed penance, rep of ‘slow and slow that ship will go’ = internal rhyme representing the reversal of the mercy shown w/ divine miracles of boat move fast
40
‘fly, brother fly! More high, more high!’ (6)
-              2nd voice tell 1st voice/ cons of ‘fly’ = liberation + transcendence -> spiritual awakening/ ‘high’ = unnatural ascent, higher plane of divine control? -              Vastness of world (sky + sea) = Sublime, exceed hum understand/ voices ascend but M remain earthbound (juxt b/w free move + entrap), liminal state b/w sin + redempt
41
‘The dead men stood together/ All stood together on the deck.’ (6)
-              Metaphoric renewal of penance, guilt = manifesting self as illusory visions of dead crewmates, indic of sin
42
‘Stony eyes/ That in the Moon did glitter.’ (6)  
-              Allusions to M gaining experience + knowledge in nature
43
‘I could not draw my eyes from theirs/ Nor turn them up to pray’ (6)  
-              Allusion 2 w/ Albatross around neck -> inability to pray reinstalled
44
‘We drifted o’er the harbour-bar’ (6)  
-              Volta, key TP metaphoric of line, division b/w known + unknown
45
‘bay was white with silent light/ […] In crimson colours came’ (6)
-              Angelic imagery contrast w/ allusions 2 murder w/ cons of ‘crimson,’ foreshadow hallucination of dead sailors’
46
‘It is the Hermit good!/ [] singeth loud his godly hymns/ […] He’ll shrieve my soul and he’ll wash away/ The Albatross’s blood.’ (6)
-              Hermit = lives in solitude + religious discipline (seclusion) = w/ divine favour rinse M of corrosive guilt
47
‘It hath a fiendish look/ I am a fear’d’ (7)
-              Repeated theme of fear (semantic thread) of unknown – narrator encourage reader 2 embrace (sublimity)
48
‘The ship went down like lead’ (7)
-              Allusion 2 Alb sinking like lead = symbolic of M’s detriment sins
49
‘seven days drown’d’ (7)
-              Evokes 7 deadlly sins, foreshadows interminable penance
50
‘But swift as dreams, myself I found within the Pilot’s boat.’ (7)
-              Motif of dreams = uncontrollable state of unconsciousness powered by imagination and t/f endless possibility/ naturally occurring transcendental state
51
‘He prayeth well, who loveth well/ Both man, and bird and beast.’ (7)
-              Symbolic of overall moral of story of gratitude and reverence to nature
52
‘The Mariner, whose eye is bright/ Whose beard with age is hoar.’ (7)
-              Stark paradox, M = enigmatic as had to change to fulfil penance h/e penance = endless + never-ending
53
‘A sadder and a wiser man/ He rose the morrow morn.’ (7)
-              M’s didactic lessons = weak b/c M stuck in perpetuity w/ burden of retell story b/c of his inability 2 fully express what he wants to say
54
Significance of part 3: M = sufferings + imprisoned by death -> CONSEQUENCES OF ACTIONS (sin and penance – nature)
‘We could nor laugh nor wail/ Through utter drought all dumb we stood!’ -              Continuation of punishment following death of alb -> inability to speak b/c of immense dehydration/ cursed to utter desperation + thirst due to M’s hubristic sin link 2 nat’s torment when later in text, water = abundant but non-potable   ‘Almost upon the western wave, Rested the broad bright Sun.’ -              Sun = reoccurring motif, symbolic of divine scrutiny. Infallible rep of nat thru personification = delineates the transgressions of M action + explain now enduring conseq   ‘As if through dungeon-grate […] with broad and burning face.’ -              After see ship of death + LID, Metaphoric illustration of prison confinement, mirrors the M’s long-term consequences of his sin on ship, a symbol of Enlightenment exploration.’  
55
Significance of part 5: Penance will be continued (nature)
‘The sails at noon left off their tune/ And the ship stood still also.’ -              Prior 2 sudden halt, Ship was miraculously moving (supernat. Guided by the angelic spirits)/ Temporary pause = symbolic of momentary taste of forgiveness, b4 renewal of penance w/ confrontation w Hermit + tell tale -              Mirrors stagnation of boat earlier   ‘Then like a pawing horse let go/ She made a sudden bound.’ -              Simile = cons of untamedness -> uncertainty of nat which control M’s fate (R concept’ + continue movement = move 2 next phase of punish (X over) -              Foreshadow eternal curse w/ onus 2 tell story   ‘With his cruel bow, he laid full low/ The harmless Albatross’ -              Internal rhyme = creates momentum, reminder of sins, instrumental in foreshadowing the continuation of penance
56
Part 6 significance: Insight gained through supernatural empowering imagination (continue penance)
‘What makes that ship drive on so fast? What is the ocean doing?’ -              Personification of ocean = has intention -> supernatural commission of his penance symbolic of imagination required 2 explore the mystiques of the unknown. -              Ship moving fast = mirrors unnatural movement of ship, even in absence of wind, from earlier   ‘See, brother, See! How graciously/ She looketh down on him.’ -              Personification of Moon -> continue semantic thread of Moon being liminal space b/w nat + supernat -> guiding force steering towards fate of interminable penance. -              Conversely, early in lyrical ballad, M desc how night = seemed hostile, now Moon = peacefully take 2 fate   ‘Twas night, calm night, the Moon was high/ The dead men stood together.’   -              Motif of moon continued, + tenebrous imagery indicate supernatural shift in tone and atmosphere. Eerie illusion of dead crew = stark reminder of sin -              When died, they dropped one by one, but now stand tg  
57
Passage 7 signifiance: demonstrates wisdom + insight gained by M but still stuck w/ burden
‘For the dear God who loveth us/ He made and loveth all.’ -              Wisdom gained thru suffering  -> religious cons = mirrors when blessed water snakes + regain ability 2 pray   ‘A sadder and wiser man/ He rose the morrow morn.’ -              Reinforce Romantic idea that supernatural = transformative/ WG’s emotional growth parallels M’s story of suffering, newfound wisdom -> permanently alters way of thought
58
Q1 what:
Occurring after the ____, this passage is significant due to its emphasis on the wisdom gained/ penance required/ caustic consequences experienced/ continuation of the ruthless punishment/ insight gained through the supernatural empowering imagination, culminating at the commission of his hubristic act of killing the Albatross.
59
Q1 why:
Ultimately, through the Mariners ____, which consequently allows him to partial achieve atonement/ forgiveness, affirms this passage as a highly significant piece of the text.
60
Q2 what:
Taking place after ____ in the Rime of the Ancient Mariner, Coleridge endorses the Romantic concept of ___, APPOSITIVE?, as a force/ attribute/ concept which catalyses the Mariner’s transformation through adversity.
61
Q2 why:
Therefore, by demonstrating the Mariner’s ___ through Coleridge’s meticulous fabrication of the Mariner’s dire situation, ___ is ultimately valorised as ___.