2 Flashcards

1
Q

Linear Perspective

A

line and size. Lines of the architecture or landscape converge in the distance.
lines converge, is called the vanishing point
used in his fresco The Holy Trinity.

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2
Q

Aerial Perspective

A

blue and blurry.
Using blue to suggest distance to help with blurriness
the Alba Madonna by Raphael, you can see the use of blue and blurriness to create the look of distance.

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3
Q

Foreshortening

A

pictures an object (often the human body or a limb) coming toward the viewer

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4
Q

Pyramidal plan

A

triangle. compose their work featuring a triangle, we automatically think beauty

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5
Q

Painterly

A

brush strokes are visible

starry night

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6
Q

Linear

A

A surface texture in which the brush strokes are not visible is linear

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7
Q

Abstract art

A

ecognizable subject matter which has been deliberately simplified, usually emphasizing geometric shapes and line

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8
Q

Nonsubjective art (alternatively called nonrepresentational art)

A

no recognizable subject matter—an experiment with or exploration of line, color, or form

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9
Q

Surface

A

A canvas, wall, ceiling, paper,

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10
Q

Pigment

A

the colors used in the work. Historically they were made from the insoluble particles of ground stones, minerals, earth, and even insects. One of the most interesting uses of insects is in the color carmine lake:

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11
Q

Vehicle

A

A liquid mixed with the pigment to move it across the surface: egg yolk, linseed or walnut oil, and even wax.

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12
Q

Encaustic

A

o heat or burn.” Surface: wood panel. Vehicle: hot wax.

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13
Q

Fresco

A

fresh.” Surface: a wall or ceiling. Vehicle: wet or fresh plaster mixed with lime.
Fresco is a long-lasting medium and can be rubbed clean, as we learned from the cleaning of the Sistine Chapel ceiling in the 1980s and ’90s.

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14
Q

Tempera

A

Surface: polar wood panel, paper, or canvas. Vehicle: egg yolk or whites.

Egg yolk is a natural emulsion of water, oil, and lecithin, which dries very quickly, giving a matte appearance. Thus tempera paint is really the distant relative of modern emulsion paint.

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15
Q

Mosaic

A

played with Lite-Brite, you are already somewhat familiar with mosaic. Surface: floor, wall, ceiling, table. This medium is created with tiles, shells, or jewels (called tesserae). Mosaic is an ancient technique which, like most mediums, has been revived by contemporary artists

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16
Q

Manuscript Illumination

A

Surface: vellum or parchment—stretched calfskin or lambskin.
he artist of the capital letter was the rubricator, so-called because the capital letter was initially done in red (it comes from the same root as the word ruby). The artist of the scenes was called the miniator, as the scenes were often minute. Manuscript Illumination gave birth to a tradition of small, finely detailed painting in Flanders and Germany.

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17
Q

Oil Painting

A

Surface: canvas. The surface was originally wood panel, but by 1600 the use of canvas became widespread in Europe. Vehicle: linseed oil. Initially linseed oil was used, but others include poppy seed oil, walnut oil, and safflower oil.

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18
Q

Annunciation

A

two required elements: the Madonna (Mary, mother of Jesus) and the angel Gabriel. This is the moment when Gabriel appears to Mary and announces that she will be the mother of the Savior.
Botticelli, “Cestello Annunciation”

19
Q

Nativity/Adoration

A

This one is easy to identify—the shepherds and wise men come to adore the baby Jesus. The most celebrated is Botticelli’s Adoration of the Magi (1475).

Botticelli, “Adoration of the Magi”

20
Q

Madonna Enthroned

A

Cimabue, “Madonna Enthroned with Saints and Angels”

Giotto, “Madonna Enthroned”

21
Q

Madonna and Child

A

Mary and the baby Jesus are the central figure
Raphael, “Tondo Madonna”
Bouguereau, “The Innocenct” (in English)

22
Q

Baptism

A

Verrocchio, “Baptism of Christ”

23
Q

Last Supper

A

Leonardo, “Last Supper”

24
Q

Crucifixion

A

Grunewald, “Isenheim Altarpiece”

25
Q

Deposition

A

Christ’s body being taken down from the cross

26
Q

Pieta

A

a private moment between the Madonna and her Son just before His entombment, as she says goodbye. This is not a scene from the scriptures, but rather an artistic tradition.
Michelangelo, “Pieta”

27
Q

Resurrection

A

Grunewald, “Resurrection”

28
Q

Last Judgement

A

Michelangelo, “Last Judgment”

29
Q

arcade

A

a row of arches

30
Q

keystone

A

wedge shaped stone at very top

31
Q

oculus

A

eye

32
Q

coffered ceiling

A

repeated geometric shapes

33
Q

megaron

A

rectangular floor plan

34
Q

stylobate

A

foundation that bends up slightly

35
Q

Doric order

A

simple and masculine. bold. parthenon

36
Q

ionic order

A

graceful and feminine

37
Q

corinthian order

A

flutes or grooves. folds in a womans gown, curled hair. ancanthus-leaf

38
Q

metope

A

design inside

39
Q

triglyph

A

the curve shaved indents stone by metope

40
Q

architrave

A

the base thing above columns

41
Q

capital

A

connecter from column to architrave

42
Q

pericles

A

most powerful statesman

43
Q

Phidias

A

the greatest sculptor. athena