1st Grading Flashcards

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1
Q

A style of music and of painting that avoids definite terms or obvious statements, instead highlighting suggestion and atmosphere

A

Impressionism

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2
Q

One of the most famous Post-Romantic composers and his music is frequently associated with the impressionist movement in art and known as the founder of musical impressionism

A

Claude Debussy

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3
Q

Debussy’s composition that made him kmown and popular as an impressionist composer

A

Claire de Lune

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4
Q

A pattern constructed entirely or whole-tone intervals

A

Whole-tone scale

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5
Q

The use of several rythmic patterns simultaneously

A

Polyrythm

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6
Q

The painyojg of Claude Monet that is credited with inspiring the name of the impressionist movement

A

Impression, sunrise

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7
Q

A movement in music seeks to express the innermost feelings of the subconcious

A

Expressionism

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8
Q

Developed the twelve-tone sustem; established as a substitute for the traditional tonal system but profpundly changed the entire music history

A

Arnold Schoenberg

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9
Q

The three composers identified with Expressionism

A

Arnold Schoenberg, Alban Berg and Anton Webern

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10
Q

Objective perspective

A

Impressionism

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11
Q

Blurry

A

Impressionism

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12
Q

Freely brushed colors

A

Impressionism

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13
Q

Conveys mood and atmosphere

A

Impressionism

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14
Q

Subjective perspective

A

Expeessionism

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15
Q

Distorted

A

Expressionism

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16
Q

Vivid coloration

A

Expressionism

17
Q

Expresses emotion

A

Expressionism

18
Q

An art style that capture an impression of what the artist’s eyes see at the given moment

A

Impressionism

19
Q

They worked more with imagination and feelings rather than with what their eyes see in the physical world

A

Expressionism

20
Q

___________________________ often, extreme contrasts of dynamics, constant changing of textures, “distorted” melodies and harmonies, and angular melodies with wide leaps

A

Expressionist music

21
Q

Elements often termed ___________________ include static harmony, emphasis on intrumental timbres thay creates a shimmering interplay of “colours,” melodies that lack directed morion, surface ornamentation that obscured or substitutes for melody, and an avoidance of traditional musical form

A

Impressionistic