1b) Flashcards

1
Q

Barthes order of signification

A

For :
Object - gun
Denotation - violent character
Connotation - power, authority, aggression
Ideology - capitalism, black and white, right and wrong

Against:
Connotations are subjective

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2
Q

Bordwell theory

A

Media language is separate to narrative

For:
Narrative shows Ryan wants to talk to the girl at the bus stop but cinematography shows that he is obsessed with her frantically, awkwardly and creepily chasing her

Against: may not always be understood this way

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3
Q

Binary opposition

A

For- opposition of gender by cinematography - shelves - moving in - lighting - composition of shots

Against - over lap where opposition are in love

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4
Q

Media language paragraphs

A

Barthes Order of Signification

  • denotation
  • connotation
  • ideology

Bordwell Theory
- media language separate to narrative giving off separate meanings

Binary Opposition -Levi-Strauss
- creates opposition through meanings of cinematography

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5
Q

Genre Paragraphs

A

Genre
Form
Auteur Theory

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6
Q

Genre

A

Genre is ‘Particular Convention of Content’-

For : Rom-com - what makes it conventional

Against : Hybridization weakens genre, meaning it is less specific
Swales - ‘Fuzzy Catergories’

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7
Q

Form

A

For: Short film = duration, creativity, challenges conventions, small cast, low budget, relatable, stereotypical to save time - vicar
Buckingham- ‘genre is a constant process of negotiation and change’ whereas a short film is a fact and not subjective

Against: Very broad, doesn’t offer much insight for the audience and could be about anything

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8
Q

Auteur Theory

A

For: ‘A view of film making in which the producer is considered the primary creative force’ - Sarris
Mortimer Style

Against : Mortimer style is in-established and people wouldn’t know it
Extremely diverse with so many directors
Dis-regards changes in director style
Difficult during intertextuality

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9
Q

Narrative Paragraphs

A

Todorovs Narrative Theory
Propps Theory of Narrative
Levi-strauss’ Binary Oppositions

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10
Q

Todorov

A

For : Equilibrium, disruption, recognition, repair, new equilibrium - relate to frantic romantic

Against : Not necessarily in order so the theory can be partly applied

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11
Q

Propps Theory of Narrative

A

For : 7 different character types
Ryan - hero - lead - embarking on quest - restore equilibrium
Helper - Narrator guides the hero
Princess- GATBS (victim) saved by hero

Against - Princess isn’t saved by the hero

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12
Q

Levi-Strauss Oppositional Narrative

A

For : conventions of rom-com to opposite boy + girl
moving in, shelf shot, awkward meeting
only ends once conflict is resolved

Against - overlap, since we see them in love, were opposition isnt an issue

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13
Q

Paragraphs for Audience

A

Hyperdermic Model
U+G (Blumler and Katz)
Reception Analysis Theory ( David Morley)

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14
Q

Hyperdermic Model

A

emerged in the 20s

For : audience take away the formalities of modern cinema and their repetitive nature
The audience become addicted to the self-sustaining, all encompassing narrative
Ryan touching hands + Lighting

Against :
Lighting - only works with an active audience
Genre of parody requires active audience
Fails to acknowledge the role of the audience in creating meaning
Short film means enigma codes aren’t always revealed meaning the audience has to make their own judgement

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15
Q

Use + Gratifications (Blumler + Katz)

A

For: Talk about each one as say it relates to part of your film

Against : Underestimates role of producer
Assumes audience are watching the text for a reason

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16
Q

Reception Analysis Theory

A

David Morley where the dominant agrees, negotiated some what agrees, and the oppositional disagrees

For : Dominant - offers insight into media formalities
Negotiated - understand the genre but agree that it is somewhat ridiculous
Opposition - unrealistic, bad narrative, ridiculous, lazy
Uses more than one type of audience

Against - distracts from the producer