19th Century Flashcards
Late Haydn Masses written before 1800
Heligmesse
Paukenmesse
Nelsonmesse
Theresienmesse
Late Haydn Masses with minor et resurrexit
Heiligmesse
Nelsonmesse
Theresienmesse
Only Late Haydn Mass with telescoped text
Paukenmesse
Haydn Oratorios
The Creation
The Seasons
Beethoven Choral Works
Choral Fantasy (Op. 80) Christ on the Mount of Olives (Oratorio) (Op. 85) Mass in C (op. 86) Missa Solmenis (Op. 123) Symphony No. 9 (Op. 125)
Missa Solemnis Looking backward
Church Modes Austrian Tradition of trombones doubling fugue voices Fugues at the end of Gloria and Credo Traditional 19th c. forces Tonal Movement to the mediant
Missa Solemnis Looking forward
High Tessitura Long Duration Unique Text Setting (Sanctus) Benedictus Violin Solo Extraliturgical text (O Miserere in Gloria)
Notable Features of late Haydn Masses
Standardized 40' length Increased instrumentation and greater role (e.g. Cello Solo in Paukenmesse Qui Tollis and Timpani in Nelsonmesse Benedictus) Thirds relations use of flat keys Sonata form in opening movements
Schubert
Mass in G
Magnificat
Deutsche Messe
Schumann
Das Paradis und die Peri
Der Rose Pilgerfahrt
Requiem fur Mignon
Scenes from Goethe’s Faust
Mendelssohn
Partsongs (e.g. Op. 59 No. 4 Die Nachtigall)
Die Erste Walpurgisnacht
Oratorios: Elijah, St. Paul, Christus
Symphony No. 2 Lobgesang
Bruckner
3 Masses (Dm, Em, Fm)
Te Deum
Motets (Ave Maria, Os Justi, Locus Iste, Christus Factus Est)
Brahms Motets
Two Motets Op. 29
Two Motets Op. 74
Brahms Op. 29
Est ist das Heil uns kommen her “Salvation has come for all”
Schaffe in mir “Create in me”
Brahms Op. 74
Warum ist das licht gegeben “Why is light given”
O Heiland reiass die Himmel auf “O Savior rend the heavens”
Brahms Op. 52 and Op. 65
Op. 52 Liebeslieder Waltzer
Op. 65 Neue Liebeslieder Waltzer (both piano 4 hands and chorus)
Brahms Op. 31
Op. 31 Three Quartets
Wechselied zum Tanz
Neckereien
Der Gang zum Liebchen
Brahms Choral Orchestral
Ein Deutches Requiem Op. 45 (1867, 1869)
Alto Rhapsody Op. 53
Schicksalslied Op. 54