19th Century Flashcards
Late Haydn Masses written before 1800
Heligmesse
Paukenmesse
Nelsonmesse
Theresienmesse
Late Haydn Masses with minor et resurrexit
Heiligmesse
Nelsonmesse
Theresienmesse
Only Late Haydn Mass with telescoped text
Paukenmesse
Haydn Oratorios
The Creation
The Seasons
Beethoven Choral Works
Choral Fantasy (Op. 80) Christ on the Mount of Olives (Oratorio) (Op. 85) Mass in C (op. 86) Missa Solmenis (Op. 123) Symphony No. 9 (Op. 125)
Missa Solemnis Looking backward
Church Modes Austrian Tradition of trombones doubling fugue voices Fugues at the end of Gloria and Credo Traditional 19th c. forces Tonal Movement to the mediant
Missa Solemnis Looking forward
High Tessitura Long Duration Unique Text Setting (Sanctus) Benedictus Violin Solo Extraliturgical text (O Miserere in Gloria)
Notable Features of late Haydn Masses
Standardized 40' length Increased instrumentation and greater role (e.g. Cello Solo in Paukenmesse Qui Tollis and Timpani in Nelsonmesse Benedictus) Thirds relations use of flat keys Sonata form in opening movements
Schubert
Mass in G
Magnificat
Deutsche Messe
Schumann
Das Paradis und die Peri
Der Rose Pilgerfahrt
Requiem fur Mignon
Scenes from Goethe’s Faust
Mendelssohn
Partsongs (e.g. Op. 59 No. 4 Die Nachtigall)
Die Erste Walpurgisnacht
Oratorios: Elijah, St. Paul, Christus
Symphony No. 2 Lobgesang
Bruckner
3 Masses (Dm, Em, Fm)
Te Deum
Motets (Ave Maria, Os Justi, Locus Iste, Christus Factus Est)
Brahms Motets
Two Motets Op. 29
Two Motets Op. 74
Brahms Op. 29
Est ist das Heil uns kommen her “Salvation has come for all”
Schaffe in mir “Create in me”
Brahms Op. 74
Warum ist das licht gegeben “Why is light given”
O Heiland reiass die Himmel auf “O Savior rend the heavens”
Brahms Op. 52 and Op. 65
Op. 52 Liebeslieder Waltzer
Op. 65 Neue Liebeslieder Waltzer (both piano 4 hands and chorus)
Brahms Op. 31
Op. 31 Three Quartets
Wechselied zum Tanz
Neckereien
Der Gang zum Liebchen
Brahms Choral Orchestral
Ein Deutches Requiem Op. 45 (1867, 1869)
Alto Rhapsody Op. 53
Schicksalslied Op. 54
Mahler Choral Symphonies
Symphony No. 2 Cm “Resurrection”
Symphony No. 3 Dm (SA Soloists, boy’s choir, women’s choir, orch)
Symphony No. 8
Luigi Cherubini
(1760-1842) Missa Solemnis in C Requiem in Cm Requiem in Dm Big influence on French Composers
Rossini
(1792-1868)
Stabat Mater
Petite Missa Solenelle
Donizetti
(1797-1848)
Ave maria
Requiem (in honor of Bellini)
Verdi
Quarto pezzi Sacri (Ave Maria, Stabat mater, Laudi alla Vergine Maria, Te Deum)
Requiem (1874)
Berlioz
L’enfance du Christ
Te Deum
Requiem
Gounod
La redemption (oratorio) St. Caecilia Mass
Frank
Les Beatitudes (oratorio) Panis Angelicus
Faure
Requiem Op. 48 (1886-1888)
Cantique de Jean Racine (Op. 11)
Saint Saens
Christmas Oratorio
Samson et Delila
Mass
Requiem
Bortniansky
Sacred Concertos
Cherubim Songs
Tchaikovsky
All Night Vigil
Liturgy of St. John Chrysostom
Our Father
Moscow School
The Five: Balakirev, Cui, Borodin (Polovestian Dances from Opera Prince Igor), Mussogsky (Opera Boris Godunov) RK (Opera Mlada)
Who was taught by Rejcha
Liszt, Gounod, Frank
Antonin Rejcha
Requiem
Te Deum
der neue Psalm
(also his woodwind quintets)
Smetena
Unacc. Men’s Chorus pieces (e.g. Three horsemen)
Dvorak
Stabat Mater
Te Deum
Mass in D
Requiem in Bb
Liszt
Requiem
Dante Symphony
Faust Symphony
Via Crucis
British 19th century
Samuel Wesley Samuel Sebastian Wesley John Stainer Robert Pearsall The Victorians
British 19th c. Victorians
Arthur Sullivan (Ora: The Prodigal Son)
Charles Hubert Hastings Parry (Ora: Judith)
Charles Villers Stanford (Ora: Eden)
Edward Elgar (Ora: Dream of Gerontius)
John Knowles Paine
First Prof of Music at Harvard
Oratorio St. Peter
Mass in D
Dudley Buck
Festival Te Deum No. 7
Edward McDowell
Two Northern Songs
Many men’s chorus songs
known for 2nd piano concerto
Horatio Parker
Hora Novissima (Oratorio)
Amy Beach
Grand Mass in Eb
19th c. Synagogue Music
Salomon Sultzer
Lewis Lewandowski
Samuel Naumbourg
David Nowakowsky
Two French Composers brought by Peter the Great to reform Russian Church Music
Galuppi and Sarti
