1984 quotes Flashcards

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1
Q

intro context

A

response to post-war concerns of rising fascism and communism

readers throughout time to protect their political autonomy under authoritarian control

exploring oppression in a totalitarian society

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2
Q

watched everybody….

A

“watched everybody all the time … every movement scrutinised.”

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3
Q

“watched everybody all the time … every movement scrutinised.” technique

A

invasive imagery

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4
Q

“6079…

A

“6079 Smith W!”

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5
Q

“6079 Smith W!” technique

A

exclamatory voice

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6
Q

news…

A

‘Newspeak’ and ‘Doublethink’

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7
Q

‘Newspeak’ and ‘Doublethink’ technique

A

neologisms

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8
Q

“dont you see…

A

“Don’t you see that the whole aim of Newspeak is to narrow the range of thought?”

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9
Q

“Don’t you see that the whole aim of Newspeak is to narrow the range of thought?” technique

A

dialogue

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10
Q

when there were…

A

“when there were no external records to refer to, even the outline of your life lost its sharpness”

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11
Q

“when there were no external records to refer to, even the outline of your life lost its sharpness” technique

A

visual euphemism and metaphor

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12
Q

early conditioning… (lpssmm)

A

“Early conditioning… by lectures, parades, songs, slogans and martial music”,

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13
Q

“Early conditioning… by lectures, parades, songs, slogans and martial music”, technique

A

parataxis

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14
Q

all he had…

A

All he had to do was to transfer to paper the interminable restless monologue.”

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15
Q

All he had to do was to transfer to paper the interminable restless monologue.” technique

A

hyperbole

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16
Q

for whom…

A

“For whom … was he writing this diary? For the future, for the unborn”

17
Q

“For whom … was he writing this diary? For the future, for the unborn” technique

A

hypophora

18
Q

their embrace …

A

“Their embrace had been a battle, the climax a victory”

19
Q

“Their embrace had been a battle, the climax a victory” technique

A

war imagery

20
Q

the coral …

A

“the coral was Julia’s life and his own, fixed in a sort of eternity (at the heart of the crystal)”

21
Q

“the coral was Julia’s life and his own, fixed in a sort of eternity (at the heart of the crystal)” technique

A

transition from a Nihilistic to a romantic tone

22
Q

whether winson wrote …

A

“Whether [Winston] wrote DOWN WITH BIG BROTHER or not, it made no difference.”

23
Q

“Whether [Winston] wrote DOWN WITH BIG BROTHER or not, it made no difference.” technique

A

jarring metatextuality

24
Q

until they …

A

Until they become conscious, they will never rebel, and until after they have rebelled, they cannot become conscious,”

25
Q

Until they become conscious, they will never rebel, and until after they have rebelled, they cannot become conscious,” technique

A

paradox and allusion to red armed prole woman

26
Q

how small…

A

“how small it always was!”

27
Q

“how small it always was!” technique

A

exclamatory voice and symbolism

28
Q

do it…

A

“Do it to Julia!.. Tear her face off, strip her to the bones”

29
Q

“Do it to Julia!.. Tear her face off, strip her to the bones” technique

A

grotesque imagery

30
Q

he loved…

A

“He loved Big Brother.”

31
Q

“He loved Big Brother.” technique

A

classical prose convetion

32
Q

gin…

A

Gin-scented tears.”

33
Q

Gin-scented tears.” technique

A

allusion to victory gin