1984 Flashcards

1
Q

there is a sad peace at the end of the novel as both the reader realise

A

He loved big brother

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2
Q

He loved big brother

A

there is a sad peace at the end of the novel as both the reader realise

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3
Q

“I betrayed you” “I betrayed you too”

A

This is a stark contrast to the synaethetic flowering that characterized their romance at its peak. there langauge is bland. they are both now shells of their former self

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4
Q

This is a stark contrast to the synaethetic flowering that characterized their romance at its peak. there langauge is bland. they are both now shells of their former self

A

“I betrayed you” “I betrayed you too”

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5
Q

its a beautiful thing the destruction of words

A

Seemingly juxtaposed clause highlights the ongoing joy and dedication to the continued disintegration of language

not simply words that are the target of the part but thought itself

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6
Q

Seemingly juxtaposed clause highlights the ongoing joy and dedication to the continued disintegration of language

not simply words that are the target of the part but thought itself

A

its a beautiful thing the destruction of words

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7
Q

We find out room 101 is the only place in oceania where the person is treated as an individual

A

The worst thing in the world” “Varies from individual to individual

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8
Q

The worst thing in the world” “Varies from individual to individual

A

We find out room 101 is the only place in oceania where the person is treated as an individual

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9
Q

His small but childish handwriting straggled up and down the page

A

he sees a deep value in the are of journaling as a means to maintain a sense of self

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10
Q

he sees a deep value in the are of journaling as a means to maintain a sense of self

A

His small but childish handwriting straggled up and down the page

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11
Q

the use of anaphora in he wished indicated the vital nature in which Winston wants to display his love for Julia. relation progressed from rebellion to an emotional connection

A

he wished above all that they had some place where they could be alone

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12
Q

he wished above all that they had some place where they could be alone

A

the use of anaphora in he wished indicated the vital nature in which Winston wants to display his love for Julia. relation progressed from rebellion to an emotional connection

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13
Q

the paperweight represents this new state of being for Winston. it is the presence of hope and love, kept safe from the setting of 1984

A

the paperweight was the room he was in the coral julias life and his own fixed in a sort of aternity at the heart of the crystal

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14
Q

the paperweight was the room he was in the coral julias life and his own fixed in a sort of aternity at the heart of the crystal

A

the paperweight represents this new state of being for Winston. it is the presence of hope and love, kept safe from the setting of 1984

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15
Q

here the audience finally understands the aim of the party. the party wants power over everything and everyone and control them in every way

A

there will be no thought

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16
Q

there will be no thought

A

here the audience finally understands the aim of the party. the party wants power over everything and everyone and control them in every way

17
Q

nothing was your own except the few cubic centimetres inside your head

A

Orwell is touching on the idea of consciousness

18
Q

Orwell is touching on the idea of consciousness

A

nothing was your own except the few cubic centimetres inside your head

19
Q

The ulcer has now beocome a physical symbol of how an oppressive setting can have psycological effects

A

his varicose ulcer had subsided

20
Q

his varicose ulcer had subsided

A

The ulcer has now beocome a physical symbol of how an oppressive setting can have psycological effects

21
Q

Orwell metaphoricall shifts the brotherhood from a collection of induviduals to an undying construct ideal impervious of destruction

A

brotherhood cannot be wiped out its an idea that is indestructible

22
Q

brotherhood cannot be wiped out its an idea that is indestructible

A

Orwell metaphoricall shifts the brotherhood from a collection of induviduals to an undying construct ideal impervious of destruction

23
Q

O’Brien’s admission makes the audience realise that Winston is not the direction of his own thoughts. The Metatheatrical allusion to “this drama” indicates that O’Brien has been in control of Winston’s rebellion.

A

this drama I have played out with you during seven years will be played out again and again, generation after generation, always in subtler forms

24
Q

this drama I have played out with you during seven years will be played out again and again, generation after generation, always in subtler forms

A

O’Brien’s admission makes the audience realise that Winston is not the direction of his own thoughts. The Metatheatrical allusion to “this drama” indicates that O’Brien has been in control of Winston’s rebellion.

25
Q

The repetitive exclamatory language outlines the desperation for Winston to save himself. It is here that we see the party has finally penetrated the “few cubic centimetres inside his skull.”

A

“Do it to Julia! Do it to Julia! Not me! Julia!”

26
Q

“Do it to Julia! Do it to Julia! Not me! Julia!”

A

The repetitive exclamatory language outlines the desperation for Winston to save himself. It is here that we see the party has finally penetrated the “few cubic centimetres inside his skull.”