19. Specific Options for Rosé Winemaking Flashcards

1
Q

What are the 3 key ways to make rose?

A

1) direct pressing
2) short maceration
3) blending

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2
Q

2 typical options for making Rosé wine with RS?

A
  • stopping fermentation before reaching dryness.
  • blending a sweetening component w/a dry wine, e.g. RCGM
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3
Q

How is MLF typically dealt with during rosé production (3)?

A

MLF is typically blocked;

  • buttery flavors are not desired, as they would mask the fresh fruit notes.
  • these wines are usually intended to be refreshing, so malic acid will want to be retained.
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4
Q

When making direct press rosé, what additional option do winemakers have (depending on local legislation)?

Why is this useful?

What is a specific eg.?

A

Winemakers can choose to co-ferment / co-press red varieties with white ones, e.g. Rolle (Vermentino) is allowed in production of Cotes de Provence rosé (blended w/Cinsault, etc..)

This adds extra acidity and achieves a paler, more delicate color.

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5
Q

When will blending usually take place for rosé wines?

What are some reasons for this (2)?

A
  • Usually just before finishing/bottling.
  • allows winemaker to make final color tweaks (inc. short maceration/direct press rosé)
  • to ensure consistency of color/flavor profile acoss batches.
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6
Q

When making rosés via Direct Pressing, what factors influence the level of color in the final wine (3)?

What is this type of wine commonly known as?

A
  • level of pressure used when pressing.
  • duration of pressing time (longer pressing = longer maceration.)
  • how much press juice is used.

AKA “Vin Gris”, referring to the very pale color of these wines.

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7
Q

2 e.g.s where Rosé wines made via short maceration are common?

A

Spain (Rioja) / Tavel (S. Rhone Valley)

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8
Q

What temps are rosé wines usually fermented at?

Vessels (2)?

Yeasts?

Why?

A

Cool Temps: 12-16 C / 54-61 F = Promotes the production+retention of aroma compounds.

Usually stainless steel = neutral, allow temperature control.

Occasionally new/old oak vessels will be used = more texture. Wine must have enough concentration to not be overwhelmed by influence of oak.

Cultured yeasts usually used to promote fruit flavors.

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9
Q

Why would a winemaker mature a rosé wine on its lees / in oak for a period of time before bottling (3)?

A
  • to add texture/body from lees.
  • to add oak flavors (vanilla, spice) for a specific style (more suitable for food pairing)
  • PDO law e.g. Rioja Rosado
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10
Q

What is the typically desired flavor/structure profile for rosé wines (3)?

What growing decisions do winemakers make in the vineyard to attain this (2)?

A

Medium-High Acidity / Low-Medium Alcohol / Fresh Fruit Flavors.

  • grapes tend to be grown in cool/moderate regions or cool/moderate sites within warmer regions.
  • yields are kept high = slower ripening, less concentration.
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11
Q

How is blending used to make rose wines?

What consideration needs to be made?

A
  • a small proportion of red wine is blended with white wine
  • not allowed in most of Europe (Champagne is a notable exception)
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12
Q

What is the current market trend for rosé wine?

What kind of grapes are best-suited for this style?

A

Paler in color w/minimal tannins.

Black varieties w/low-medium levels of color/tannin will be used, e.g. Pinot Noir.

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13
Q

How is the short maceration method used to make rose wine (4)?

A
  • a short period of pre-fermentation maceration before pressing (couple hours-few days)
  • at the end of the maceration, juice will be drained and skins may be gently pressed
  • then fermented like a white wine
  • usually produces wines that are deeper in colour and more pronounced in flavour (ex. Tavel)
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14
Q

What are PROS (4) and CONS (2) of blending as a process to make rosé wine?

What quality level of wines are usually made via this method?

A

PROS: - allows winemaker to combine flavors/aromas of both white and red wines.

  • wines can take advantage of trendy wines by blending them in, e.g. “Sauvignon Blanc Rosé.”
  • simple and cheap, esp. if the winery already produces white and red wines.
  • winemakers can fine-tune color of wine more easily than other methods.

CONS: - not legally allowed in many PDOs (most of EU)

  • believed to lower the quality of rosé production.

Most often used for INEXPENSIVE, simple wines.

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15
Q

How do typical harvesting choices for red grapes destined for rosé production differ from those destined for red wine ?

A
  • Typically harvested earlier to retain acidity and delicate, fresh red fruit notes.
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16
Q

What are ways in which COLOR is vitally important to rosé wine production?

What decisions can winemakers make to influence this (4)?

A
  • consumers base many purchasing decisions based on the color of the wine, often associating light shades w/dryness and deeper colors w/off-dry styles.
  • wines are usually packaged in clear bottles to show off color to consumer.
  • longer fermentation = less color, therefore winemakers will need to plan for this when extracting color pre-fermentation.
  • blending allows winemakers to easily control the exact shade of the wine.
  • wines will be fined/filtered to increase clarity.
17
Q

In terms of rosé production, what does the term “saignée” refer to (2)?

What are PROS (2) / CONS (2) of this method?

A

Literally means “bleeding.”

Refers to “bleeding” off some of the juice that has been macerating on red grape skins intended for red wine production.

PROS: -Bleeding off this juice concentrates remaining must for red wine production, intensifying flavors.

  • Cost-effective (by-product of red production)

CONS: - lessens volume of red wine production, which usually commands higher pricepoint.

  • grapes used were grown specifically w/red wine production in mind, which might be less suitable for rosé production.
18
Q

What is the direct pressing method in rose winemaking (3)?

A
  • black grapes are either whole bunch pressed or de-stemmed and immediately pressed to reduce any maceration
  • juice is then fermented like a white wine
  • produces lightest colored roses