Chapt. 12: Pre-Dominant Seventh Chords And Embedded Phrase Models Flashcards

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1
Q

How can the Pre-Dominant Function be Expanded?

A

Voice exchange (inversions), passing cords, or the ii and IV chords consecutively

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2
Q

What is an embedded phrase Model?

A

A technique of extending the tonic portion of a phrase model with a miniature phrase model inside

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3
Q

What is a contrapuntal cadence?

A

An arrival on root-position tonic chord with the bass moving by step from either ^2 or ^7.

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4
Q

What is a subphrase?

A

A part of a phrase set apart by a “caesura” and/or repeated melodic gestures. It’s not a phrase by itself because it doesn’t have a cadence.

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5
Q

What is a caesura?

A

A pause in the melody or the entire texture.
-Not every caesura marks the end of a subphrase

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6
Q

What are composite phrases?

A

A single phrase that is made up of three or more subphrases.

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7
Q

What similarities do the ii^65 and IV chords have?

A

^4 in the bass, ^6 and ^1 and ^2 in the upper voices

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8
Q

No

A

In minor mode, the ii*7 is half diminished.

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9
Q

Which chord in minor mode has a distinctively predominant sound?

A

The ii half diminished ^65

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