1.1 Flashcards

Understand materials and their applications and classifications

1
Q

handle

A

how a fabric feels when touches

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

drape

A

the way a fabric hangs under own weight

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

lustre

A

ability to reflect light from textiles surface to appeaar glossy

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

tensile strength

A

ability to resist breaking under tension

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

abrasion resistant

A

ability to resist surface wear caused by rubbing contact with another material

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

elasticity (crease resistant)

A

ability to be deformed and return to original shape when force is removed

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

absorbency

A

ability to absorb and retain liquid

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

easy-care

A

ability to maintain optimum appearance with minimum of effort when laundering

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

colour fastness

A

ability to retain dye during manufacturing process and when washed or exposed to sunlight

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

electrostatic charge

A

ability for static electricity to develop in fibres under exceptionally dry conditions

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

thermal insulation

A

ability to trap air, preventing transfer of heat through material

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

corrosive solvent resistance

A

ability to withstand attack and decay from organisms eg bacteria and moths

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

flammability

A

ability to burn or ignite, causing fire or combustion

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

thermo-plasticity

A

ability to become pliable and mouldable when heated, enabling creases to be set and retained once heated

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

formability

A

ability to manipulate and deform fabrics without damaging them

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

natural plant/cellulosic fibres

A

cotton, linen, ramie

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

natural animal/protein fibres

A

wool, silk

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

natural animal hair/protein fibres

A

cashmere, mohair, angora, merino

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
19
Q

regenerated fibres

A
  • manufactured from chemically modified natural cellulose
  • viscose (wood pulp), acetate (cotton waste)
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
20
Q

new generation lyocell fibres

A
  • cellulose harvested from sustainably grown trees
  • closed loop system reducing chemicals needed
  • modal, lyocell (e.g Tencell)
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
21
Q

polyamides

A
  • polyamide (nylon), Tactel (microfibre), Supplex
  • developed from polyamides: aramid fibres e.g Kevlar, Nomex, cordura
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
22
Q

polyesters

A

polyester, trevira (microfibre), polartec (polar fleece)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
23
Q

polyacrylic

A

acrylic

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
24
Q

elastomeric fibres

A
  • from synthetic polymers with small amount of elasticity in core of corespun yarn
  • elastane (e.g Lycra, spandex)
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
25
Q

what are chlorofibres and flurofibres

A
  • manmade synthetic fibres
  • used for coatings on textiles making it stain-repellant, water repellant and breathable
26
Q

chlorofibres and flurofibres examples

A

chlorofibres: polyvinyl chloride (PVC)
fluorofibres: (PTFE) Teflon

27
Q

inorganic fibres

A
  • created from natural elements, processed at high temps and become fibres
  • glass, carbon, metallic, ceramic
28
Q

smart materials

A
  • react to external stimuli in environment without human intervention
  • once stimuli is removed, material reverts to original form
29
Q

reactive materials

A

respond to changes such as loss of heat or levels or air pollution

30
Q

photochromic dyes

A

respond to changes in UV light

31
Q

phase-changing materials

A
  • e.g Outlast used in performance wear
  • has the ability to absorb, store and release body heat to regulate person’s microclimate
32
Q

modern materials/technical textiles

A

new materials developed through invention of improved processes

33
Q

microfibres

A
  • extremely fine fibres
  • e.g Tactel (polyamide origin) and Trevira (polyester origin)
34
Q

microencapsulated fibres and fabrics

A

microcapsules with beneficial or cosmetic chamicals are embedded in fabrics and gradually released by rubbing

35
Q

nano-fibres

A
  • significantly finer than microfibres
  • e.g anti-stick/self-cleaning and UV protective properties
36
Q

workshop test for flammability

A
  • use precisely cut fabric samples and paper fuses
  • light the fuse and use a stopwatch to time how long it takes for the flame to reach the wire marker
  • record time and other observations when the flame comes into contact with fabric
37
Q

workshop test for crease resistance

A
  • fabric folded in half and places between pieces of paper under the weight
  • after placing fabric sample on measuring block, leave it to recover for 5 mins then calculate the distance between its two ends on the horizontal scale
  • record result and repeat with other fabrics being tested
38
Q

workshop test for colour fastness

A
  • affected by washing and exposure to sunlight
    -samples sewn onto white fabric and washed at an agreed temperature and duration
  • dried samples are compared to control sample and white fabric is checked for staining
39
Q

issue with workshop testing for colour fastness

A

reliable workshop testing for colour fastness in fabrics is impossible as a lot of time is needed and lgiht intesity cannot be controlled in the same way as in a laboratory

40
Q

wokrkshop test for shrink resistance

A
  • sew coloures cross-stitches or use a permanent pen to mark an exact 10cm square
  • retain control samples and wash remaining samples at different temps and levels of washing machine and agitation
  • dry and iron samples
  • work out percentage shrinkage
41
Q

percentage shrinkage

A

distance before- distance after ➗ original length X 100

42
Q

workshop test for strength

A
  • prepare same sized samples
  • make a small cut at the warp, weft and bias edges
  • tear the samples along the cut to see which tears easily and which fabric requires more force
43
Q

issue with workshop test for strength

A

difficult to replicate as it is impossible to achieve the large forces needed to break a fabric using basic tools and equipment.
- some observations can still be recorded though

44
Q

workshop test for pilling

A
  • simple abrasion test
  • fabrics are stapled onto a wooden block
  • glass paper is stapled onto a smaller wooden block
  • glass paper block rubbed over the surface of the fabric to stimulate wear
  • number of passes required for pills to start forming on surface of fabric is recorded
45
Q

pilling

A

formation of little balls of fibres on the surface of the fabric as a result of wear and friction when weak fibres from blended staple yarns are pushes out and held on surface by stronger fibres.

46
Q

quality control

A

checking product during production run to test it against specification

47
Q

quality assurance

A

planning of procedures and policies that ensure good-quality products.

48
Q

perfomance codes

A

technical requirements for a material or process to be fit for its intended purpose

49
Q

colour fastness

A

ability for fabric to retain dye fastness during manufacturing processes and when washed or exposed to sunlight

50
Q

multi-fibre swatch

A

narrow bond of woven fabric containing separate segments of acetate, cotton, nylon, polyesters, acrylic and wool fibres. Used to demonstrate uptake of dye staining when washing different types of fabrics

51
Q

industrial test for flammability 1

A

minimum flame application to cause ignition
- prepared fabric sample is held vertically in a metal frame
- a small flame from a Bunsen burner is applied for two seconds, then three, four, six, eight and ten seconds unit it catches fire
- test is complete if fabric burns for more than one second
- time and observations recorded

52
Q

industrial test for flammability 2

A

flame spread and flame behaviour
- this test is used on fabrics with low flammability
- small flame applied to a prepared fabric sample and removed after ten seconds
- duration of the and afterglow are timed and any debris recorded
- size of hole burned into fabric is measured and recorded

53
Q

industrial test for flammability 3

A

rate of flame spread
- large sample of fabric placed in metal frame
- test is complete if fabric burns for more than one second
- a small flame is applied and then removed after ten seconds
- as each cotton trip thread is burnt through, its timer will stop, showing the burn distance and allowing burning rate to be calculated

54
Q

industrial test for crease resistance

A
  • standard test pieces cut from wrinke-free fabric
  • samples kept in standard room conditions to ensure fabric temp and humidity is identical
  • a sakple is folded in half and compressed under a load for a specific time
  • load is removed and one end of the creased sample is clamped onto the instrument. Other end is allowed to fall free.
    = dial of the instrument is rotated to keep the free edge of the sample in line with the knife edge
  • at the end of the time allowed for recovery, the recovery angle is recorded from the engraved scale
  • the larger the angle of recovery, the better the crease resistance
55
Q

industrual test for shrink resistance

A
  • fabric sample is overlocked to prevent fraying
  • permanent ink used to mark precise reference on the fabrics
  • prepared fabric samples are washed with pieces of polyester fabric to replicate a normal wash load
  • the samples are dried using all available options
  • if results of re-measuring between refernece points show that a change has occured, the formula used in the workshop test is applied to calculate percentage change.
  • fabric shrinkage is shown as a negative percentage. Fabric stretch shown as a positive percentage
56
Q

industrual test for pilling

A
  • Martindale machine tests for abrasion and pilling
  • circular samples of the test fabrics are clamped onto one of the machine’s four discs and a weigh is put onto each disc
  • the test samples are rubbed against an abrasive fabric
  • the machine controls and records the number of rubbing cycles
  • the test samples are examined at regular intervals for the presence of wear leading to pilling
    on completion, the samples are compares, in a light box, with the control sample
57
Q

grey scale cards

A

used to show differences in colour intensity when comparing control samples with samples exposed to washing and UV light

58
Q

Xenon arc lamp

A

produces a bright white light closely mimicing matural sunlight

59
Q

reveled fabric

A

fabric eith yarn teased or drawn out from its edges giving it a frayed appearance