1. Forensic rhetorical situation 2. Backstage forensic discourse 3. Forensic narrative Flashcards
Define: Forensic rhetorical situation
- A type of rhetorical situation that stems from Bitzer’s concept
- A context that calls on the rhetor/speaker to create rhetorical discourse
- Made up of 3 elements
Source: Forensic rhetorical situation
1968, p.3 Bitzer
Key elements: Forensic rhetorical situation
- The issue aka exigence: a wrong that needs to be remedied
Prosecution view: crime needs punishing
Defence view: unfair accusation needs to be dropped
Legal view: dispute to be settled - The rhetorical audience: legal decision makers
Judge
Jury
Appeals judges - The set of constraints: the law, rules of evidence, culture etc.
Critique: Forensic rhetorical situation
- Vatz 1967
- Rhetorical situations not always given but can be constructed
- Can this be applied to forensic rhetorical situation?
Significance: Forensic rhetorical situation
- Dynamic tool for identifying and distinguishing between varied contexts of forensic persuasion
Define: Backstage forensic discourse
- Stems from Goffman’s backstage discourse concept (1959, HE DIDN’T COIN TERM)
- Discourse that occurs without a legal audience (eg. plea bargaining)
- Speakers can stray from their public character into collaborative roles (eg. defence and prosecuting lawyers bargaining)
- Contrasts strongly with frontstage discourse with a public audience
Source: Backstage forensic discourse
Goffman frontstage and backstage discourse concept 1959
Key elements: Backstage forensic discourse
- Legal jargon eg. criminal codes that make up laws (647F US jurisdiction)
- Slang, humour or colloquial language eg. ‘oughta’, ‘dandy’, ‘all that sorta stuff’
- Fillers: often more spontaneous than frontstage
- Sarcasm between speakers as they share common knowledge eg. defence lawyer being sarcastic about what has happened in order to get their point across indirectly “accidentally”
Critique: Backstage forensic discourse
- Can discourse always be seen in terms of performance?
Significance: Backstage forensic discourse
Power:
Does your power increase as there are less constraints, eg. ability to express your own views more freely/argue your point?
Voice:
Does ability to have your voice heard improve backstage eg. stray from public ideologies?
Lay voice lost as they do not have as much power/understand legal jargon?
Ideology:
You can express your own ideas (as in power and voice) in terms of appropriate crime control as you’re not in public setting?
Definition: Forensic narrative
Narrative: an observed series of non-arbitrarily linked events (Toolan 2001. p.6)
- Serves a forensic rhetorical goal eg. prosecution to persuade jury the defendant is guilty
Source: Forensic narrative
Herman 2009
- Work on distinctive features of narrative (NOT FORENSIC SPECIFICALLY)
- Applied to the forensic context by Heffer 2013a
Key features: Forensic narrative
- Regulated:
Form and context of story are restricted by the law and legal procedures
eg. witness can tell narrative only when given opportunity to and should fit questions being asked - Evidential:
Story needs to be verified so the elements need to be supported by evidence
eg. evidence that speaker was present at scene of crime they are narrating - Adversarial:
Story is part of dispute so must take opposition’s account into consideration
eg. defendants story set to disprove the prosecution’s claims - Persuasive:
Story’s purpose is to convince fact-finder of guilt/innocence of the defendant
eg. Highlight the criminal act and negative characteristics of defendant to persuade guilt - Chronological:
Events are arranged according to how they are perceived
eg. Defendant and prosecution may order them differently, indicating discrepancies in their narratives
Critique: Forensic narrative
Is it a form of narrative in it’s own right or simply a context of narrative?
Significance: Forensic narrative
In forensic contexts it is the principal means for conveying voice and persuasion, however it is heavily constrained as noted by the key elements.
Eg. Quality of forensic narrative could be difference between guilty and innocent verdicts