OF MICE AND MEN QUOTES Flashcards
Curley’s wife as Promiscuous (having or characterized by many transient sexual relationships)
“her body was thrown forward” “rouged lips”
- her posture is seductive by displaying her curves
- red lips draw attention to a sensual part of her body.
- red is a symbol of danger foreshadowing the ‘trouble she will bring’
- reinforces patriarchal society as the wife has to be domesticated by her husband
Candy calls her a “tart” “she got the eye”
- candy paints her as licentious
“jail bait”
- G sees her beauty as dangerous
femme fatale- women’s beauty is used to lure men into disastrous situations
- the term exposes the inequality of men and women. excuse men for the behaviour by assuming they have no control over their sexual urges
“slightly parted” as she “breathed strongly”
- her own actions of running to crooks room
- one must question how a women who’s every action is eroticized (made sexual) doesn’t use their sexuality for some leverage in a world where they have so little power.
Curley’s wife as lonely
“i’m lookin for curley”
- married couple never together emphasis the distance between them. a time were a married wife was once encouraged to stay at home (great depression and dust bowl) she has nobody is she doesn’t have her husband.
“half covered with hay”- half present, half not. Even in her death she was never fully present!!
“lookin in” “she stood in the doorway”
- symbol of her marginalisation
- not welcomed by the men
- liturgical spaces
“i never get to talk to nobody” “i get awful lonely”
- she revels her real plight: loneliness
- has nobody
- this revelation makes her human
- instead of the two diminished femme fatale character she was initially presented as
Curley’s wife as oppressed (subject to harsh and authoritarian treatment)
Steinbeck- only female on the ranch accentuates women trapped in a misogynistic world of men
“Curley’s wife”
- never given a name
little agency and emphasising her objectification and lack of identity
“i could get you strung up on a tree so easy it aint even funny”
- seeks out even greater weakness in others
Steinbeck is emphasising how power grows from weakness, the society we have created
“why’n’t you tell her to stay the hell home where she belongs”
- anger in men over curleys wife being near them
- representative of a patriarchal world where men are fixated on dominating females in every aspect
Curley’s wife as a dreamer
“he says I could go with that show” “he says he was gonna put me in the movies”
- depends on a man to make her dream come true in both stances- limits women had over the trajectory of their lives
“small grand gesture” “he lifted her arm and let it drop”
- dream is dead, over and extinguished, dreams are futile
- emphasises dream was never possible- she is a women in a patriarchal society
Curley’s wife’s dreams of becoming a movie star are a poignant reflection of her desire to escape her oppressive marriage and find fulfillment: “I coulda made somethin’ of myself.” This dream represents the broader theme of unfulfilled aspirations that permeates the novella. The tragic culmination of their relationship, leading to her confrontation with Lennie, ultimately underscores the destructive nature of their marriage and the harsh realities faced by individuals in their pursuit of happiness.
Carlson as misogynistic
“why’n’t you tell her to stay the hell at home where she belongs”
- carlson’s views curley as a failure for not controlling his wife
- mirrors sentiment held by many of married women - place was at home
Steinbeck: in our nature to be cruel (1930s desperate times) people could only focus on surviving. Is it the world that has made carslon so callous or is it his nature
- ranch represents a patriarchal society - rigid expectations of what it was to be a “man”
- violence and masculine trat - these threats of violence are a way of asserting ones masculinity
Carlson as cruel
“now what the hell ya suppose is eatin them to guys”
- inability to appreciate emotional connection (dog) firstly, but unable to comprehend the sadness of George and Slim over Lennie
“why’n’t you get candy to shoot his old dog and give him one of the pups to raise up”
- presented as dismissive and heartless, incapable of understanding the emotional attachment candy has with his dog
Carlson as respected
- carl’s right candy”
- listened to
- even slim agrees with Carlson
however, the killing of candys dog wouldn’t have happened without slims approval
“ill kick your god damn head off”
- meets violence with violence to maintain his dominance over curley
Carlson as practical
“if you was to take him out and shoot him right in the back of the head…he’d never know what hit him”
- carslon is not motivated by a sadistic desire to cause pain but more from a place of practicality
“you aint bein kind to him keepin him alive”
- advocates for the concept of euthanasia
- might argue that his intentions are cruel but he is more concerned with the impracticality of keeping the dog alive
Carlson’s luger (pistol)
- repeatedly referred to
- carlson was a ww1 veteran, this could explain his lack of empathy regarding the loss of life
- allusion to WW1 German pistol
- luger pistol alludes to the atrocities taking place in Germany at the time of writing his novella
Crooks and Discrimination
“he gives the stable buck hell” “you see the stable bucks a n*****” “nice fella too”
- Boss targets him as a scape goat
- candy explains his mistreatment by revealing he is an AA– as if this is an acceptable reason to mistreat someone?
“i could get you strung up on a tree so easy it aint even funny” “crooks has reduced himself to nothing” “yes ma’am, and his voice was toneless”
- curleys wifes threat- lynching. Crooks highlighted as the most vulnerable character on the ranch
- even c wife one of the weakest characters can get him to retreat so quickly
“nobody gets to heaven, and nobody gets no land”
- - having seen men come and go with the same failure crooks has become disillusioned by the AD
- being at the receiving end of the worst humanity, Crooks has no faith in even God, he allows himself to be deduced by the dream
“stable buck” “n*****” “crooks”
- never knowing his real name, dehumanising
- seen as insignificant
- only referred to by derogatory names or his nickname
“God a crooked back where a horse kicked him in” “thin pain-tighted lips”
- crooks back injury could be a symbol of the crippling impact living in a prejudice society has on an individual- literal example of the touch working condition’s
Steinbeck uses mistreat of crooks to highlight how racist attitudes in America have not changed. AA treated as second class citizens and racist attitudes were accepted and encouraged
- social hierarchy is reflective of American society at the time. AA were hit with the hardest economic crisis. By the end of 1932 - 50% of AA were unemployed
Candy and discrimination
“god he was a good sheep dog” “lousy old sheep”
- parallels drawn between C and his dog
- holds onto memories of what a skilful dog he was but past accomplishments are useless in world of capitalism where worth is determined by productability
“why’n’t you get candy to shoot his old dog and give him one of the pups to raise up”
- just like his sheepdog js viewed as replaceable, soon candy will be replaced by a young worker
“stick- like wrist, but no hand”
- hands are a motif, symbol of power. injury places him in a weak position
context: elderly hit hard during GD. life savings gone after wall street crash
What is some context about discrimination?
1930s American, Steinbeck was critical of social capitalism.
industrial capitalism- supported social Darwinism belief in “survival of the fittest” - people become better in society because they are innately better
Lennie and discrimination
“bleated”
- animal like foreshadows sacrifice that will be made
“small”
- irony of surname is symbolic of the little power he has
“he aint no good to you…he aint no good to himself”
- parallels between candy and his dog, and George and Lennie, reflects a principle of utilitarianism that helps justify him being killed at the end
“Jesus Christ your a crazy bastard” “a dum dum”
- cruel, derogatory language reveals his insensitivity towards the mentally ill at this time they were seen as a burden
Curley’s wife and discrimination
“curleys wife”
- reader never learns his name
- indicates little agency she possesses
- position of her husband
“tart”
- presents her as licentious
“jail bait” “red fingernails”
- beauty viewed as dangerous- femme fatal stock character
“lookin in” “she stood in the doorway” “why’nt you tell her to stay the hell home where she belongs”
- symbol of marginalisation , man and women world is separate
“you done it, didnt you”
- candys callous response to Curley’s wifes brutal murder reveals a normalisation of violence to women
context: 1930s was a patriarchal society that objectified women and encouraged the notion that a women’s worth is not derived from their physical appearance. her appearance- imitates a Hollywood theme star
Candy as disposable
His character highlights the inequalities of the works place and the fundamental flaws of the social and economic system and 1930s America
“why’n’t you get candy to shoot his old dog and give him one of the pups to raise up”
- dog is viewed as replaceable by a puppy, just like candy will be replaced by a young worker
“i aint much good”
- aware of his comparatively few skills he has”
affected his self regard
“god he was a good sheep dog”
- parallels between him and his dog
- world of capitalism - candy holds memories of what a skilful dog he once was
- worth determined by productability
“just as soon as i cant swamp out no bunk houses they’ll put me on the county”
- candy is aware of his vulnerable position of the ranch
- how easily he will be exposed as soon as he can no longer provide a service
Candy as weak
“stoop shouldered old man”
- physically weighed down due to the relentless work and poor living conditions
- metaphorically weighed down by oppression
“stick-like wrist, but no hand”
- hands are symbols of power
- injury puts him in a weak position- limits the use
“lousy ol’ sheep”
- age makes him considered useless on the ranch
elderly: during great depression life savings disappeared after the wall street crash (very little help by government, unemployment reached 25%)
“shuffled”
- moves around like frightened animal
- indicates subservience
“candy looked a long time at slim to try to find some reversal”
- has no say in the fate of his dog
- stress how voiceless he feels
Candy as prejudiced
“tart” “you goddam tramp”
- (said by candy)
- misogynistic attitude to curleys wife- serves to highlight the unequal treatment of women at the time
“nice fella” “n*****”
- juxtaposing descriptions that candy gives crooks and his casual use of derogatory language reveal how deeply entrenched racism was in 1930s society
Candy as a dreamer
“eyes blinded with tears” “leaned forward eagerly”
- dream of owning a ranch is a symbol of the American Dream
failure- unattainable the dream was
- noticeable change in candys demeanour stresses his excitement over the prospect of the ranch
“you an me can get that little place, cant we George? you an me can go there an life nice”
- candy clings onto the dream, despite how unlikely it is
- continual questioning reveals how desperate he is for the dream to come true
- offers an escape from the cruel world
Crooks as mistreated
“crooks bunk was a large box filled with straw”
- bed draws parallels with horses bed of straw, further depicts the dehumanising conditions
“got a crooked back where a horse kicked him in” “thin, pain-tighted lips”
- crooks back injury could be a symbol of the crippling impact living in a prejudice society has on an individual
- literal example of the tough working conditions
“stable buck”
“n*****”
“crooks”
- never learn his real name only referred to derogatory terms
dehumanising treatment
Steinbeck: uses treatment of crooks to highlight how racist attitudes in America had not changed