World of The Hero: The Aeneid Flashcards

1
Q

Who was Virgil’s patron

A

Virgil’s patron was Maecenas, a close adviser of the Emperor Augustus

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2
Q

When was the Aeneid composed

A

Virgil started work on it in about 29 BCE

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3
Q

Who were the Muses

A

Nine Muses protected the arts and sciences.

Calliope is the Muse of Epic

Erato of love poetry

Melpomene of tragedy

Clio of history

They lived on Mount Helicon

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4
Q

What is the plot of Book 1

A

The Trojans 7 years after leaving Troy are just off the coast of Sicily

Juno is determined that they should not reach Italy and sends a storm to blow them off course.

They arrive in Carthage, Juno’s favoured city

Venus complains to Jupiter about her sons suffering, he reassures her that Aeneas will reach Italy and that his descendants will found a great city, which will rule the world

Venus then sends Cupid to impersonate Ascanius and make Dido fall in love with Aeneas

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5
Q

What is the plot of Book 2

A

Aeneas tells the story of the fall of Troy

Sinon had tricked the Trojans into taking in the wooden horse and the Greeks had entered the city and slaughtered King Priam.

Hector appeared to Aeneas in a dream, telling him to leave

Aeneas had escaped with his father Anchises, and his son Ascanius.

His wife Creusa was lost in the confusion. Her ghost appeared to him and told him that his future was with a new wife in Italy

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6
Q

What is the plot of Book 3

A

This book is about the 7 years of wandering

Aeneas goes past Actium

He gets a prophecy that he will know he has arrived at the destined place when they are so hungry that they eat their tables

His father Anchises dies while they are in Sicily

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7
Q

what is the plot of Book 4

A

The story resumes

Dido gives in to her love for Aeneas and thinks they will build a city together, but he gets a message from Jupiter, reminding him of his mission

He puts his duty above his love and, despite pleas from Dido, he leaves

She is in despair and kills herself

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8
Q

what is the plot of Book 5

A

The Trojans return to Sicily and celebrate funeral games in honour of Anchises

Inspired by Juno, the women set fire to the ships, but Aeneas prays for help and Jupiter puts the fire out

Aeneas agrees to allow some of his people to stay in Sicily

They set out for Italy, but the ship’s helmsman, Palinurus, is lost overboard

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9
Q

what is the plot of Book 6

A

Aeneas visit the Sibyl at Cumae in order to get a prophecy from Apollo and to visit his father in the Underworld

He talks to several ghosts, including those of Palinurus and Dido, before meeting his father, who shows him the Roman heroes who are waiting to be born

This inspires Aeneas to fulfil his mission

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10
Q

what is the plot of book 7

A

The Trojans arrive at the mouth of the Tiber and receive a sign to say that they have reached their destination

King Latinus welcomes them and is willing for his daughter to marry Aeneas

Juno intervenes and inspires Amata, Latinus’ wife, to object vehemently to the marriage

Juno then causes Turnus to be consumed with anger

War breaks out

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11
Q

what is the plot of book 8

A

Aeneas leaves the Trojan camp to seek help from Evander, who lives in Pallanteum, a town on the site of Rome

when Aeneas arrives, Evander and his son Pallas are engaged in celebrating Hercules’ destruction of the monster Cacus

Evander shows Aeneas the city and sends his son, Pallas, to fight alongside the Trojans

Venus brings Aeneas new armour, including a shield which depicts Octavian and the battle of Actium

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12
Q

what is the battle of Actium

A

the naval battle in 31 BCE in which Octavian defeated Mark Antony and Cleopatra, and became the supreme ruler in Rome

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13
Q

what is the plot of Book 9

A

Aeneas is away, and Turnus attacks the Trojan camp

Nisus and Euryalus set out at night to try to get a message to Aeneas, but are both killed

Turnus breaks into the Trojan camp, but eventually has to escape without doing much damage.

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14
Q

what is the plot of Book 10

A

Aeneas returns with Pallas

Pallas is killed by Turnus, who takes off his sword-belt and wears it

Aeneas rages over the battlefield, killing many in revenge, including Lausus and his father Mezentius

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15
Q

what is the plot of Book 11

A

Both sides bury their dead

Pallas’ body is taken back to Evander

Drances proposes that Turnus should face Aeneas alone, but the battle continues

Camilla joins the fighting, and is killed

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16
Q

what is the plot of book 12

A

a truce is agreed so that a single combat can take place between Aeneas and Turnus

with help from Juturna, Turnus’ sister, the truce is broken, and fierce fighting follows

Latinus’ city is attacked, Amata commits suicide, and Turnus prepares to meet Aeneas alone

Juno does a deal with Jupiter: she will stop interfering if the new race adopts Italian, not Trojan, customs. Jupiter agrees

Aeneas wounds Turnus, who begs for mercy

Aeneas, noticing that Turnus is wearing Pallas’ sword belt, kills him

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17
Q

describe the structure of the Aeneid

A

first half is an Odyssey, the 2nd half an Iliad

the books in the fist half mirror in subject matter those in the second half

also there are parallel characters, who contrast or echo each other

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18
Q

what do Books 1 and 7 have in common

A

The arrival in a strange land and a friendly reception

Book 1 - Juno and a storm

Book 7 - Juno and war

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19
Q

what do books 2 and 8 have in common

A

set in a city

Book 2 - Destruction of Troy

Book 8 - Birth of Rome

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20
Q

what do books 3 and 9 have in common

A

Concerned with father and son (3 Anchises, 9 Ascanius)

Book 3 - Interlude of wandering

Book 9 - Interlude at Trojan camp

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21
Q

what do books 4 and 10 have in common

A

Beings with conflict with an individual, and ends in death

Book 4 - Tragedy of Dido

Book 10 - Tragedy of war

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22
Q

what do books 5 and 11 have in common

A

Funeral games (5 Anchises, 11 Pallas)

Book 5 - Games, reduced tension

Book 11 - Truce, reduced tension

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23
Q

what do books 6 and 12 have in common

A

Aeneas receives his mission (6) and achieves it (12)

Book 6 - future revealed

Book 12 - future assured

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24
Q

how does virgil use narrator intervention to the Muses

A

Like Homer, Virgil begins his epic with a prayer in the proem to the Muse

Later he calls upon Erato and Calliope

He begins the catalogue with a call to all the Muses

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25
Q

how does virgil use narrator intervention to the Gods

A

a direct address to a god lifts the narrative from the human to the divine plane

to stress the horror of war virgil makes exclaimations to the gods in book 12

he addresses Mars when Aeneas sets up the armour of Mezentius as a trophy to him

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26
Q

how does Virgil use narrator intervention to himself or his reader

A

Virgil draws attention to his role as poet in his comment on Nisus and Euryalus

on several occasions he shares with his reader information that points out irony or builds up tension - eg when Turnus takes Pallas’ sword belt

when Turnus is failing and Virgil wants his readers to feel the despair of the young warrior, he uses the first person

sometimes the intervention is by way of a general aside

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27
Q

how does Virgil use narrator intervention to participants

A

Catalogues are made more dynamic by direct address to some of the participants eg Oebalus and Ufens

The individual tragedies of warfare are highlighted by direct address to the warriors, as to Cydon and Larides and Thymber

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28
Q

how does the flashback contribute to the story

A

Books 2 and 3 are a flashback

at Dido’s request Aeneas tells the story of the fall of Troy and his adventures before arriving in Carthage

This echoes Odysseus’ tale to the Phaeacians in Books 9-12 of the Odyssey

The 1st person account increases the tragedy. the story is overlaid with the narrator’s knowledge of the final outcome of events

it gives us a precise perspective

it is Aeneas story to Dido - does he have any motive for putting a spin on the story

the flashback gives Dido the time to hear about Aeneas’ adventures, admire his courage and submit to the effects of Cupid’s poison.

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29
Q

state some examples of speeches where prophecies are pronounced through speech

A

Jupiter tells Venus about Rome

Hector talks to Aeneas in a dream

Anchises shows Aeneas the future Romans

Diana tells of Camilla’s past, and announces her fate

Jupiter tells Juno about the new race, and she replies

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30
Q

state some examples of speeches where immortals deliver speeches to mortals

A

Venus tells Aeneas about Dido

Venus stops Aeneas killing Helen

Mercury delivers Jupiters message to Aeneas

Allecto speaks to Turnus

Apollo talks to Ascanius

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31
Q

state some examples of speeches where there is discussion and conversation

A

Juno and Venus plot the marriage

Sibyl and Charon enjoy challenging each other

Ascanius announces they are eating their tables

Latinus tries to change Turnus’ mind

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32
Q

state some examples of rhetorical or formal speeches and messages

A

Ilioneus addresses Dido

Laocoon entreats the Trojans to be suspicious of the wooden horse

Aeneas responds to Dido

Latinus speaks to his peopl

Drances puts the case against Turnus

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33
Q

state some examples of speeches which are prayers

A

Iarbas to Jupiter

Aeneas to Apollo

Turnus to Jupiter

Aeneas to Jupiter

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34
Q

state of examples of speeches where there is tragedy

A

Anna advises her sister (Dido)

Dido pleads with Aeneas

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35
Q

state some examples of speeches where there is a rousing battle speech

A

Pallas to his troops

Tarchon to the Etruscans

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36
Q

state some examples of speech where there is a victors speech to the victim

A

Turnus killing Pallas

Aeneas killing Lausus

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37
Q

state some examples of speech where there are dying words

A

Dido reviews her achievements

Mezentius’ dying words

Camilla’s dying words

Turnus’ plea to Aeneas

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38
Q

state some examples of speech where there is lamentation

A

the mother of Euryalus for her son

Mezentius on the death of Lausus

Aeneas for Pallas

Evander for Pallas

Juturna on the imminent death of Turnus

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39
Q

state some examples of speech where there is ekphrasis

A

evander about cacus

diana about camilla

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40
Q

what is ekphrasis

A

a passage inserted into the story which describes a work of art or tells another story in a digression

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41
Q

explain the proem

A

the first few lines of the Aeneid gives us the outline of the story and prompt us to ask questions about the themes

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42
Q

explain the theme of cities

A

exile and the founding of cities is a recurring theme

Rome itself is referred to explicitly

Aeneas visit to Pallanteum in book 8 embodies the theme of new cities as Pallanteum is on the site of future Rome and provides familiar topographical and cultural references to the city

allusions to Rome throughout the narrative - head of a horse found when Carthage was being built

the shield shows Rome and the temple of Apollo

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43
Q

explain the meaning of the imagery of animals in the epic

A

animals are used to explore the theme of people being overcome by their furor or rage in war

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44
Q

explain the meaning of the imagery of storms in the epic

A

storms are used as expressions of an all-powerful enemy

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45
Q

explain the meaning of the imagery of trees in the epic

A

Trees are used as symbols of hope and stability

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46
Q

explain the meaning of the imagery of fire in the epic

A

fire is used to express all-consuming emotions

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47
Q

explain the theme of war and peace in the epic

A

images of the peaceful world of trees and rivers being destroyed by storms and raging torrents

a simile in book 2 about the felling of an ash tree is used to evoke the destruction of Troy

a river flowing past shady woodlands portrays the idyllic picture of a peaceful beginning in a new land

rivers in spate represent the fury of war against which man is powerless

Virgil uses winds and storms as well as rivers to express the destruction of peace

Images from Greek Tragedy are used to convey passion eg Dido rushing through the streets like a Bacchant

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48
Q

explain the theme of the death of the young and the vulnerable in the epic

A

war, particularly civil war, brings suffering to families

dying sons and grieving parents feature throughout the epic

those who die have their youth emphasised and are sometimes characterised as vulnerable

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49
Q

outline similes in Virgil

A

Similes in Virgil are usually long, called extended similes

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50
Q

what is the purpose of ekphrasis in the epic

A

they provide accounts which are interesting in themselves, but they also link into the narrative

sometimes they have resonances in the real world of Augustan Rome, or help us to explore the themes of the Aeneid

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51
Q

state the five works of art discussed in ekphrasis in the epic

A

The sculpture on the Carthaginians’ Temple to Juno

The Sculpture on the Temple to Apollo at Cumae

Aeneas’ shield

The sword-belt of Pallas

Turnus’ shield

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52
Q

explain the ekphrasis of the sculpture on the Carthaginians’ temple to Juno in Book 1

A

The scene tells stories from the Trojan war

Aeneas comes upon it in a wooded grove in the middle of Carthage

Aeneas says it allays his fears - but note the irony - built as it is in Juno’s city, it is bound to be celebrating, not lamenting, the fall of Troy

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53
Q

explain the ekphrasis of the sculpture on the temple of Apollo at Cumae in Book 6

A

The sculpture shows the story of Daedalus and Icarus

The sculptor, Daedalus himself, cannot finish the sculpture

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54
Q

explain the ekphrasis of Aeneas’ shield in Book 8

A

The shield has a very clear literary origin

In the Iliad, Thetis gives her son Achilles a shield made by Hephaestus

This shield carries a very clear political message to the reader, but means nothing to Aeneas, who is “rejoicing at the things pictured on it without knowing what they were”

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55
Q

explain the ekphrasis of The Sword-belt of Pallas in Book 10

A

A conquered enemy’s weapons should be dedicated to a god, not worn by a killer

Turnus, however, removes the sword-belt from Pallas and wears it himself

Virgil tells the reader that later on he would wish he had acted differently

The story on the belt is the murder of 49 out of 50 sons of Aegyptus by their cousins, the daughters of Danaus, on their wedding night

could relate to marriage not consummated, lust for revenge or the civil wars

there were statues telling the same story on the portico surrounding the temple of Apollo which Augustus himself dedicated in 28 BC

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56
Q

explain the ekphrasis of Turnus’s shield in Book 7

A

Turnus’s shield shows Io, the daughter of Inachus, who was changed into a heifer by Jupiter to prevent Juno from seeing that he had taken Io as a mistress

Juno discovered the truth, sent Argus to guard Io and a gadfly to plague her

Inachus is an ancestor of Turnus, so there is a family link

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57
Q

explain how Virgil uses Catalogue to add to the story

A

A catalogue is a traditional feature of epic

Homer had given a catalogue of ships in the Iliad

Virgil writes 2 catalogues

Book 7 lists Latinus’ allies

Book 10 list those of Aeneas

provide a picture of individuals, some in detail, and present the different groups which will be the ancestors of the Romans

naming of some of the places such as the Tiber or Praeneste, flourishing in Virgil’s time, perhaps was intended to inspire patriotism and unity under the peace of Augustus

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58
Q

explain the Homeric Influence on Virgil’s Aeneid

A

Virgil rewrites and emulates Homeric epic for his Roman audience

it looks to both a Trojan past and a Roman future

it has a comparable hero and subject matter - it uses literary devices of Homer’s epics, and is written in dactylic hexameters

Virgil uses epithets, repeated phrases, parallel scenes and characters, and similes, all familiar from Homer, but not in exactly the same way

there is more psychological depth to the characters and there are pauses in the action where Virgil shares what is going on in the minds of his creations

Homer was telling stories of a time-less heroic world conjured up for legend

Virgil moves from fantasy to the real world with appearances of real Roman statesmen and the city of Rome with the Tiber

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59
Q

what are the values of the hero in Homer

A

In Homer the hero

is intent on performing actions that will gain him a place in the repertoire of the bards, and so earn him fame and immortality - kleos

must be mortal, but high born

is helped or hindered by the gods

fights because it is an obligation to his family, ancestors and community

fights for his own glory

pursues gifts as a mark of honour (time)

looks impressive

is ferocious when he fights

shows emotion

is skilled with words

is often shown putting on his armour before going into battle

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60
Q

how does Turnus display the characteristics of the Homeric hero

A

He is presented as the second Achilles that the Sibyl predicted in Book 6

Has obligations as a leader

burns with fury against his enemy

is bold and brave in his fighting

has divine protection

is impressive in his armour

has horses with super-equine powers

is proud and has a fear of shame

is likened in similes to fierce animals

is young

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61
Q

how is Turnus a Hector figure

A

he defends his homeland against invaders

he fights for Lavinia and Amata, as Hector fights to protect his wife and mother

takes on the role of protector for a king who is too old to fight

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62
Q

who do Nisus and Euryalus relate to in Homeric epic

A

Nisus and Euryalus relate to Achilles and Patroclus, the young heroes in Homer’s Iliad in their close bond of friendship and thirst for glory

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63
Q

what is Nisus’ motivation for setting out on the night expedition

A

it is not so much to get a message to Aeneas as to prove himself

Ascanius responds by offering him rewards satisfying the Homeric hero’s need for time

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64
Q

what happens when Euryalus is captured

A

When Euryalus is captured, Nisus throws himself at his captor in a vain attempt to save his friend

this is a brave gesture, and a heroic one, which will gain him glory and fame craved for by the Homeric hero

but it is a selfish act - Nisus has chosen glory over the mission of summoning help from Aeneas

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65
Q

how is Aeneas a Homeric hero

A

He is mortal but high born

He is helped and hindered by the Gods

physically impressive and ferocious when he fights

he is a leader

like Achilles Aeneas is a hero fighting in a foreign land

Like Hector he has the gods of Troy to protect

like Paris he is mocked for effeminate dress

like Odysseus he is a traveller who has arrived “home” to conflict with a Suitor

In book 10 he is capable of behaving with the same bloodlust as Nisus and Euryalus

like Achilles he selects prisoners to be sacrificed on his friends funeral pyre

66
Q

what makes Aeneas a post-Homeric hero

A

he has already achieved fame by the time the epic begins - he no longer needs or wants to pursue kleos, and is a reluctant story-teller

he thinks of what he owes to his heirs, not himself, when he acts

prays to the gods to get their approval before acting, and makes offerings to them after victory

acts in accordance with fate, not his own inclinations

acts for the good of the community

is reluctant to fight

shows courage, but not excessive anger

when faced with a choice between affection and duty he abandoned Dido

67
Q

describe how Aeneas is a leader

A

The Trojans rally to him after the fall of Troy

when they are shipwrecked he provides food for all his men and encourages them - presents the sculpture on the temple as a cause for optimism

Ilioneus says he has no equal for his piety or care for justice, or in the field of battle

in Book 6 at the burial of Misenus he took lead in all the work urging on his comrades

68
Q

describe Aeneas as a lover

A

the subject matter of Book 4 is a relationship - however Virgil gives us the thoughts and words of Dido, not Aeneas

Aeneas’ first reaction to Mercury’s message is to hesitate and wonder

she senses his deception and attacks him first

his defence is a poor excuse - he claims he has never offered her marriage or entered into any contract with her

Virgil has not given us any indication of Aeneas’ thoughts in book 4 - is he a hero putting duty above affection or a heartless lover

69
Q

describe Aeneas as a family man

A

the father and son relationship is an important theme in the Aeneid

only time we see a scene between father and son alone is when Aeneas is leaving for battle

the scene is clearly modelled on the Iliad where Hector embraces Astyanax

Aeneas embraces his son though his helmet

his words are often lacking but his actions portray a very human character who longs for affection

he is exasperated at the impossibility of having a normal relationship with his mother and he tries but fails to grasp Creusa in Book 2 and his father in book 6

his first wish is to return to rebuild Troy, but he is denied that as he is destined for greater things and must move on

he tends to be faltering in his approach and tends to react rather than take the initiative

70
Q

what is the Penates

A

The gods which represent and protect the household and the city

71
Q

what is the role of Aeneas in Rome’s imperial destiny

A

Proem - Aeneas is driven on by Fate to reach Italy and his arrival will mark the beginning of the Latin race

Jupiter explains the line of descent to Romulus and the founding of the city of Rome

Aeneas must lead his exiled Trojans to Italy - Hector predicts a great city and gives him the Penates of Troy

Key to his success is his piety and he sacrifices to the gods and local deities, watches out for signs and goes the way Fate and the gods lead

Augustus and his empire are the culmination of this imperial destiny

an explicit link between Aeneas and the Empire is made by the shield given to him - depicts the battle of Actium

72
Q

who was Julius Caesar

A

100-44 BC

A successful politician and soldier who extended the Roman empire and then seized power in Rome

In the civil war that followed he defeated Pompey, but was assassinated in 44 BC by a group of conspirators

they feared that he wanted to abolish the Republic and take all the power for himself like a king

he adopted Octavian his great nephew as his heir

his family traced its lineage back to Iulus

73
Q

describe the character of Ascanius/Iulus

A

In book 2 his hair catches fire, a message from Jupiter that they should leave Troy

he is an important element in Jupiter’s message - even if Aeneas is not concerned about his own destiny, he should not deprive his son of a kingdom in Italy

in book 1 and 7 Ascanius is used by an immortal as a vehicle for a plan which will bring death and destruction

in book 1 cupid impersonates Ascanius and his arrow destroys Dido

in book 7 Juno inspires him to shoot the pet stag and ignite the war with the Latins

has a tendency towards self-glorification

without his father to guide him he lacks the humanity that the new hero should display

has a potential for getting carried away with victory and indulging in bloodlust which is seen by Apollo who keeps him away from the fighting

74
Q

describe the character of Anna

A

Anna has her own tragedy

she acts with the best intentions her words are full of affection and good sense, and ironically, she is even right when she guesses that Juno is behind Aeneas appearance in Carthage

almost everything she does or says harms the sister she loves

she even helps Dido build her own funeral pyre and at the moment when Dido kills herself she is absent - arriving only just in time to catch her sister’s last breath

75
Q

what does Dido have in common with Aeneas

A

she has much in common with Aeneas

both are refugees and noble leaders of their people

both have lost their spouse

both are manipulated by the gods

both are founding cities

both are from rich places characterised by gold and rich textiles

in similes they are Apollo and Diana, the divine twins

76
Q

in what way are Dido and Aeneas in strong opposition to each other

A

they are in strong opposition to each other

woman and man

Carthage and Rome - destined to be enemies

victim and hunter

childless and father

passionate and reserved

wild wind and a solid oak

quick to react and slow to react

some suggest an allusion to Cleopatra and Antony or Cleopatra and Octavian

77
Q

how is Dido a victim

A

she is a victim

of her brother who murdered her husband

of Juno and Venus, who manipulated her for their own purposes

of Cupid’s arrow

of her sisters advice

of Iarbas, the jealous suitor

of Rumour who presents to the world a sordid affair rather than the marriage Dido believes herself to have entered into

of Aeneas who leaves her

of the foundation of the roman race, in which Fate gives her no part

78
Q

in what way does Dido fit the model of a heroine from a Greek tragedy

A

she is a good woman who makes a wrong decision - after which she is condemned

she prays to the Gods for their approval

she carries on and marries Aeneas, unaware of the consequences of her action

she realises that she has been deceived, and sees death as the only way out

79
Q

who is Octavian, later known as Augustus

A

63 BC - AD 14

After the death of Julius Caesar, Octavian avenged his adopted father’s death and eventually, after a struggle with Mark Antony, became the first emperor

when he assumed complete control in 27 he took the name Augustus

80
Q

who is Mark Antony

A

83-30 BC

The main adversary of Octavian after Caesar’s death

he allied himself with Cleopatra and fought Octavian for the leadership of Rome

he was defeated at the battle of Actium

81
Q

describe the Sibyl

A

Priestess of Apollo

she anchors our interest in what is human as we are taken through a world of phantoms and monsters

sharply warns Aeneas of the time

interchange with Charon before presenting the golden bough

82
Q

describe Latinus

A

Aeneas must marry into the family of Latinus to create the new race

is of impeccable divine origin as is appropriate for the ancestor of the roman people

at first welcomes Aeneas into his kingdom

knows that Aeneas is the husband foretold for Lavinia but cannot resist Amata and allows war to be declared

in book 12 attempts to persuade Turnus to give up Lavinia but fails and withdraws

his lack of courage to pursue what he knows is required of Fate

his lack of piety in ignoring the omen brings about his personal tragedy and the destruction of his city

83
Q

describe Amata

A

wants her daughter to marry Turnus, the young fiance who loves her, not an unknown foreigner

Juno exploits her anger, drives her into a frenzy and uses her to stir up war against the Trojans

when she foresees that Aeneas will kill Turnus she hangs herself in despair

84
Q

how does Virgil show the destructive force of way in his portrayal of Amata and Latinus

A

in portraying the family unit, rather than just Latinus, Virgil is able to show the destructive force of war as husband and wife are on opposing sides

he emphasises that this Italian war is a civil war

85
Q

why are the characters of Nisus and Euryalus significant

A

their youth - tragedy as they are too young and inexperienced for war

their violent killing - they take pleasure in slaughter

their lack of piety - betrayed by the trophies they take when such spoils should be dedicated to the gods

the power of love - Nisus chooses to die for his friend

their thirst for kleos - this is Nisus reason for volunteering

their failed mission - they lose sight of their mission

the beauty of the description of the death of Euryalus

being an example of men who are free to act, and bring about their own downfall through their own self-indulgence and greed

86
Q

describe the character of Turnus

A

Sibyl tells Aeneas he will have to face another Achilles another son of a goddess - Turnus

he is a person of standing and a hero who presents a worthy challenge to Aeneas

has divine help

skilled fighter

man of integrity

his own behaviour is manipulated by Juno

Turnus wants to marry the girl he loves and protect his kingdom against invaders who want to settle in his land

misfortune that he has got mixed up in a divine plan which is beyond his control

87
Q

describe the character of Mezentius

A

scorner of the gods

his own people the Etruscans have driven him out

has allied himself with Turnus

his son sacrifices his life to save him

devastated by his sons sacrifice, he begins to demonstrate heroic behaviour

Mezentius has his horse as his companion like the heroes in the Elysian fields

he understands he is only mortal and accepts his fate

he is presented as a hero

Aeneas throws his spear between the eyes of his horse in order to kill Mezentius

88
Q

describe the character of Lausus

A

Lausus is Mezentius’ son

known for his beauty

deserved a father whom it would have been a joy to obey

Lausus throws himself in the way of Aeneas spear in order to save his father

boy of similar age to Pallas

89
Q

describe the character of Evander

A

Greek from Arcadia who settled on the site of the future Rome before the Trojan war and founded a city on the Palatine Hill

strong bonds with Aeneas through his friendship with Anchises

in book 8 he shows Aeneas the city

is pious and leads a simple life reflecting Roman moral traditions

entrusts Aeneas with his son and when Pallas’ body is brought back he calls upon Aeneas to avenge the death

90
Q

describe the character of Pallas

A

Evander’s son

entrusted to Aeneas by his father

appears as a young boy when he asks Aeneas questions on the journey

is capable of giving a rousing speech on the battlefield when the men are dispirited

the effect of his death on others is important

91
Q

what does adding Evander and Pallas to the story allow Virgil to do

A

allows Virgil to

include a scene in Pallanteum the future Rome

show that it is possible for the bonds of friendship to be stronger than the enmity of war - a good lesson to teach after a civil war

shows a leader with a modest lifestyle like Augustus

shows a pious man enacting rituals familiar to Romans

through the death of Pallas provide a motive for Aeneas to pursue Turnus with furor

explore the father and son relationship

92
Q

describe the character of Drances

A

characteristically ambiguous

Virgil manipulates our reactions to the characters and never gives us easy answers

Turnus is the enemy but is noble in defending his right to marry the woman he loves

Aeneas is the Roman hero but is cruel

Drances talks sense but he is arrogant and all words according to Turnus

93
Q

describe the character of Camilla

A

Virgils invention

defies the traditional woman’s role

royal splendour

parallel figure at the end of the epic to Dido at the start of the epic

belongs to nature, is also a warrior, and her staff has the head of a lance

dies because she is attracted by the exotic gold and purple of the finery of Choreus the eunuch priest

may have recalled for Romans the spirit of their rural past and the purity that war destroys

her death is full of pathos

94
Q

describe the character of Juturna

A

like Thetis in the Iliad

is an immortal caught between the worlds of Fate, divine manipulation and love for her mortal family

her immortality is a gift from Jupiter as the price of her ransomed virginity

immortality consigns her to eternal grieving for her brother

Virgil used Turnus’ sister to help him out as it injects a greater element of human pity- this is a sister desperately trying to save her brother

95
Q

how does Virgil differ from the Homeric view of war

A

Virgil questions the Homeric ideal of unthinking pursuit of war for personal glory

he sees it more as a means to restore civilisation

he does this by showing Aeneas as a hero who avoids conflict

96
Q

what are the views in Virgil’s portrayal of war

A

War causes suffering, and civil wars are particularly destructive

War is a result of the behaviour of human beings

War is presented by images of inhuman and irrational behaviour

97
Q

what examples are there that war causes suffering

A

war killing the young when their parents are still alive

mothers losing sons

fathers losing sons

brothers dying together

women as victims of war

other individual tragedies

98
Q

what examples are there that war is a result of the behaviour of human beings

A

Jupiter’s speech about free will in Book 10

the extent at which Latinus and Turnus are guilty of bringing war upon themselves

99
Q

describe the Trojans

A

first view of trojans is as victims of Juno’s storm and then on the temple frieze where they are the victims of the greeks

in book 2 are victims of Sinons trickery and Pallas athene - emphasis is on suffering of the women clinging to the pillars and destruction of the innocent

their city is characterised by wealth - gilded beams and richly ornamented ceilings, bronze-plated doorposts, and rich weaving

Aeneas is shown as a solitary figure leading the Trojans, carrying alone the burden of his mission

their enemies point to their foreign ways and call them effeminate

Juno is reassured by Jupiter that when the Trojans join with the native Italians it will be the manly courage of Italy that dominates, and Trojan customs and language will give way to the Latins

100
Q

describe the greeks portrayal in the epic

A

the greeks are depicted on the Carthaginians temple and in reality in book 2

they are perfidious and murderous

presents trojans as naive when faced with the trickery of the arts of greec and their stratagems

a shift in perception later on

Evander is Greek but Aeneas considers their bond through courage, and the kinship of their fathers

Anchises in book 6 says that other Greeks will excel in sculpture and rhetoric

the enemy of the future is not Greece but Carthage

101
Q

describe the Carthaginians portrayal in the epic

A

dear to Juno and destined to be overthrown by rulers of a great empire - Rome

gives Juno motivation that Aeneas should never arrive in Italy as if Rome is not founded then Carthage is safe

the city is still in the process if being built but it is civilised - Dido is giving laws to the people and dividing up the work to be done

Dido is vulnerable as she is an exile and is surrounded by hostile tribes and needs guards at her frontiers

great wealth and luxury are prominent

carthage holds memories of victory over hannibal and is in north africa - would remind people of Augustus’ victory over Egypt

102
Q

describe the portrayal of the Italians in the epic

A

the italians are already on the brink of war when Aeneas arrives and those who want to stop Mezentius from imposing his tyrannical rule are glad to have the trojans as an ally

Latinus has reigned peacefully for many years - grandson of Saturn

he has received prophecy about marriage with a stranger

Latinus offers Aeneas xenia and is ready to give him Lavinia as his bride

Pallanteum, the city of Evander is on the site of future Rome

the people share traditional roman values that Augustus is trying to promote

in book 7 there is a catalogue of the tribes that are fighting against Aeneas

some have special skills or interesting backgrounds

the names of the places they come from were established towns in Augustan times

103
Q

what is pietas

A

doing the right thing for the gods, one’s family and society

is a moral value which is implicit in the Aeneid

104
Q

what were the moral values that people had lost sight of during the civil war

A

a sense of knowing your position in the great scheme of things, seeing the importance of what you have inherited from the ancestors, respecting the position you are in and playing your part

being constant and steadfast in what you do, persevering and keeping your eye on your goal even when things are difficult

moderation, exercising self-control, and avoiding extravagance

105
Q

what are some examples of Aeneas’ piety

A

Book 2 - Aeneas and his family leave Troy with the Penates

Book 6 - the burial of Misenus

Book 6 - Anchises account of his son’s piety

Book 7 - Aeneas makes offerings on reaching his destination

Book 11 - preparations for the funeral of Pallas

book 12 - swearing an oath

book 12 - killing Turnus and fulfilling his oath

106
Q

what is furor

A

Furor is mad, irrational or uncontrolled behaviour, the opposite of the civilised and controlled way in which the ideal Roman should conduct himself

107
Q

explain the importance of furor in the Aeneid

A

in book 1 there is a simile where Neptune calms a storm like a good man calms an angry crowd

it suggests that pietas can overcome furor and this is an important theme of the Aeneid

Furor is used to describe Amata and Dido

Furor is the rage which drives Homeric heroes to kill

Turnus is subject to furor and the images of him are as a wild animal

Aeneas is also prey to furor - wants to kill Helen and sacrifices humans at Pallas’ funeral

In book 12 he kills Turnus when he has already renounced Lavinia

Romans mission will be to cast down the proud but they will also be merciful to the conquered

108
Q

explain the importance of Fate in the Aeneid

A

Fate has the meaning of that which has been said or pronounced by a god

the other immortals accept that Jupiter’s will always prevails

whenever Dido dies it is before the decree of Fate so Iris has to make a special journey to release her from her body

in Homer the gods frequently intervene in the action and there is a sense that with the agreement of Zeus, fate is not perhaps immutable

fate in homer seems to relate mostly to the time of a man’s death, rather than his actions in life

fate is a useful device for Virgil in his praise of Augustus

it gives virgil a context within which he can refer to the future and highlight events, such as the closure of the Gates of War

there is a flexibility in fate

109
Q

describe Jupiter in the epic

A

Jupiter embodies the notion of fate in the Aeneid and is responsible for its execution

while Jupiter ensures the fulfilment of fate he does sometimes get distracted, allowing attempts which aim to divert or postpone the inevitable

there is a flexibility in fate

110
Q

who are the immortals

A

they include

gods from Mount Olympus

Native Italian gods

Minor gods and nymphs

deities that inhabit particular places

forces such as the Furies

111
Q

describe Juno and Venus in the epic

A

Like the Homeric gods Juno and Venus have all the human vices

Juno is the driving force behinds Aeneas troubles - she begins book 1 angry with Aeneas success in approaching italy and later goes on to cause the war

in book 12 Juno is reconciled to his settling there

they are significant to the narrative as they represent opposing amibitons and support Turnus and Aeneas each

they provide a means for Virgil to move the plot in unexpected way through their ability to heal a wound at will

their individual schemes disregard the consequences for mortals and they are full of cunning

Juno is confident that she has the higher authority as she is the wife of Jupiter

Venus is confident that she will be able to manipulate her father

when Jupiter calls both to the council of the gods in book 10 he asserts the power of fate and Aeneas role in Rome’s imperial destiny

112
Q

describe Apollo in the epic

A

Apollo intervenes only once to prevent Ascanius from continuing to fight in book 9

his presence as god of prophecy and archer god is felt throughout the epic

113
Q

what is the role of the immortals in the plot of the epic

A

they drive the main events in the plot

they enact their own drama on Olympus giving the Aeneid another tier of action

they create excitement and suspense as an immortal can appear at will and intervene in the action

they can represent human experience and be seen as symbols

when people in the aeneid act under the influence of an immortal they never act out of character

they are a poetic expression used to recreate an image or idea

they are an important tool in the delivery of moral and political messages

the presence of Jupiter as Fate reinforces the purpose of Aeneas mission

the gods are symbolic of the continuity of the Roman state

the gods are important in the expression of political allusions as being immortal they can see the future

the presence of Venus is a reminder that Augustus through Iulus can trace his ancestry to the gods

Juno is a reminder of Rome’s Italian origins

The presence of gods on both sides shows that both are pious

114
Q

how do the immortals communicate with mortals

A

appearance, either as themselves or in the shape of another person

sending a lesser immortal with a message

sending a sign, usually in the sky

sending false signs to confuse them

prophets

dreams

115
Q

how do mortals communicate with immortals

A

vows

sacrifices

prayers

consultation with a prophet

face-to-face meetings in special cases

116
Q

how is the family important in the Aeneid

A

the father-son relationship reflects the continuity of the Roman race - Aeneas’ father and son allow him to look backwards and forwards

family relationships give potential for maximum pathos in highlighting the cruelty of war

most families will have been affected by the deaths of loved ones in the civil wars and are likely to be engaged by the issues raised by the presentation of families

the tracing of Augustus’ line back to Iulus is a key theme

families can span the human and divine - immortal family relationships add another level of complexity to the story

Aeneas-Venus relationship highlights the huge burden that Aeneas carries of being a hero

Augustus was keen to promote the family as part of his reforms

Augustus saw himself as the father of the country and promoted the worship of the genius of his family

117
Q

in which instances is friendship and xenia important

A

Dido and Aeneas

Latinus and Aeneas

Evander and Aeneas

The friendship of Nisus and Euryalus

118
Q

describe the dido and aeneas friendship

A

when Aeneas men arrive in Carthage with the ships wrecked they approach Dido as suppliants

she is quick to offer them protection

it is this friendship that Aeneas refers to in his short speech to her

guest-friendship is a good refuge from facing up to the truth

119
Q

describe the Latinus and Aeneas friendship

A

Ironically Latinus greets the Trojans with words of friendship

This makes their going to war even more tragic

120
Q

describe the relationship between Evander and Aeneas

A

Aeneas has no qualms about approaching the Greek Evander because the bonds that link them through friendship are much stronger than the enmity engendered by past wars

the bond is particularly strong because it spans the generations and was sealed with gifts

Anchises had given Evander a quiver, a cloak and a pair of bridles, things he has now passed on to his sib Pallas

121
Q

describe the relationship between Nisus and Euryalus

A

they set out keen for glory, but Euryalus is captured and killed

the picture of Nisus pleading for his young friends life, the sword piercing Euryalus’ youthful white breast and Nisus hurling himself onto his friends body to die is a moving tribute to their friendship

like Achilles and Patroclus they are portrayed as lovers

122
Q

describe the relationships between men and women in the epic

A

the husband and wife relationships we witness are at points of crisis

Hecuba is protective of the old an weak Priam and seems to take the initiative, telling him to sit by her at the altar - they appear a devoted couple

we meet Creusa just as the Greeks are reaching the family home and she prevails upon her husband to protect them all - the spotlight however is on the 3 generations of father and son

Amata seems to have a strong voice in the question of her daughters marriage - perhaps echoing the strong women behind power in Roman politics

Amata’s role is to cause Latinus to retreat and allow the war to happen

Dido seems to flourish much more when she is not in a relationship with a man

when Aeneas arrives in Carthage she runs around in a frenzy of passion for him and all her building work stops

however Dido without a man is a formidable power - she takes the treasure, leads the escape from Tyre, negotiates some land, builds a city and runs it efficiently

relationships with men seem to suppress her real qualities

a roman though might believe that it is in a woman’s character to behave irrationally, and that she is acting unnaturally when she is strong and independent

123
Q

describe the relationships between parents and children in the epic

A

Aeneas relationships with his father and his son are essential to the Aeneid

Virgil’s concern is the family bond between generations, the responsibility one has for the other and the respect to be shown to elders

Aeneas looks up to Anchises

He will not abandon his father in Troy and seems to rely on him even after he has died

he tells Dido that his father has been continually warning him in his dreams to leave for Italy

when he visit the Sibyl to get Apollos prophecies he asks to make the journey to see his father

the wisdom of the forefathers is precious and very relevant in a poem in which a return to traditional values is a key theme

the fact that it is his father who shows him the parade of roman heroes reinforces the sense of continuity between the age of heroes and Augustan rome

Aeneas and Ascanius is seen in the scene in book 12 where Aeneas kisses him affectionately but through his helmet

he instils in him the importance of following the good examples of his elders

Aeneas has no real relationship with his mother - she intervenes to help him throughout the story but never engages with him as a mother

Virgil does not explore the relationship between Amata and Lavinia but shows a very strong bond between Amata and Turnus - who address her as mother

124
Q

list the parts played by women in the epic

A

as victims of war

women and marriage

women as objects

women and emotional instability

125
Q

describe the part played by women as victims of war in the epic

A

the 1st group of women we meet are the Trojan women on the sculpture of the Temple to Juno in Carthage - they are going in supplication to the temple of Athene their hair unbound and beating their breasts

in book 2 Aeneas recounts the fall of Troy and the image is repeated

in book 7 when Latin women hear the signal for war terrified mothers pressed their babies to their breasts

in book 9 there is the mother of Euryalus grief

a grieving mother is a very effective way of highlighting the evil destructive force of war

there is also the theme of wailing women in book 11, 1 and 2

Virgil creates pathos for the women victims of war

in book 9 Ascanius promises Nisus 12 chosen matrons as reward - act with callous disregard for women

126
Q

describe the part played by women and marriage in the epic

A

Lavinia is destined to marry Aeneas - she only has one blush during the epic

she does not have to make any moral decision as that is her fathers problem and as a young girl she is not subject to the over-emotional outbursts of her mother

it is almost as though she doesnt exist except as an object to be fought over

Romans were used to arranged marriages and would not have found her silent acquiescence as unsettling as we do

127
Q

describe the part played by women as objects in the epic

A

women are often perceived as objects to be traded

Iarbas seems to think he should have first option on Dido

Juno offers Aeolus a nymph in exchange for the storm

Ascanius promises Latin matrons to Nisus

Juturna was raped by Jupiter and given the unwanted gift of immortality in return

128
Q

describe the part played by women and emotional instability in the epic

A

Allecto, the personification of destructive jealously, is female

the defining quality of women in the Aeneid seems to be their irrationality or furor, and consequent tendency to upset the male order of things - eg Dido and Amata

129
Q

what did Octavian do after the battle of Actium in 31 BC

A

sent Agrippa his right hand man back to Rome to settle the troops who were becoming restless because they wanted payment

invaded Egypt - Antony and Cleopatra committed suicide - he treated most of Antony’s supporters leniently but killed Ptomely Caesar, Cleopatras son by Julius Caesar and Antony’s eldest son

gained all the wealth of Egypt for Rome

travelled to the eastern provinces to establish his authority there

in 29 BC he closed the gates of the Temple of Janus a symbol that Rome was finally at peace

130
Q

what did Octavian do to set about restoring order

A

he established that internal peace was to continue and reduced the number of legions, settling veterans in colonies with a pension

shared the consulship with Agrippa

annulled the proscriptions that had been made in the past

removed disreputable senators but did not expel any just because they had been supporters of Antony

encouraged religious practice

provided the people with entertainment

began his building programme

131
Q

what did Augustus do from 27 BC onwards

A

Augustus declared that he was restoring the republic

encouraged a return to traditional Roman values

adopted the name Augustus meaning revered one and princeps - first citizen

renounced all his powers - the Senate objected and continued to elect him into the consulship as he knew they would

revived simple rural festivals and encouraged the worship of local deities

continued his building programme

introduced laws to improve public morality

built himself a modest house on the Palatine and encouraged simple living

celebrated the secular games in 17 to mark the beginning of a new golden age - after the death of Virgil

encouraged promotion of his regime through literature and art

132
Q

what was Virgil’s relationship to Augustus and his regime

A

Virgil was born in 70 BC in Cisalpine Gaul which received Roman citizenship status from Julius Caesar in 49

Virgil’s awareness of what it meant to be Roman could have had influence on the Aeneid

he was brought up in the countryside and had a love of nature

he moved to Rome to study rhetoric, law and philosophy and witnessed the effects of political unrest in Rome caused by Pompey’s controversial appointment as sole consul

  • Caesars crossing the Rubicon and the beginning of the civil war
  • the dictatorship and assassination of Caesar
  • the rise of Antony
  • the arrival of Octavian
  • the defeat of the conspirators at Philippi
  • the death of Cicero
  • the wars between Antony and Octavian
  • Antony’s defeat at Actium in 31

his first poem in the Eclogues published in 37 is thought to express his thanks to Octavian for having restored him to his family farm - which had earlier been appropriated to war veterans

in his Georgics he acknowledges the support he has had from Maecenas, adviser of Augustus and wealthy patron of the arts

he was not a politician and moved away from Rome to the countryside near Naples

he felt gratitude to Augustus for bringing a period of peace and for the patronage he received from Maecenas

his works were literary masterpieces inspired by Hesiod and Homer but taking on the roman context and embodying the spirit of Virgil’s times

133
Q

explain where there are promotion of Augustus in the epic

A

there are passages which are unequivocal praise of Augustus where he is mentioned by name and his achievements are referred to

references which could be veiled praise to Augustus

passages which are in line with Augustus policies such as respect for the traditional ways or the importance of the family unit - but could be there because they are sentiments that Virgil wants to express anyway

some think the character of Aeneas is based on Augustus

134
Q

what references are there to Augustus in Book 1

A

Reference to Carthage - Romans were proud of their victory in the Punic wars and the destruction of Carthage - patriotism helps unification after civil wars

Aeneas lands in North Africa - perhaps ref to Egypt and Actium

the emphasis on building a new city will perhaps recall how Augustus is rebuilding Rome

135
Q

what references are there to Augustus in Book 2

A

references to infiltration of the Greeks into Troy may imply similarity to the way Greek customs have entered Rome - Augustus wants to return to traditional Roman values

Aeneas is told to take the gods of Troy with him - Augustus wanted to use the gods and religion to remind citizens of traditional Roman religion and values

136
Q

what references are there to Augustus in Book 4

A

Aeneas is likened to Apollo - Augustus’ patron god was Apollo - he built a temple to Apollo in 28 BC next to his house on the Palatine

137
Q

what references are there to Augustus in Book 6

A

Aeneas vows to build a temple of solid marble to Phoebus Apollo - as Augustus had just done

the mouths of the Nile is a reference to Augustus’ victory over Antony in Egypt

Anchises says that the task of the Romans is to govern the peoples of the world with their empire - an endorsement of Augustus’ power

great prominence is given to Marcellus because he is a favourite nephew and heir of Augustus

138
Q

what references are there to Augustus in Book 7

A

the naming of particular places emphasises roots and encourages the peoples in italy after the civil wars to see themselves as united by common ancestors

the image of two-faced Janus is anachronistic - but included as a reminder of Augustus’ closing the gates of the temple to symbolise peace

the reference to prows of ships nailed to the posts of temple doors is perhaps a reminder of Augustus’ victory in the naval battle at Actium

139
Q

what references are there to Augustus in Book 8

A

Book 8 is set on the site of future Rome

the simplicity of the palace of Evander suggests the simplicity of Augustus’ house on the Palatine

the worship of Hercules and festival in thanks for the deliverance of Rome from a monster is thought to be a refence to Augustus delivering Rome from Antony and Cleopatra

140
Q

what references are there to Augustus in Book 9

A

There are no obvious references to Augustus though the fact that Ascanius get his warning about moderation from Apollo could be significant given that Apollo is Augustus’ patron god

141
Q

what references are there to Augustus in Book 10

A

There are no direct references to Augustus but Aeneas display of furor could be a refence to violent actions that are sometimes unavoidable in war

Pallas could be a link to Augustus’ nephew Marcellus - the young man who died before fulfilling his potential

the strong father/son portraits may help to reinforce Augustus’ family laws

142
Q

what references are there to Augustus in Book 11

A

There are no obvious references to Augustus

The funeral of Pallas is described in terms of a Roman state funeral and may be an allusion to the funeral of Marcellus

143
Q

what references are there to Augustus in Book 12

A

Jupiter and Juno establish the nature of the new race

the references to the Latin language, kings living on from generation to generation, manly courage and worshipping the gods are all in line with his vision of Rome under the Augustan peace

144
Q

how does Jupiter’s speech to Venus in Book 1 promote the Roman empire

A

All the phrases used which refer to the size of the empire

145
Q

how does the procession of heroes promote the Roman empire

A

Book 6

The procession is composed of famous heroes - it is interesting to see why Virgil chose these particular examples

their qualities reflect those which Augustus is promoting

146
Q

what was the Ara Pacis

A

an altar commissioned by Augustus in 13 BC

It depicts the figures of Rome and Peace, processions and religious rituals and scenes from Rome’s history, including a figure thought by some to be Aeneas sacrificing piglets

147
Q

what was the relevance to Augustus of Silvius in the catalogue of heroes

A

Son of Aeneas

148
Q

what was the relevance to Augustus of Silvius Aeneas in the catalogue of heroes

A

awarded oak wreathes and Civic crowns - like Augustus

149
Q

what was the relevance to Augustus of Romulus in the catalogue of heroes

A

Gave name to Rome

His name is next to that of Augustus

150
Q

what was the relevance to Augustus of Numa (king with white beard) in the Catalogue of heroes

A

Gave Rome laws - good to be associated with him

Augustus too has brought law and order

151
Q

what was the relevance to Augustus of Brutus in the Catalogue of heroes

A

Ancestor of Brutus, the murderer of Caesar

Augustus killed Brutus at the Battle of Philippi and so avenged Caesar

152
Q

what was the relevance to Augustus of Drusi in the Catalogue of heroes

A

Ancestors of his wife, Livia

153
Q

what was the relevance to Augustus of Pompey and Caesar in the catalogue of heroes

A

good to remind people how bad the civil wars were a- and how Augustus has brought peace

Pompey was Caesar’s enemy

154
Q

what was the relevance to Augustus of the Conquerors of Greece in the catalogue of heroes

A

Augustan Rome was to be a new Athens in its cultural life

155
Q

what was the relevance to Augustus of Cato in the catalogue of heroes

A

strict and traditional

good role model

156
Q

what was the relevance to Augustus of Gracchi in the catalogue of heroes

A

were pro the people as Augustus wants to appear

157
Q

what was the relevance to Augustus of Scipio in the catalogue of heroes

A

Conqueror of Carthage, a hero

158
Q

what was the relevance to Augustus of Fabricius in the catalogue of heroes

A

Incorruptible, despised luxury

159
Q

what was the relevance to Augustus of Serranus in the catalogue of heroes

A

a farmer and farming is to be encouraged

160
Q

what was the relevance to Augustus of Marcellus in the catalogue of heroes

A

Ancestor of his nephew Marcellus

161
Q

explain the significance of the shield

A

in book 8 Aeneas is presented with a shield made for him by Vulcan at his mother’s Venus’ request

the idea of a hero being presented with a shield comes form the Iliad - but it is also likely that the description in the Aeneid would have reminded people of a golden shield that had been presented to Augustus and placed in the Senate house

is a key example of praise for Augustus and Rome

on the shield there are images that carry connotations

Augustus - good

Antony - evil

Roman legend

good historical roman figures

bad historical roman figures