Songs Flashcards

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1
Q

St. Louis Blues

A
Artist: Bessie Smith (& Louis Armstrong)
Decade: 1920s
Genre: Classic Blues
Form: Twelve-bar blues
Significance: Early racial crossover hit, one of the first hit blues songs.  Race record.
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2
Q

Black Snake Moan

A
Artist: Blind Lemon Jefferson
Decade: 1920s
Genre: Country Blues
Form: 
Significance: Jefferson as the first country blues star, sexual imagery in the text.  Race record.
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3
Q

Blue Yodel No. 2

A
Artist: Jimmie Rodgers
Decade: 1920s
Genre: Hillbilly record
Form: Twelve-bar blues?
Significance: Artist's image as footloose wanderer, and most influential early country artist. Adapted blues styles for crossover success.
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4
Q

Taking A Chance on Love

A
Artist: Benny Goodman and His Orchestra
Decade: 1940s, Swing era
Genre: Swing
Form: AABA in vocal section
Significance: Benny Goodman's (The King of Swing) career was boosted by promoter John Hammond.  The song is an orchestrated Tin Pan Alley song.
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5
Q

Caravan

A

Artist: Duke Ellington
Decade: 1930s, Swing era
Genre: Swing
Form: 32-bar AABA form (begins with drum section)
Significance: Features Spanish-tinged rhythm and other inspiration from Jazz era. Example of African-American influence in swing.

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6
Q

Brazil

A

Artist: Xavier Cugat
Decade: 1940s, Swing era
Genre: Swing
Form: Syncopated, ABCD form. Opens with freeform Portugese lyrics.
Significance: Cugat (the Rhumba King) played ballroom dances with Latin rhythms & lyrics. Example of Latin influence in swing era.

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7
Q

Nancy (with The Laughing Face)

A
Artist: Frank Sinatra
Decade: 1940s, postwar era
Genre: 
Form: 32-bar AABA
Significance: Features string instrument-dominated accompaniment, a change from his Swing era recordings
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8
Q

Mambo No. 5

A

Artist: Damaso Perez Prado
Decade: 1950s
Genre: Mambo (Latin dance music)
Form: Modular, constructed of rhythmic building blocks
Significance: An example of the short-lived Mambo craze, up-tempo polyrhythmic band music. This recording abolishes the two-part montuno form.

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9
Q

Choo Choo Ch’Boogie

A
Artist: Louis Jordan (and Tympany Five)
Decade: 1940s
Genre: Jump Blues
Form: Verse-chorus
Significance: An example of jump blues, a small combo playing hard-swinging boogie-woogie party music.  Louis Jordan later worked with record producer Milt Gabler and recorded numerous crossover hits.
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10
Q

(I’m Your) Hoochie Coochie Man

A

Artist: Muddy Waters (McKinley Morganfield)
Decade: 1950s
Genre: Chicago electric blues
Form: 16-bar blues
Significance: Composed by Willie Dixon, Chess Records’ songwriter. Song features use of distorted electric guitar, extending the Delta Blues tradition.

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11
Q

Hound Dog

A
Artist: Big Mama Thornton
Decade: 1950s
Genre: R&B
Form: 12-bar blues
Significance: One of the most influential female R&B singers.  Lyrics project image of female power.
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12
Q

It’s Mighty Dark To Travel

A
Artist: Bill Monroe & His Bluegrass Boys
Decade: 1940s
Genre: Bluegrass
Form: Verse-Chorus?
Significance: Bill Monroe is the pioneer of bluegrass. Features "high lonesome" sound like the Carter Family.
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13
Q

Mystery Train (Little Junior)

A
Artist: Little Junior's Blue Flames
Decade: 1950s
Genre: Rock n roll (R&B)
Form: Twelve bar blues
Significance: Features Herman "Little Junior" Parker and his Blue Flames, performing in the country blues tradition.  They originally recorded this song (before Elvis covered it) and received little attention.
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14
Q

Mystery Train (Elvis)

A
Artist: Elvis Presley
Decade: 1950s
Genre: Rock n roll
Form: Irregular
Significance: Covered original R&B song, changing the lyrical intent, tempo, and instrumentation.
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15
Q

Maybellene

A
Artist: Chuck Berry
Decade: 1950s
Genre: Rock n roll (vocal-based R&B)
Form: Verse-Chorus
Significance: Chuck Berry's first pop music hit. Novel synthesis of explosive tempo, electric guitar, and humorous lyrics.
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16
Q

Don’t Be Cruel

A
Artist: Elvis Presley
Decade: 1950s
Genre: Rock n roll
Form: Verse-chorus
Significance: Uses electronic reverb, a mixture of rockabilly, swing, blues, and R&B styles; with backing vocals by the Jordanaires.
17
Q

La Bamba

A
Artist: Ritchie Valens
Decade: 1950s
Genre: Rock n roll
Form: Strophic
Significance: Latin influence on rock n roll, adaptation of Mexican son jarocho folk song.
18
Q

My Girl

A
Artist: The Temptations
Decade: 1960s
Genre: Motown
Form: Verse-chorus
Significance: Example of a love ballad and Motown's arranging and producing skill
19
Q

You Can’t Hurry Love

A
Artist: The Supremes
Decade: 1960s
Genre: Motown
Form: Unknown, intricate
Significance: Example of an innovatively structured Motown song with a structure that reflects its lyrics
20
Q

Good Vibrations

A

Artist: The Beach Boys (led by Brian Wilson)
Decade: 1960s
Genre: Rock n roll
Form: Unique
Significance: The most innovative single from the 60s. Features a developing, non-repeating form, with unusual instrumentation and a theremin.

21
Q

El Watusi

A
Artist: Ray Baretto
Decade: 1960s
Genre: bugalu (Latin soul)
Form: ?
Significance: Based on Latin charanga dance music style, with violins playing repeated montuno.  One of the musicians plays the role of a man nicknamed "Watusi".
22
Q

Papa’s Got A Brand New Bag

A

Artist: James Brown (The Godfather of Soul)
Decade: 1960s
Genre: Soul
Form: Twelve-bar blues
Significance: Classic form, but groundbreaking new sound that defined dance-oriented soul music, with a repeating instrumental riff.

23
Q

Respect

A
Artist: Aretha Franklin
Decade: 1960s
Genre: Soul
Form: Strophic
Significance: Cover of a song by Otis Redding, Franklin changed the lyrics towards female empowerment.
24
Q

Like a Rolling Stone

A
Artist: Bob Dylan
Decade: 1960s
Genre: Urban folk
Form: Verse-chorus
Significance: Challenged existing restrictions on length, subject matter, and poetic direction of pop music.  Renowned for its sonic density, and being the longest pop single up to its time.