1
Q

ancient Greek goddess of dawn

A

Aurora

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

ancient Greek hero of Pythagorean legend

A

Damon

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

decaying; decomposing

A

mouldering

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

the location of the deserted village

A

Auburn

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

a poem or work that celebrates the joys of simple rural life; often features an idyllic world of nature, bucolic landscapes, and a shepherd addressing a shepherdess, whom he loves

A

pastoral

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

the artist to whom the poem is addressed

A

Scipio Moorehead

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

a rustic; a peasant

A

swain

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

a lyric poem in the form of an address to a particular person or subject, usually praising it

A

ode

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

a pleasant shady place under tress or climbing plants

A

bower

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

to make joyous; to fill with high spirits

A

elate

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

the village as described in the first section of “The Deserted Village”

A
  • “Dear lovely bowers of innocence and ease … /*
  • Where humble happiness endeared each scene!”*
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

an instance of antithesis

A

“The young contending as the old surveyed”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

signals the first major shift in “The Deserted Village”

A

“These were thy charms, sweet village! sports like these, / With sweet succession, taught even toil to please; / These round thy bowers their cheerful influence shed; / These were thy charms - but all these charms are fled.”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

diction that reveals the speaker’s perspective in the second section of “The Deserted Village”

A

“tyrant’s hand”; “Desolation saddens”; “choked”; “tires their echoes”; “shapeless ruin”; and “spoiler’s hand”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

imagery that conveys the speaker’s perspective in the second section of “the Deserted Village”

A
  • “Sunk are thy bowers in shapeless ruin all,*
  • And the long grass o’ertops the*
  • mouldering wall”*
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

an instance of repetition

A

“I still had hopes …”

17
Q

begins the final stanza of “The Deserted Village”

A

“O blest retirement, friend to life’s decline.”

18
Q

the speaker’s major criticism

A

“Where wealth accumulates, and men decay”

19
Q

quote that caputres the Central One Idea of “The Deserted Village”

A

“A time there was, ere England’s griefs began, / When every rood of ground maintained its man; / For him light Labour spread her wholesome store, / Just gave what life required, but gave no more: / His best companions, Innoncence and Health; / And his best riches, ignorance of wealth.”

20
Q

the pictures of S.M. has drawn and the life he puts into his figures

A

This delights Wheatly’s soul.

21
Q

what Wheatley urges the artist to do

A
  • “…each noble path pursue;*
  • On deathless glories fix thine ardent view”*
22
Q

“Still may the painter’s and the poet’s fire,”

A

“To aid thy pencil and thy verse conspire!”

23
Q

heavenly imagery

A

“Celestial Salem blooms in endless spring”

24
Q

the ancient Greek goddess of dawn; in literature, she usually appears as a lover

A

Aurora

25
Q

Central One Idea of Wheatley’s Poem

A

Although this world may bring suffering and limitation, artistic creation can bring freedom, spiritual fulfillment, and if used in the right way, can lead us to God and eternal life.