p.e Flashcards

1
Q

cultural movement that attained widespread popularity in the 1980s and ’90s;

A

hip hop

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2
Q

the backing music for rap, the musical style incorporating rhythmic and/or rhyming
speech that became the movement’s most lasting and influential art form.

A

hip hop

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3
Q

a dance style, usually danced to hip-hop music, that evolved from the hip-hop culture.

A

hiphop dance

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4
Q

The first dance associated with hip-hop was

A

breakdancing

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5
Q

hip-hop refers to a complex culture comprising four elements:

A

deejaying
rapping
graffiti painting
b-boying

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6
Q

encompasses hip-hop dance, style, and attitude, along with the sort of virile body language that philosopher Cornel West described as “postural semantics.”

A

b-boying

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7
Q

also known as “MCing” or “rhyming”;

A

rapping

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8
Q

“turntabling”;

A

deejaying

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9
Q

also known as “graf” or “writing”;

A

grafitti painting

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10
Q

Hip-hop originated in

A

African American economically depressed South Bronx section of New York City in the late 1970s.

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11
Q

the aspects of the culture that first caught public attention, had the least lasting effect.

A

Grafitti and break dancing

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12
Q

, the graffiti movement was started about

A

1972

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13
Q

a Greek American teenager who signed, or “tagged,

A

taki 183

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14
Q

where did taki 138 name dervied>?

A

(his name and street, 183rd Street) on walls throughout the New York City subway system.

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15
Q

The first major hip-hop deejay was

A

DJ Kool Herc (Clive Campbell),

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16
Q

an 18-year-old immigrant who introduced the huge sound systems of his native Jamaica to inner-city parties.

A

DJ Kool Herc (Clive Campbell),

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17
Q

Using two turntables, he melded percussive fragments from older records with popular dance songs to create a continuous flow of music.

A

Kool herc

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18
Q

Types of Hip Hop Dance Styles:

A
Locking
Popping
Electric Boogie
Breakdance / B-Boying
Uprock
Funk
Streetdance
Tutting/Tetris
Battle
Liguid Dancing
Boogaloo
Ragga
House Dance
Lyrical
Stepping
Free Running
Punking
Waacking
Voguing
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19
Q

locking was originally?

A

campbellocking

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20
Q

can be traced back to the late 1960’s and was created by Don Campbell.

A

locking

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21
Q

It is a style of funk and street dance and originally danced to traditional funk music such as James Brown.

A

locking

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22
Q

what is the concept of locking?

A

freezing from a fast movement and “locking” in a certain position, holding that position for a short while and then continuing in the same speed as before. It relies on fast and distinct arm and hand Hip Hop Manual movements combined with more relaxed hips and legs. The movements are generally large and exaggerated, and often very rhythmic and tightly synced with the music.

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23
Q

includes quite a lot of acrobatics and physically demanding moves, such as landing on one’s knees and the split.

A

locking

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24
Q

These moves often require knee protection of some sort.

A

locking

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25
Q

Other important stylistic features are waving of arms, pointing, walking stationary and grabbing and rotating the cap or hat.

A

locking

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26
Q

created the original freezes, incorporating his unique rhythm and adding gestures such as points and handclaps.

A

Don campbell

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27
Q

commonly use a distinctive dress style, such as colorful clothing with stripes, suspenders, pegged knee length pants, hats and gloves.

A

lockers

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28
Q

is quite performance oriented, often interacting with the audience by smiling or giving them a high five, and some moves are quite comical in nature.

A

Locking

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29
Q

The best way to describe the movement of ??? would be to imagine a force of energy going through the body causing it to move like a wave..

A

Popping

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30
Q

This style is difficult to manage at the technical level as it requiring command of isolations, a perfect knowledge of the body, and a good sense of the rhythm with major use of counter-tempo.

A

popping

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31
Q

The style demands continuous contraction of the muscles to the beat to give a jerky/snapping effect – a bouncy style.

A

popping

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32
Q

is a style of popping (ticking) but the major difference is that Popping creates a soft wave whereas ? creates more jerky waves with microwave moves, executed with a high velocity more difficult than classical popping.

A

electric boogie

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33
Q

The Robot, and the more smooth and controlled movements of mime are characteristic.

A

electric boogie

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34
Q

is more like mime in the sense that it imitates a live wire of electrical current or rippling river, but it still needs the control of The Robot to give it style.

A

electric boogaloo

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35
Q

commonly called breakdancing, is a style of dance that evolved as part of hip-hop culture among Black and Latino American youths in the South Bronx during the 1970s.

A

Breakdancing / b-boying

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36
Q

It is danced to both hip-hop and other genres of music that are often remixed to prolong the musical breaks.

A

Breakdancing / b-boying

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37
Q

a term referring to the upright dancing and shuffles.

A

Toprock,

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38
Q

which refers to footwork dancing

performed on the floor.

A

downrock

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39
Q

the poses that breakers throw into their dance sets to add punctuation to certain beats and end their routines.

A

freeze

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40
Q

These are the most impressive acrobatic moves normally made up of circular motions where the dancer will spin on the floor or in the air.

A

power moves

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41
Q

what are the 4 basic elements of breaking

A

toprock, downrock, freeze, power moves

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42
Q

is a soulful, competitive street dance using the rhythms of Soul, and Funk music.

A

uprock

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43
Q

The dance consists of foot shuffles, spins, turns, freestyle movements, sudden body movements called “jerks” and hand gestures called “burns”.

A

uprock

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44
Q

said to be mastered with discipline, patience, heart, soul, and knowledge.

A

uprock

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45
Q

dancing originated on the West coast of the United States, where it developed in the late 60’s as a reaction to the fusion of Soul and Disco, as well as early R’n’B and Hip Hop music.

A

funking

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46
Q

It is a highly choreographed dance form, similar to dances seen on commercial video clips. It features a mixture of sharp and fluid movements, popping & locking and animated expression.

A

funk

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47
Q

is very physical and incorporates dance moves from all over the world.

A

streetdance

48
Q

Various dance styles are mixed with a multi- cultural influence and funky tune

A

streetdance

49
Q

a FUSION of styles from the Hip Hop genre.

A

streetdances

50
Q

s a dance style that mimics the angular poses common to ancient Egyptian art.

A

tutting or tetris

51
Q

Whoever coined the term probably imagined that this was how King Tut danced.

A

tutting / tetris

52
Q

The style is rapidly evolving but there are some constant rules that define it.

A

tutting / tetris

53
Q

The style is rapidly evolving but there are some constant rules that define it.

A

tutting / tetris

54
Q

While this constraint is fundamental, and for the most part is not violated, other aspects of the dance are in flux.

A

tutting / tetris

55
Q

Dancers used to utilize a limited set of static hiero-inspired poses, but they now have begun to create more complex geometric patterns involving interaction between multiple limbs.

A

tutting / tetris

56
Q

is a freestyle where dancers ‘fight’ against each other on the dance floor without contact.

A

battle

57
Q

They form a circle and take turns trying to show each other up by using either a better style, more complex combinations, or harder moves.

A

battle

58
Q

a form of gestural dance that sometimes involves pantomime

A

Liquid dancing

59
Q

a form of gestural dance that sometimes involves pantomime
invokes the word liquid to describe the fluid- like motion of the dancers’ body and limbs
primarily the dancers’ arms and hands which are the focus, though more advanced dancers work in a full range of body movements
similar to the styles of popping or locking.

A

Liquid dancing

60
Q

primarily the dancers’ arms and hands which are the focus, though more advanced dancers work in a full range of body movements

A

Liquid dancing

61
Q

similar to the styles of popping or locking.

A

liquid dancing

62
Q

a fluid style, that uses every part of the body and involves using angles and smooth movements to make everything flow together

A

boogalo

63
Q

it often uses rolling of the hips, knees, and the head and is often used as a transition

A

it often uses rolling of the hips, knees, and the head and is often used as a transition

64
Q

a dance style originating (in the late 70’s) from street dance by AfroJamaïcans, AfroCarebians, which uses music which evolved from classical Reggae with a hip hop influence

A

ragga

65
Q

ragga is a dance style originating (in the late 70’s) from street dance by

A

AfroJamaïcans, AfroCarebians,

66
Q

he style used is a combination between hip hop moves, afro moves with latin influences with sensualit

A

ragga

67
Q

it requires very good physical condition, as many muscles are involved in the Raggajam, particularly in the lower part of the body

A

ragga

68
Q

correct execution requires good technique.

A

ragga

69
Q

a group of dance styles primarily danced to house music that have roots in the clubs of Chicago in the late 70’s and early 80’s

A

House Dance

70
Q

the main styles include Footwork, Jacking and Lofting. Like hip hop dance it was created by black and latino Americans and is often improvisational in nature

A

House Dance

71
Q

it emphasizes fast and complex foot oriented steps combined with fluid movements in the torso

A

HOUSE DANCE

72
Q

ncorporates movements from many other sources such as Capoeira, tap, jazz, bebop, and salsa

A

house dance

73
Q

t includes a variety of techniques and sub-styles that include skating, stomping, and shuffling

A

House dance

74
Q

one of the primary elements in house dancing is a technique called jacking and involves moving the torso forward and backward in a rippling motion, as if a wave were passing through it

A

house dance

75
Q

this movement is repeated and sped up to match the beat of a song

A

house dance

76
Q

this technique is the most important movement in house dancing

A

house dance

77
Q

all footwork in house dancing is said to initiate from the way the jack moves the center of gravity through space

A

house dance

78
Q

other than footwork, jacking, and lofting, ??? has grown to include other related styles such as vogue, waacking and hustle

A

house dance

79
Q

is a fluid and more interpretive version of new style hip-hop most often danced to downtempo rap music or R&B music

A

lyrrical hip hop

80
Q

“hip-hop with emotion“

A

lyrical

81
Q

it focuses more on choreography and performance and less on freestyles and battles

A

Lyrica

82
Q

comes from the word “lyrics” because dancers use the lyrics of a song or instrumental music to inspire them to do certain movements or show expression

A

lyrical

83
Q

the goal of a lyrical dancer is to use gesture, facial expression, and controlled movements in order to execute their movements and emotions fully

A

lyrical

84
Q

besides emotional connection to music, lyrical dance typically encourages use of articulation, line, weight, and movement qualities

A

lyrical

85
Q

is a form of percussive dance in which the participant’s entire body is used as an instrument to produce complex rhythms and sounds through a mixture of footsteps, spoken word, and hand claps

A

Stepping or step-dancing

86
Q

though stepping may be performed by an individual, it is generally performed by groups of three or more, often in arrangements that resemble military formations

A

Stepping or step-dancing

87
Q

may also draw from elements of gymnastics, tap dance, march, or African and Caribbean dance, or include semi-dangerous stunts as a part of individual routines

A

Stepping

88
Q

a form of urban acrobatics in which participants, known as free runners, use the city and rural landscape to perform movements through its structures

A

free running

89
Q

It incorporates efficient movements from parkour, adds aesthetic vaults and other acrobatics, such as tricking and street stunts, creating an athletic and aesthetically pleasing way of moving.

A

free running

90
Q

It is commonly practiced at gymnasiums and in urban areas (such as cities or towns) that are cluttered with obstacles

A

free running

91
Q

was coined during the filming of Jump London, as a way to present parkour to the English-speaking world

A

the term free running

92
Q

The founder and creator of Free running

A

Sébastien Foucan

93
Q

This style came in 1970s from the West coast, directly Los Angeles, where it was developed in clubs and underground scene

A

Punking

94
Q

was first spotted in gay clubs in Hollywood

A

PUnking

95
Q

Dancers began to represent it on television and it became well-known thanks to Soul Train

A

Punking

96
Q

s a name that some of the Soul Train dancers began to use instead of the initial term punking

A

waacking

97
Q

at this time the music is moving in more funk direction. Clothing was very colorful, funky. Dancers had a funky feeling. This is why this style mixed with lockin. In fact, these two styles were very close to each other thanks to a funky feeling

A

Punking-1970-1974

98
Q

about this time broke out “Disco Madness”. Music began to take a different direction.

A

Waacking-1974

99
Q

Women danced in a dress and heels, men exchanged a funky T-shirts for shirts and jackets. The style began to change more in the direction of jazz. The dance included a lot of lines, poses (which was
mostly inspired by movie stars of 1930s’) and other technical design movements of hands that you wouldn’t definitely find in the punking.

A

Waacking

100
Q

In particular, the overall attitude of the body has changed thanks to the footwear and clothing. Dancers began to dance everything more in upright stand unlike in punking, which was far more in the knees.

A

Waacking

101
Q

this style was “forgotten” for a while and survived in a small group of dancers who are so devoted

A

Waacking

102
Q

today waacking and punking is experiencing a “rebirth” in different forms

A

Waacking

103
Q

For example, in NY you will see primarily jazzy form, but more funky in Japan

A

Waacking

104
Q

a form of modern dance, as well as waacking and was created by the gay community

A

vouge

105
Q

The style is inspired by photos of models in poses in various positions such as posturing hands, feet, body movements in linear, angular and precise, fixed position.

A

vouging

106
Q

This style of dance arose from Harlem ballrooms by African Americans and Latino Americans in the early 1960s

A

vouging

107
Q

It was originally called “presentation” and later “performance”.

A

vouging

108
Q

is continually developed further as an established dance form that is practiced in the gay ballroom scene and clubs in major cities throughout the United States—mainly New York City, Los Angeles, Atlanta, Philadelphia, Washington D.C., Miami, Detroit, and Chicago

A

vouging

109
Q

Currently there are 3 different styles, or we can say “schools” in Voguing

A
Old Way (pre- 1980)
New Way (1990)
Vogue Fem (started around 1985)
110
Q

characterized by the formation of symmetrical and precise lines, creating a wonderful variable action with proper attitude

A

Old way

111
Q

Egyptian hieroglyphs and fashion poses serve as the original inspirations for old way voguing

A

Old way

112
Q

characterized by a more precise geometric patterns associated movements called “Click” (arm twisting in the joint) and “arms control” (agility hands and wrist illusions, which usually make “tut” or “tutting” and locking or stopping movement

A

new way

113
Q

can also be described as a modified form of mime - where imaginary geometric shapes such as boxes, are presented during the move, that move progressively around the body of dancer and showing dancers dexterity

A

new way

114
Q

largest extreme flexibility and fluidity, exaggerated feminine movements, influenced by ballet, modern dance and in the case of “dramatic” Vogue Fem, emphasize jumps and tricks

A

Vogue Fem

115
Q

includes other forms of dance moves such as: Modern jazz, ballet, gymnastics, martial arts, break dancing, yoga

A

vouge fem

116
Q

Some dance historians even point out that breakdance and vogue evolved together in a bilateral loan of movement, with artists from both parties interacting one another in Central Park, Christopher Street pier, Harlem and Washington Square Park

A

vouge fem