national cineman Flashcards

1
Q

crucial issue is the role of…

A

hegemony

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2
Q

national cinema focuses on two central questions

A

how do one nation’s film differ from other nations
can we indentify common characteristics in films produced in one place

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3
Q

what does gramsci say about hegemony!!

A

consensus culture, values of dominant class become common sense

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4
Q

what kind of hegemony do we talk about in cinema

A

stylistic hegemony

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5
Q

cinematograph films act 1927

A

7 1/2% of all films in british theatres had to be british in origin

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6
Q

Canadian government motion picture bureau

A

CGMPB to advertise canada and distribute canadian films

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7
Q

quota quickies

A

low-cost British films made by American distributors in order to satisfy the quota requirements of the Cinematograph Films Act 1927

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8
Q

what did john grierson found in 1939

A

national film board of canada to fix canadian film production’s inferiority complex

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9
Q

typical characteristics of hollywood cinema

A

high budget, entertainment, happy ending, clear, linear, style secondary to narrative

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10
Q

characteristics of english-canadian cinema

A

low budget, no spectacle, fragmented narrative, lack of resolution or sad ending, documentary influence, landscape

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11
Q

national cinema benefits

A

-alternatives to mainstream hegemony
-empowering
-opportunities for domestic film techs

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12
Q

drawbacks of national cinema

A

forced to be reactive
how to be successful with domestic audiences
reductive?

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13
Q

quebec cinema has a preoccupation with ___

A

past– public & personal

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14
Q

the subaltern is simultaneously ___ of and ___ from the Dominant

A

part of / excluded

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15
Q

a system of oppression based on genocide and colonialism that aims to displace a population of a nation and replace it with a new settler population

A

settler-colonialism

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16
Q

“the imaginary indian”

A

first nations as other, need to be protected from themselves and ‘civilization’

17
Q

in cultural studies otherness is seen as a cultural construct as a means of ___

A

reaffirming the dominant

18
Q

what did derrida do with western philosophy and culture

A

poking holes at its gaps and contradictions

19
Q

the study of signs and signification

20
Q

semiotics asks how does ___ work, thus focusing on language as ____

A

language / structure

21
Q

saussure’s equation

A

the sign arises from the interaction between the signified and the signifier

22
Q

saussure says the connection between the signifier and the signified is ___

23
Q

derrida: the sign is based on ___ not resemblance

A

difference

24
Q

derrida: the sign is seen as a _____, with the first part of the equation seen as being more important than the second part

A

binary opposition

25
derrida: each side of the equation carries with it the ___ of the other side
trace
26
3 kinds of Other in film
1. spectatorship and the other 2. identification and the other 3. style as other
27
lacan argues that...
alterity emphasizes the way the Other is seen as making the self possible
28
national cinema is seen as a form of ____ to hollywood cinema
RESISTANCE
29
who said colonialism creates an Other of the colonized
Edward Said
30
landscape used for
1. spectacle 2. resource 3. other