Mapeh Flashcards

1
Q

DISTINGUISHING CHARACTERISTICS OF WAYANG KULIT:

A

✓ Most distinctive Asian shadow play that evolved in Java and Bali, Indonesia
✓ It uses flat puppets that are cut and designed with intricate patterns
✓ The shadow images can be shown when projected on screen with an oil lamp or electric light to bring life to the shadow images on the screen.

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2
Q

THE PUPPETS:
➢ The size should range from _______which are mounted on sticks from the buffalo horn

A

6 inches to more than 3 feet

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3
Q

A

300400 figures

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4
Q

➢ The traditional performance usually starts at _____ and lasts until dawn

A

8:30 PM

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5
Q

➢ The entire performance runs for

A

9-10 hours

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6
Q

THE CHARACTERS:
➢ Originated from the two epic stories of Hinduism

A

(Mahabharata and Ramayana)

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7
Q

➢ These characters vary in size, shape,

A

color and costume

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8
Q

➢ The ______ differ according to their type like ogre, clown god and etc.

A

minor figures

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9
Q

THE DALANG has?

A

➢ Person in charge of manipulating the figures ➢ Narrating the story ➢ Interpreting the characters ➢ Singing songs ➢ Producing sound effects ➢ Giving cues for the gamelan

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10
Q

SOME OTHER NEEDED ELEMENTS OF THE WAYANG KULIT ARE:

A

A. PERFORMERS
B. Equipment
C. Performance elements

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11
Q

PERFORMERS

A

Dalang
Niyaga
Pesinden

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12
Q

the puppeteer and conductor

A

Dalang

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13
Q

the gamelan musicians

A

Niyaga

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14
Q

female singer with gamelan orchestra

A

Pesinden

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15
Q

EQUIPMENTS

A

Wayang kulit
Gunungan
Kelir
Blencong
Gedebok
Kotak kayu
Chempala
Kepyak
Gamelan

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16
Q
  • cloth screen
A

Wayang Kulit

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17
Q

symbolic scene element

A

Gunungan

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18
Q

cloth screen

A

Kelir

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19
Q

oil lamp

A

Blencong

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20
Q

trunk of a banana as a place to arrange the puppets

A

Gedebok

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21
Q

wooden chest

A

Kotak kayu

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22
Q

wooden knockers

A

Chempala

23
Q

metal rappers

A

Kepyak

24
Q

musical instruments

A

Gamelan

25
Q

Performance elements

A

Sabetan
Janturan
Chariyos
Ginem
Suluk
Tembang
Dodogan
Kepyakan
Gending
Gerong
Sindengan

26
Q

puppet movement

A

Sabetan

27
Q

puppeteer’snarration

A

Janturan

28
Q

story or narrative

A

Chariyos

29
Q

dialogue

A

Ginem

30
Q

mood song

A

Suluk

31
Q

song

A

Tembang

32
Q

knocking

A

Dodogan

33
Q

rapping

A

Kepyakan

34
Q

melody

A

Gending

35
Q

male chorus

A

Gerong

36
Q

Pesiden’s song

A

Sindengan

37
Q
  • this ensemble is the heart of art music of Indonesia because it performs a vital part in establishing the moods and emphasizing the action of the plays.
A

The Gamelan

38
Q
  • the basic melodic instrument, an idiophone instrument consisting of bronze keys and played with a wooden mallet
A

Saron

39
Q

What are the three saron each of the niyaga

A

✓ Saron Panerus- Highest
✓ Saron Barung- Middle
✓ Saron Demung- Lowest

40
Q

✓ Saron Panerus

A

Highest

41
Q

✓ Saron Barung

A

Middle

42
Q

✓ Saron Demung

A

Lowest

43
Q

What are the Each of the Niyaga (Instrumentalists) will sit behind of the Dalang which serves as the musical accompaniment for the play.

A

Saron
Rebab
Gender panerus
Gender panembung or slentem

44
Q
  • two-stringed bowed and the blown suling flute enhances the melody
A

Rebab

45
Q

it has the highest pitch in gender family

A

Gender Panerus

46
Q
  • it plays the lowest pitch and the theme or anticipates the theme.
A

Gender Panembung or Slentem

47
Q

Kabuki comprises three Japanese characters where “KA” means_____ , “BU” means__ and “KI” means _______

A

songs, dance , skill

48
Q

This play is more entertaining because of its colorful and amazing make ups, movements, skills, spectacular effects and of its unique and unrevealing characters on stage.

A

Kabuki

49
Q

The performers were all male in ________because women were banned from performing due to the idea of prostitution and male spectators were attracted to most female performers

A

17th century

50
Q

WHAT ARE DISTINGUISHING CHARACTERISTICS OF KABUKI?

A

Costume
Dance
Make up
Music

51
Q
  • stress the role being portrayed by the actors. It also shows the latest fashion or style of the present day
A

Costume

52
Q
  • the first performers dance with an exceptional blend of folk and religious dance
A

Dance

53
Q
  • another important element in Kabuki
A

Makeup

54
Q
  • it is used as sound effects like wooden clappers where it serves as the signal for the start and end of the play
A

Music