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japan Flashcards

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Umataka fire clay urn.

middle jomon period(10500-300)

2500-1500BCE

low-fired clay

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2
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Cord Pattern Vessel. (flat base) Low fired clay. Early Jomon period. 5000-2500 B.C.E.

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3
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Bronze Dōtaku (bell), with animal and people images. Late Yayoi period.(300BCE-300AD)

cross-hatching

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4
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DOTAKU. Late Yayoi period, 2nd–3rd century CE.Bronze.

handle

flange

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5
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Dōtaku, reportedly from sitein Kagawa Prefecture.H. 42.7.Yayoi Period, 2nd-1st century B.C.

granary

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6
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Tomb of Emperor Nintoku, Sakai, Osaka prefecture,Kofun Era, (300 AD -710 AD) Late 4th to 5th century B.C.E.

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7
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Haniwa, warrior figure, (300 AD -710 AD) Height:approximately 51 in.Kofun Period6th century

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8
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Kofun haniwa clay horse , Kofun Era, c. 3rd century-538 (300 AD -710 AD) Earthenware with traces of pigment

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9
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Ise Shrine, Inner Shrine Main hall (honden), Mie prefecture. Dedicated to Sun Goddess Amaterasu, founder of the imperial family

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10
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Ise Shrine, Shinto Architecture, rebuilt every 20 years

Shinmei zukuri

vertical posts

veranda

gabled roof, miscanthus reedsbark of the cypress tree

chigi

katsuogi - logs

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11
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GENERAL VIEW OF HORYU-JI. Asuka period, 7th century.Nara prefecture.

607Empress Suiko,Prince Shotoku

Temple of theExalted Law

-ji
asymmetry

Originally built 607, rebuilt between 670 and 710.

Kondo, golden hall

pagoda

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12
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KONDO (MAIN HALL), HORYU-JI. Asuka period, 7thcentury.
Nara prefecture.

circumambulate

hipped-and-gabled

Cloud-shape bracket

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13
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FIVE-STORY PAGODA, HORYU-JI. Asuka period, 7th century.Nara prefecture.

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14
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Jewel of Buddhistwisdom

Tori Busshi. SHAKATRIAD. Asuka period,623.Gilt bronze. .Kondo (main hall),Horyu-ji. Naraprefecture.

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15
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Tamamushi Shrine. C. 650. Cypress and camphor wood, with lacquer; height 7ft. Now in Horyuji Tresaure House, Horyuji

hipped-and-gable
Shibi fishtail-like ornaments

made from beetles wings

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16
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DETAIL OF “HUNGRY TIGRESS” PANEL. Asukaperiod, ca. 650.Cypress and camphor wood, with lacquer. Height7’7-1/2” (2.33 m).Gallery of Temple Treasures, Horyu-ji, Nara
prefecture.

jataka
birth stories

connuous narrave

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17
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MIROKU BOSATSU. Asuka period, 7th century.Camphor wood.Chugu-ji, Nara prefecture.

Maitreya pensive

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18
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THE GREAT BUDDHA HALL (DAIBUTSUDEN).Original structure completed during the Nara period in 752. Destroyed in 1180.Current building completed in 1707; extensively restored 1906–1913.

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19
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Yakushi Buddha (MEDICINE BUDDHA) and attendants (Nikko and Gakko). Nara period, late 7th–early8th century.Bronze. Height 8’4” (254 cm).Kondo, Yakushi-ji, Nara.

bodhisa Yvas Sunlight, Moonlight

tin, arsenic

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20
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BUDDHA ROSHANA. Nara period, 8th century, reconstructed 17th century.Bronze.Daibutsuden, Todai-ji, Nara

Vairochana

21
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Jocho. AMIDA BUDDHA. Heian period, ca. 1053.Gold leaf and lacquer on wood. Height 9’8” (2.95 m).Phoenix Hall, Byodo-in. Uji, Kyoto prefecture.

22
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PHOENIX HALL, BYODO-IN. Heian period, ca. 1053.Uji, Kyoto prefecture.

23
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Tale of Genji, Genji monogatari emaki.1st half of the 12th century. Ink and color on paper.8.6 in. x 18.9 in., Tokugawa Art Museum

sumigaki

calligrapher tsukuri-e

24
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Animal Caricatures, Choju jinbutsu giga.
Mid-12th century, Ink on paper.12.5 in. (height), Kozanji, Kyoto.

25
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Legends of the Monk of Shigisan, Shigisan engi emaki.
2nd half of the 12th century. Ink and color on paper.12.5 in (height), Chogosonshiji, Nara.

engi

Shigisan engi emaki = Origin of the Temple of Mount Shigi

Myōren

Legends of the Monk ofShigisan, Shigisan engi
emaki.
2nd half of the 12thcentury. Ink and color on
paper.12.5 in (height),Chogosonshiji, Nara.

Legends of the Monk of Shigisan, Shigisan engi emaki.
2nd half of the 12th century. Ink and color on paper.12.5 in (height), Chogosonshiji, Nara.

2nd ScrollEmperor Daigo is ill

3rd ScrollMyoren’s sister in search of him

26
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PORTRAIT OF MINAMOTO YORITOMO. Believed to be an early 13th-centurycopy of an earlier painting (1179) attributed to Fujiwara no Takanobu,Kamakura period.Hanging scroll, color on silk. Height 4’8-1⁄3” (1.43 m).

27
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Scrolls of Events of the Heiji Period (Heiji monogatari emaki), Late13th century, ink and color on paper, Museum of Fine Arts, Boston.
Heiji monogatari emaki – the events of the Heiji Period ReGred emperor’s (Goshirakawa) palace, December 9, 1159

28
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Hell Scrolls (Jigoku-zoshi)Late 12th century, Handscroll, color on paper.Tokyo

29
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Kao, KanzanBefore 1345, hanging scroll ink and color on paper.40.4 in. x 12.1 in., Freer Gallery of Art, Washington D.C.

doshakuga

kakemono

JiXoku

30
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Josetsu. CATCHING A CATFISH WITH A GOURD. Muromachi period, ca. 1413.Hanging scroll, ink and slight color on paper.

JosetsuAct. 15th century

31
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Sesshu Toyo. Winter Landscape. Muromachi period, ca. 1470s.Hanging scroll, ink on paper. 18-1/4” × 11-1/2” (46.4 × 29.4 cm).Tokyo National Museum.

32
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Hatsuboku Landscape for Soen (Landscape in the cursive

technique), by Sesshu Toyo.1495, Hanging Scroll, ink on paper.

shigajiku
haboku

33
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AXributed to Kogaku Soko in collaboraZon with Soami. GARDEN OF THE DAISEN-IN, DAITOKU-JI, KYOTO.Muromachi period, early 16th century.

34
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Attributed to Kano Eitoku. CYPRESS TREE. Momoyama period, 1590.Color, ink, and gold leaf on paper.

blue and gold style

35
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Tawaraya Sotatsu. WAVES AT MATSUSHIMA (DETAIL OF RIGHT SCREEN).
Edo period, 17th century.Pair of six-panel folding screens, ink, mineral colors, silver, and gold leaf on paper.

Matsushima Pine Islands

Tales of Ise

36
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God of Thunder (le]) and God of Wind (right) by Sotatsu.A]er 1621, color and gold and silver paint on paper.

37
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Sen no Rikyu. TAIAN TEAHOUSE (INTERIOR VIEW). Momoyama period, 1582.Myokian temple, Kyoto prefecture.

16th century
harmonyrespectpuritytranquility

alcove(tokonoma)

38
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Irises, by Ogata Korin.c. 1701, Color with gold leaf on paper.

kakitsubata

39
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A

Goro Uprooting a Bamboo Tree,by Torii Kiyomasu.1697, Polychrome woodblock printon paper, with hand coloring

40
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The Actor Ogino Isaburo on Stage,by Torii Kiyonobu II.c. 1726, Hand-colored print.

urushi-e
urushi = lacquer

41
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Girl on Her Way to theShinto Shrine on a StormyNight, by Suzuki Harunobu.Polychrome Woodblockprint.

42
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Toshusai Sharaku. Otani Oniji III as Yakko Edobei in the Play the Two-colored Reins.Edo period, 1794.Woodblock print, ink, color, and mica on paper. 15 yakko

43
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Katsushika Hokusai Mount Fuji in Fine Weather, by Katsushika Hokusai.c. 1825, Polychrome print.

44
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A

Katsushika Hokusai. THE GREAT WAVE OFF KANAGAWA. Edo period, ca. 1831.Polychrome woodblock print on paper.

Prussian blue

Thirty-Six Views of Mount Fuji

45
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comb-pattern

COMB-PATTERNED VESSEL. Neolithic period, ca. 3000 BCE.Earthenware with incised decoraJon. Height 16” (40.5 cm).Hanyang University Museum, Seoul.

46
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A

CROWN. Three Kingdoms period, Silla kingdom, 5th–6th century CE.Gold and jade.

The Great Tomb at Hwangnam.

gogok (Korean), magatama (Japanese)

47
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BODHISATTVA SEATED IN MEDITATION. Silla kingdom, 6th–7th century.Gilt bronze,

pensive pose
Maitreya (Sanskrit)

Mireuk (Korean)

Miroku (Japanese)

48
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SEATED BUDDHA AT SEOKGURAM CAVE TEMPLE. Unified Silla period, ca. 7

history of art (1 decks)

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