Dracula - AO3 Context/critical Analysis Flashcards

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1
Q

What is the narrative style the novel is written in (give a specific name)

A

Epistolary - it means the novel is composed of diary entries/letters

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2
Q

Which important religious sacrament do vampires subvert?
How do they subvert this?

A

Holy communion
They drink human blood to have physical live - whereas catholics drink Christ’s blood to have spiritual life

(Links to the sin of greed, soulless existence, amorality, secular degeneration of society, moral collapse of society)

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3
Q

The uncanny can involve the __of qualities which shouldn’t be mixed

A

Juxtaposition

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4
Q

Describe a simple version of freud’s model of the uncanny

A

The uncanny is where something familiar is proved not quite right

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5
Q

What does Ray Cluley describe Dracula as and why

A

‘The ultimate patriarchal fantasy’ - as he usurps the female role of child bearing by creating vampires through biting them
- and hence removes the only power women have which men don’t, and is strong enough to completely dominate them

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6
Q

What are the 5 aspects of Samantha Morse’s definition of masculinity?

A

Virility
Chivalry and morality
Intent to exclude the Other
Asceticism
Autonomy (financial and emotional)

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7
Q

Give an example of a book written about the topic of physiognomy, the author, the date published

A

Degeneration
Max nordau
1892

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8
Q

What are the two possible readings of the symbolic meaning of the castle Dracula

A

The castle brings out Harker’s subconscious desires
Or brings out Harker’s primal fear of enclosed spaces

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9
Q

Who defined the terror versus horror dichotomy and how did they define each of the terms

A

Ann Radcliffe
Terror = dread/anticipation which precedes an experience and can be drawn out
Horror = revulsion that follows the experience

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10
Q

Who wrote a book on the concept of the sublime, when did they write it and what was it called

A

A philosophical enquiry into the origin of our ideas on the sublime and beautiful
1757
Edmund Burke

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11
Q

According to Burke, the sublime can make us feel___, ____ and feel ___pain

Why?

A

Insignificant, terrified, negative pain

Insignificant - as the sublime is so Great
Terrified - as there is such a potential for danger
Negative pain - as the potential for pain/death demonstrated by the sublime object/experience leads us to delight in our own safety and lack of pain

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12
Q

According to Burke, ___is an important aspect of the sublime as it promotes terror.

A

Obscurity

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13
Q

According to Burke, sublimity can be a positive force for good: why?

A

It makes us feel insignificant, and gives us perspective. An important source of sublimity is religion (under threat from secular science in the Victorian period)

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14
Q

When was a book about geology published, what was it called, and who wrote it and why was it important?

A

Sir Charles Lyell
The principles of geology
1830-33
It disproved literalist/creationist Christianity as it suggested the earth was millions of years old (this didnt fit with the biblical timeline)

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15
Q

What was Catholicism associated with for many English Protestants

A

Foreign customs and superstitions

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16
Q

When did Darwin publish his book and what was it called and why was it important for Victorian social attitudes (give 2 reasons)

A

1859, on the origin of species
It challenged Christian creationism
It begged the question of the origin of the soul

17
Q

What did the challenge from science towards religion lead to in Victorian society

A

Polarisation of religious and scientific world views

18
Q

Give 3 ways vampires are ‘other’

A

Irrational world
Nighttime
Nightmares

19
Q

How is otherness treated ambiguously by society

A

It is both glamorous and threatening

20
Q

Define liminality

A

The exploration of tension between antithetical states of being

21
Q

Give 3 examples of vampires being liminal

A

Human and animal
Living/dead
Young/old
Sane/mad
Modern/ancient
Master/servant

22
Q

What does Sue Chaplin say about the character of the vampire in literature generally

A

The vampire frequently acts as a lightning rod for the specific cultural anxieties of the moment

23
Q

The gothic explores __fears such as ___spaces, darkness, blood and ____

A

Primal
Enclosed
Isolation

24
Q

Give 4 Victorian attitudes to women

A

‘The angel in the house’
The New Woman
Female hysteria
Madonna whore dichotomy

25
Q

Who was the angel in the house idea modelled on and what were her dates

A

Queen Victoria
1837-1901
She was a symbolic mother of the country, with impeccable values

26
Q

Describe the idea of the angel in the house

A

Blend of piety and domesticity

27
Q

How was the ideal of the angel in the house being threatened at the time Dracula was published

A

By 1897 Queen Victoria was aging and there was a sense traditional values of womanhood were in decline with her

28
Q

The New Woman was in search of __, ___and __liberation. She was also a __feminist

A

Economic
Educational
Sexual (being able to choose sexual partners)
Proto-feminist

29
Q

Give 3 symptoms of female hysteria
State who the label would apply to in Victorian society
Explain why Victorian men liked using this label

A

Sexual desire
Insomnia
Nervousness
‘Tendency to cause trouble’

A woman who didn’t conform

It was a way of pathologising/medicalising/rationalising female behaviour

30
Q

Give 3 symptoms of female hysteria
State who the label would apply to in Victorian society
Explain why Victorian men liked using this label

A

Sexual desire
Insomnia
Nervousness
‘Tendency to cause trouble’

A woman who didn’t conform

It was a way of pathologising/medicalising/rationalising female behaviour

31
Q

What two biblical figures does the Madonna whore dichotomy correspond to
Give a quote (and the author of the quote) about this dichotomy

A

Virgin Mary And Eve
‘Where such men love, they have no desire, and where they desire, they cannot love’ Sigmund Freud

32
Q

Give the two biblical figures who correspond to the Madonna whore dichotomy
Give a quote about the topic (give the name of the author of the quote)

A

Virgin Mary and eve

where such men love, they have no desire, and where they desire, they cannot love

33
Q

Who counts as a fallen woman in Victorian society
Who was the victim in the Fall
How is the fallen woman dangerous

A

A woman who has sex before marriage
Adam
She tempts in her nature, has demonstrated her sexuality, and is thus a danger to the morality of men

34
Q

Give 2 ways the bedroom is a gothic space

A

It is where dreams and nightmares happen
And where sex happens

35
Q

Give 2 ways the bedroom is a gothic space

A

It is where dreams and nightmares happen
And where sex happens

36
Q

In the 19th century, sin/transgression/taboo and what become linked (in the realm of gothic tropes)

A

Eroticism