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cpar Flashcards

1
Q

It is a medium of expression because through arts we express our ideas, emotions, feelings, without using words.

A

art

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2
Q

means to do or manmade

A

ars/ artis

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3
Q

something an artist uses his/her body as a medium. An art form that is moving from
one place to another.

A

performing arts

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4
Q

usually exist in two-dimensional form and stay in one place Something that we see and
hear

A

visual arts

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5
Q

talks about language that affects our imagination and make us think.

A

literature

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6
Q

a three-dimensional form that we can touch, see, and climb. It stays in one place.

A

sculptural

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7
Q

In visual arts, it is defined as a void, an emptiness which can either be positive or negative.

A

space

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8
Q

It is an implied path suggesting direction: vertical, horizontal, diagonal and character: jagged,
curved, series of dots

A

line

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9
Q

described as a figure separate from its surrounding area or background. It can either be
geometric (angular) or organic (curvy)

A

shape

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10
Q

is slightly similar to shape. It is an enclosed line.

A

form

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11
Q

The most striking art element that catches the eye.

A

color

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12
Q

it is the degree of lightness and darkness, it is called pitch, the highness and lowness of a tone, it suggests an atmosphere or mood.

A

value

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13
Q

Is the surface of an artwork. It can be actual or tactile or it can be stimulated or illusory.

A

texture

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14
Q

This refers to the wholeness of the design, the pleasing arrangement of parts and the agreement between parts of a composition, resulting in a united whole

A

harmony

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15
Q

are produced so that monotony and uniformity in the environment are prevented.

A

variety

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16
Q

is a flow, or feeling of movement, achieved by the distribution of visual units or sound units in
time.

A

rhythm

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17
Q

Elements in a work of art should have a relationship with one another.

A

proportion

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18
Q

It is the principle that deals with the equality.

A

balance

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19
Q

2 types of balance

A

formal and informal

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20
Q

refers to two sides that are identical to each other

A

formal balance

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21
Q

refers to two sides not identical to each other yet equal in
visual weight.

A

informal balance

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22
Q

This is the fundamental principle in choreography and the theater arts. It is a way to convey feelings and emotions.

A

movement

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23
Q

is the principle that gives importance or dominance to a unit or an area.

A

emphasis

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24
Q

gives less importance to a unit or an area.

A

subordination

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25
Q

Arts that started in the pre-colonial times and have been handed down from generation to generation

A

ethnic tradition

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26
Q

was made up of the available materials surrounding them.

A

indigenous arts

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27
Q

is a method of textile production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth.

A

weaving

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28
Q

Illustrates the grace and strength of women in the Kalinga tribe of (CAR). Women performing this balance heavy pots on their heads while dancing to beat of wind
chimes

A

Banga

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29
Q

It is performed to celebrate happy occasions, it is
meant to symbolize flying birds and is musically paired to the beat of gong

A

Lumagen

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30
Q

Take two long bamboo sticks rapidly and in rhythm, clap sticks for dancers to artistically and daringly try to avoid getting their feet caught between them.

A

Tinikling

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31
Q

It is the dance to show courtship, a male and a female performer represent a rooster attempting to attract a hen.

A

Salisid

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32
Q

It is a branch of the visual arts that operates in three dimensions. Originally used carving and modelling; in stones, metals, ceramics, woods and other materials

A

sculpturing

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33
Q

This is a kind of sculpture that can independently stand in space. It has a flat horizontal
base. All its sides contribute to the overall form of the sculpture

A

free-standing

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34
Q

This kind of sculpture does not have a flat horizontal base. The form is projected from a flat
surface.

A

relief

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35
Q

2 types of relief sculpture

A
  • low relief or bas-relief which is slightly from the flat surface
  • high relief
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36
Q

This sculpture is formed by putting together materials such as found objects, pieces of
paper, sponges, wood scraps, and other materials

A

assemblage

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37
Q

This is considered as a sculpture in motion because the entire sculpture or some parts of the sculpture are moving with the wind or are vibrating with the surrounding air.

A

kinetic

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38
Q

Creating these sculptures involve the process of. connecting sheets of metal
together by using an acetylene or electric torch.

A

welded

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39
Q

A kind of sculpture where the medium of expression used by the artist is glass

A

use of glass

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40
Q

It is a kind of sculpture in which an abstract idea is represented by means of allegory and personification

A

symbolic

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41
Q

The craft is more than 2000 years old — dating back to the time when carvers had to make
use of stones, shells and even the teeth and tusks of animals to shape the wood. T

A

woodcarving

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42
Q

It is as an artistic design of the Maranao native inhabitants of southern Philippines beginning
from the early 6th Century C.E. before the Islamization of the area

A

Okir

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43
Q

is an art depicting the indigenous originality and skill of the Maranaos. It is a fine
art of figuring, painting, carving and sculpturing depicting the social and psychological identity of Maranao Society.

A

Okir motif

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44
Q

It is the legendary bird or “artificial cock” that has become an ubiquitous symbol of Maranao art.

A

Sarimanok

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45
Q

It has form of an elaborate mythical serpent or dragon with vigorous S-shape.

A

Naga

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46
Q

It is a stylized growing fern with a broad base gracefully tapering upwards.

A

Pako rabong

47
Q

is a stylized growing fern with a broad base gracefully tapering upwards.

A

pottery

48
Q

types of pottery

A
  • earthenware/ terracotta
  • stoneware
  • porcelain
49
Q

This type of pottery is made from clay and is usually fired at 1,700 - 2,100 ᵒF.

A

terracotta

50
Q

This type of pottery is made from clay and feldspar

A

stoneware

51
Q

This type of pottery is made from kaolin, a special type of clay that is extra fine, white
and feldspar

A

porcelain

52
Q

is a secondary burial jar excavated from a Neolithic burial site in the Manunggul cave of the Tabon Caves at Lipuun Point in Palawan

A

Manunggul jar

53
Q

are commonly used for storage of water or grains, as well as for fermenting of Vigan’s local Basi wine and bagoong (fermented fish)

A

Burnay jar

54
Q

are anthropomorphic; characterized by a design that suggests human figures with complete or partial facial
features of the first inhabitants of Mindanao.

A

Maitum anthropomorphic burial jar

55
Q

is characterized by designs of flowers, plant forms and geometric designs.

A

islamic art

56
Q

It is a visual art related to writing. It is the design and execution of lettering with a broadtipped instrument, brush, or other writing instrument.

A

calligraphy

57
Q

is considered to be one of the most functional branches of the visual arts.

A

architecture

58
Q
  • Started when Philippines was colonized by Spaniards. They introduced formal paintings,
    sculpture and architecture influenced with Byzantine, Gothic, Baroque and Rococo art style
  • Most art are religious (catholic based).
A

spanish colonial period

59
Q
  • was classical in nature, and the artworks are in neo-classical and modern form.
  • One of their greatest contributions to the Philippines is the educational system.
  • All architectural designs are classical in nature, including art deco design on buildings and
    houses.
A

american colonization period

60
Q
  • is a theatrical genre of variety entertainment born in France at the end of the 1 9th
    century.
  • was originally a comedy without psychological or moral intentions, based on a
    comical situation
A

vaudeville

61
Q

“In every work of art, the artist himself is present”

A

Christian Morgenstern

62
Q

one who posses and practices an imaginative art

A

artist

63
Q

The artist expresses what he or she feels.

A

personal

64
Q

The artist expresses what he or she sees around him/her.

A

social

65
Q

The artist finds a need to create something not only pleasing to look at but something
useful as well.

A

physical

66
Q

The artist gives form to the hidden truth of the universe, and the spiritual force that inhabits the world.

A

Immaterial

67
Q
  • Nobody has captured the Philippine rural scene like portraitist and painter Fernando Amorsolo.
    His craftsmanship and mastery in the use of light have given many Filipinos a glimpse of the
    country’s most precious provinces and farmlands.
  • Dubbed as the “Grand Old Man of Philippine Art,” the beloved artist will forever be remembered for his exquisite use of light and colours.
A

Fernando Amorsolo

68
Q

Amorsolo became the first person to ever receive the

A

National artist award

69
Q

The murals of National Artist for Painting were gifts that the Filipino working class rightfully deserved; his enormous masterpieces have carefully mirrored and pictured the real-life struggles of the proletariats.

A

Carlos “botong” Francisco

70
Q
  • Filipino novelist, poet, playwright, essayist, and biographer whose works present the diverse heritage of the Filipino people.
  • He started writing under the pen name of “Quijano de Manila” for the Philippine Free Press Magazine, chronicled the diverse heritage of the Philippines and gave his opinion about the
    culture of his time for decades.
A

Nick Joaquin

71
Q

Founder of the Philippine Art gallery.

A

Lyd Arguilla

72
Q

Founder of the Arts Association of the Philippines.

A

Purita Kalaw Ledesma

73
Q
  • A mixed- media artist, writer, and organizer.
  • One of the first to use nontraditional materials for her artworks which are usually fragmented
    arrangements of artistic scenes.
A

Imelda Cajipe-Endaya

74
Q
  • A doctor in Philippine Studies and Professor Emerita in the University of the Philippines.
  • A multi-awarded artist, educator and cultural worker.
  • Her nationalistic themes are taken from Philippine folklore, legends and mythology. She then relates them to contemporary life.
A

Brenda Fajardo

75
Q
  • A Filipina visual artist based in France.
  • She is one of the most internationally acclaimed lady artist in the Philippines.
    JIRMIN
  • She is known for the use of allegory to express her views on societal problems and issues of the
    day.
A

Ofelia Gelvezon-Tequi

76
Q
  • A model historical recorder and conservationist.
  • An artist, educator, cultural researcher and advocate of the indigenous arts in the South.
  • She promoted a pre-Islamic dance tradition “Pangalay” which means “gift-offering”
A

Ligaya Fernando Amilbangsa

77
Q

“A true artist is not the one who is inspired but one who inspires others”

A

Salvador Doli

78
Q

Presidential Proclamation No. 1001’s. 1972.

A

Order of National Artists

79
Q

National artist in visual arts

A

Carlos Francisco

80
Q

National artist in literature

A

Amado V. Hernandez

81
Q

National artist in dance

A

Francisca R. Aquino

82
Q

National artist in music

A

Antonio J. Molina

83
Q

National artist in architecture

A

Juan F. Nakpil

84
Q

National artist in sculpture

A

Guillermo E. Tolentino

85
Q

National artist in literature

A

Jose Garcia Villa

86
Q

The word GAMABA stands for

A

Gawad sa Manlilikha ng Bayan

87
Q

Republic Act No. 7355

A

The GAMABA or the National Living Treasures Award

88
Q
  • Recognized as a National Living Treasure in the year 2000.
  • Yakan musical instruments such as the kwintangan kayu, gabbang, agung, tuntungan among
    others
A

Uwang Ahadas

89
Q
  • Recognized as a National Living Treasure on November 8, 2012
  • She taught herself traditional patterns, such as kusikus (whirlwind), marurup (Milky Way), and sinan paddak ti pusa (cat’s pawprint), building on the more common inuritan (geometric design) and sinan-sabong (flowers)
A

Magdalena Gamayo

90
Q
  • Recognized as a National Living Treasure in the year 2004
  • Recognized for reviving the Spanish colonial era craft of Plateria - religious and secular art in silver, bronze, and wood.
A

Eduardo Matuc

91
Q
  • Recognized as a National Living Treasure in the year 1998
  • Awarded for weaving the abaca ikat cloth called t’nalak
A

Lang Dulay

92
Q
  • Recognized as a National Living Treasure in the year 1993
  • He was awarded for his outstanding artistry and dedication to his chosen instrument, the
    Magindanao kutyapi
A

Samaon Sulaiman

93
Q
  • Recognized as a National Living Treasure in the year 2004
  • She is recognized as the master mat weaver among the Sama indigenous community of Ungos Matata.
A

Haja Amina Appi

94
Q
  • Recognized as a National Living Treasure in the year 2000
  • Awarded for his mastery of chanting the Sugidanon, the epic tradition of Central Panay.
A

Federico Caballero

95
Q
  • Recognized as a National Living Treasure on December 17, 1993
  • Awarded for faithfully preserving the Hanunuo Mangyan script and Ambahan poetry.
A

Ginaw Bilog

96
Q

Watercolor paint, acrylic paint, brushes, crayons, pencils, clay, lettering pens, weaving materials, papier mache, chalk, paper of different sizes, wood, dyes, ink, charcoal

A

Traditional materials

97
Q

are materials that are naturally and locally found in a
specific place or area.

A

Indigenous materials

98
Q

can use candle wax, dirt, rocks, and even wood. It’s a fun way to create textured pieces that give your art a three-dimensional feel.

A

Non-traditional materials

99
Q

Male voices have three registers:

A

bass, baritone, tenor

100
Q

Female voices also have three registers:

A

alto, mezzo soprano, soprano

101
Q
  • Pertain to the different instruments played by musicians.
  • They are classified into string or stringed, wind, percussion, and keyboard instruments.
A

instrumentals

102
Q

are those materials used for costumes, properties, and set design.

A

dance

103
Q

Before when the camera, radio, and television were not yet invented, the stage was only venue for dramatic purposes

A

drama

104
Q

A poet, fictionist, novelist, dramatist, or essayist makes use of words to compose a poem, short story, novel, drama, or essay, respectively.

A

lliterature

105
Q

medium for literature

A

language

106
Q

is done with the use of ground pigments (from minerals, coal tar, vegetable matter,
etc) mixed with linseed oil and turpentine or thinner.

A

oil painting

107
Q

is done with the use of earth pigments mixed with water and
applied to fresh plaster or glue which attaches the color to the surface like a wall

A

fresco painting

108
Q

is done with the use of pigments mixed with water and applied to fine white paper.

A

watercolor painting

109
Q

is done with the use of ground pigments mixed with an albuminous or colloidal vehicle (egg yolk, gum, glue or casein).

A

tempera painting

110
Q

is done with the use of hot wax as a vehicle to blind pigments to a wooden panel or a wall

A

encaustic painting

111
Q

is done with the use of pastel colors closely resembling dry pigments bound to form crayons, which are directly applied to the surface, oftentimes paper.

A

pastel painting

112
Q

is done with the use of synthetic paints called acrylics mixed with a vehicle
capable of being thinned with water.

A

acrylic painting

113
Q
  • Light materials include paper, nipa, bamboo, and other light wood.
  • The most common materials are concrete, steel, wood, masonry, and stone. Each has different strength, weight, and durability, which makes it right for various uses.
A

architecture

114
Q

medium used for architecture

A

light and heavy materials

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