Acoustic Ecology Flashcards

1
Q

Soundscape

A

a landscape of sound; describing events heard, not objects seen

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2
Q

Acoustic environment

A

the totality of acoustic forces within a given physical space

The acoustic environment is all the sounds in a space — like voices, music, traffic, echoes, or background noise — and how they interact in that space

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3
Q

Signal

A

foreground sounds that are listened to consciously (e.g., car horns on a city street)

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4
Q

Keynote sound

A

background sounds that do not have to be listened to consciously; they are overheard but cannot be overlooked (e.g., groups of people talking amongst themselves at a cafe)

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5
Q

Soundmark

A

important community sounds possessing qualities which make them specially regarded or noticed by people in the community (e.g., an ice cream truck in a neighbourhood with many young children, or the streetcars in the city of Toronto)
 A landmark of sound

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6
Q

Archetypal sound

A

mysterious, ancient sounds which we have inherited from remote antiquity or prehistory

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7
Q

Acoustic ecology

A

the study of sounds in relationship to life and society; consideration of the effects of the acoustic environment on the creatures living in it

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8
Q

Acoustic design; module of acoustic design

A

an imagined discipline in which musicians, acousticians, psychologists, sociologists, and others would study the world soundscape together in order to make intelligent recommendations for its improvement

o Planning future sound environments for people to inhabit
o Acoustic design is not only for acoustic engineers, but for everyone; it should never become “design control from above”

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9
Q

Earlid

A

eyelids for ears

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10
Q

Earwitness

A

a firsthand account of a sound (related to the term eyewitness)

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11
Q

Clairaudience

A

the ability to perceive sounds which are inaudible

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12
Q

Noise pollution

A

the result of people not listening carefully

Typically thought of as unwanted sound; a topic of public concern

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13
Q

Soundwalk

A

an exploration of the soundscape of a given area using a ‘score’ as a guide

The ‘score’ in this case can consist of a map, listening exercises, directions, symbols, etc.

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14
Q

Graphic score

A

Musical scores using visual materials other than conventional music notation (inc. images and text descriptions)

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15
Q

Site-specific work

A

Musical works intended for performance at a specific location (often outdoors, but can also be indoors)

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